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Zār or Zaar (زار) is a pagan religious custom, apparently originating in central Ethiopia during the eighteenth century, later spreading throughout East and North Africa.[1] Zār custom involves the possession of an individual (usually female) by a spirit. It is also practiced in Egypt, southern Iran[2] and elsewhere in the Middle East.

A featured musical instrument in the Zār ritual is the tanbura, a six-string lyre (6-stringed "bowl-lyre"[3]), which, like the Zār practice itself, exists in various forms in an area stretching from East Africa to the Arabian Peninsula.[4] Other instruments include the mangour, a leather belt sewn with many goat hooves, and various percussion instruments.[4]

The Zaar cult served as a refuge for women and effeminate men in conservative, Muslim-dominated Sudan.[1]

Contents

[edit] varieties of Zār cults in Sudan

Among extant varieties of Zār cults are "zār Sawāknī (the zār from the area of Sawākin ["Dalūka, that is, zār Sawāknī"[5]]) and zār Nyamānyam {cf. /NYAMe/ ('Friend'), god of the Akan} (the zār of the Azande)"[6] : "the Nyam-Nyam have zār nugāra, with Babīnga and Nakūrma." "Babīnga and Nakūrma ... are recognized as Azande ancestral spirits." Nugāra (big drum) = "nuqara ... of the Dega tribe ... was originally from Wau."[7] (Wau is in Equatoria province of Sudan.) "Besides the nugāra of the Azande, other zār cults mentioned were those of the Fartīt [Fartīt peoples include "the Karra, Gula, Feroge, and Surro"[8]], the Shilluk, and the Dinka peoples and the dinia Nuba cult”.[9]

[edit] Ĥēṭ (spirit-modalities)in Ṭumbura

Ĥēṭ is the term of for "possessing-spirit" (also known as "spirit-modality"). "The ṭumbura spirit modalities that most present-day groups celebrate are the following ones : Nuba, Banda, Gumuz, Sawākiniyya, Lambūnāt, Bābūrāt, Bāshawāt, Khawājāt".[10] Upon becoming possessed by a ĥēṭ (literally 'thread'[11]), a devotee will don the appropriate costume. Some of these ĥēṭ costumes are :-

  • Nuba -- "a 'traditional' loincloth"[12]
  • Banda -- "a straw loincloth"[13]
  • Bāśawāt -- "a red fez"[14]
  • Ĥawājāt -- "pith-helmet, khaki shorts"[15]

[edit] References

G. P. Makris : Changing Masters : Spirit Possession and Identity Construction among Slave Descendants and Other Subordinates in the Sudan. Northwestern University Press, Evanston, 2000. ISBN 0-8101-1698-7

[edit] Notes

  1. ^ a b Natvig, Richard (July 1988), "Liminal Rites and Female Symbolism in the Egyptian Zar Possession Cult", Numen 35 (1): 57–68, doi:10.2307/3270140 
  2. ^ Modarressi, Taghi. 1968. The zar cult in south Iran. In Trance and possession states. ed. Raymond Prince. Montreal: R. M. Bucke Memorial Society
  3. ^ Makris 2000, p. 52
  4. ^ a b Poché, Christian. "Tanbūra", The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell (London: Macmillan, 2001), xxv, 62-63.
  5. ^ Makris 2000, p. 141
  6. ^ Makris 2000, p. 12
  7. ^ Makris 2000, p. 64
  8. ^ Makris p. 222, n. 5:15
  9. ^ Makris 2000, pp. 64-65
  10. ^ Makris 2000, p. 197
  11. ^ Makris 2000, p. 195
  12. ^ Makris 2000, p. 198
  13. ^ Makris 2000, p. 199
  14. ^ Makris 2000, p. 202
  15. ^ Makris 2000, p. 203


[edit] See also

[edit] Further reading

  • Fakhouri, Hani. "The Zar Cult in an Egyptian Village." Anthropological Quarterly, vol. 41, no. 2 (April 1968), pp. 49-56.
  • Seligmann, Brenda Z. "On the Origin of the Egyptian Zar." Folklore, vol. 25, no. 3 (September 30, 1914), pp. 300-323.

[edit] External links




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