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Young Sick Bacchus

Artist	Caravaggio
Year	c. 1593
Type	oil on canvas
Dimensions	67 cm × 53 cm (26 in × 21 in)
Location	Galleria Borghese, Rome

The Young Sick Bacchus, dated between 1593-1594, is an early self-portrait by Michelangelo Merisi da Caravaggio, now in the Galleria Borghese in Rome. It is also called Self-portrait as Bacchus and Bacchino Malato. According to Caravaggio's first biographer, Giovanni Baglione, it was a cabinet piece painted by using a mirror with grapes and some peaches.

The painting dates from Caravaggio's first years in Rome following his arrival from his native Milan in mid-1592. Sources for this period are confused and probably inaccurate, but they agree that at one point the artist fell extremely ill and spent six months in the hospital of Santa Maria della Consolazione. He is said to have done several paintings in thanks to the prior of the hospital for saving his life, but none survived. This work, however, unquestionably dates from the same time. It was later among the many works making up the collection of Giuseppe Cesari, one of Caravaggio's early employers, seized by the art-collector Cardinal-Nephew Scipione Borghese in 1607 together with the Boy Peeling Fruit and Boy with a Basket of Fruit.

Apart from its autobiographical content, this early painting was likely used by Caravaggio to market himself, demonstrating his virtuosity in painting genres such as still-life and portraits and hinting at the ability to paint the classical figures of antiquity. The three-quarters angle of the face was among those preferred for late renaissance portraiture, but what is striking is the grimace and tilt of the head, and the very real sense of suffering.

The still-life can be compared with that contained in slightly later works such as the Boy With a Basket of Fruit - where the fruit are much better condition, reflecting no doubt Caravaggio's improved condition, both physical and mental, after this, one of the lowest periods in his life - and the Boy Bitten by a Lizard. The painting shows the influence of his teacher, the Bergamasque Simone Peterzano, in the tensed musculature, and of the austere Lombard school in the attention to realistic detail, but the cold light bathing and isolating the subject against a dark background, and the psychological atmosphere this created, was Caravaggio's own.

[edit] See also

• Chronology of works by Caravaggio

v • d • e Caravaggio List of works 1593–1594 Boy Peeling Fruit (c. 1592) · Young Sick Bacchus (c. 1593) · Boy with a Basket of Fruit · The Fortune Teller (Buona ventura) (c. 1594) · Cardsharps (I bari) (c. 1594) 1595–1599 the Del Monte paintings The Musicians (c. 1595) · Saint Francis of Assisi in Ecstasy (c. 1595) · Saint Francis in Meditation (c. 1595) · Boy Bitten by a Lizard (c. 1596) · Apollo the Lute Player (c. 1596) · The Lute Player (c. 1596) · Bacchus (c. 1596) · Penitent Magdalene (c. 1597) · Rest on the Flight into Egypt (c. 1597) · Medusa (c. 1597) · Portrait of a Courtesan (Fillide Melandroni) (c. 1597) · Jupiter, Neptune and Pluto (c. 1597) · The Fortune Teller (c. 1597–98) · Saint Catherine of Alexandria (c. 1598) · The Sacrifice of Isaac (Princeton version) (c. 1598) · John the Baptist (c. 1598) · Martha and Mary Magdalene (c. 1598) · Portrait of Maffeo Barberini (1598) · Basket of Fruit (c. 1599) · Judith Beheading Holofernes (c. 1599) · David and Goliath (c. 1599) · Narcissus (c. 1599) · Boy Bitten by a Lizard (c. 1600) 1600–1606 Most famous painter in Rome The Calling of Saint Matthew (1599–1600) · The Martyrdom of Saint Matthew (1599–1600) · The Conversion of Saint Paul (1600) · The Crucifixion of Saint Peter (1601) · The Conversion of Saint Paul on the Road to Damascus (1601) · Supper at Emmaus (London) (1601) · The Calling of Saints Peter and Andrew · Amor Victorious (1602) · Saint Matthew and the Angel (1602) · The Inspiration of Saint Matthew (1602) · John the Baptist (Capitoline) (1602) · John the Baptist (Pamphilij) (c. 1602) · The Incredulity of Saint Thomas (c. 1602) · The Taking of Christ (1602) · Saint Francis in Meditation (Cappuccini) (c. 1603) · The Entombment of Christ (c. 1603) · The Sacrifice of Isaac (1603) · Madonna of Loreto (Madonna dei Pellegrini, Pilgrims' Madonna) (c. 1604) · John the Baptist (Kansas City) (1604) · John the Baptist (Palazzo Corsini) (1604) · The Crowning with Thorns (Prato) (1604) · The Death of the Virgin (1604) · Christ on the Mount of Olives (1605) · Ecce Homo (c. 1605) · Saint Jerome in Meditation (c. 1605) · Saint Jerome Writing (Borghese) (c. 1605) · Portrait of Pope Paul V (1605) · Still Life with Fruit on a Stone Ledge (1605) · Madonna and Child with St. Anne (Madonna de Palafrenieri, Grooms' Madonna) (1606) 1606–1608 Naples and Malta Mary Magdalen in Ecstasy (1606) · Saint Francis in Prayer (Cremona) (1606) · Supper at Emmaus (Milan) (1606) · The Seven Works of Mercy (1606) · The Crucifixion of Saint Andrew (1607) · David with the Head of Goliath (Vienna) (1607) · Madonna of the Rosary (1607) · The Crowning with Thorns (Vienna) (1607) · The Flagellation of Christ (c. 1607) · Christ at the Column (c. 1607) · Salome with the Head of John the Baptist (London) (c. 1607) · Saint Jerome Writing (Valletta) (1607) · Portrait of Alof de Wignacourt and his Page (1607–1608) · Portrait of Fra Antionio Martelli (1608) · The Beheading of Saint John the Baptist (1608) · Sleeping Cupid (1608) · John the Baptist (John the Baptist at the Fountain) (1608) 1608–1610 Sicily and Naples The Annunciation (1608) · Burial of St. Lucy (1608) · The Raising of Lazarus (1609) · Adoration of the Shepherds (1609) · Nativity with St. Francis and St. Lawrence (1609) · Salome with the Head of John the Baptist (Madrid) (1609) · Denial of Saint Peter (1610) · John the Baptist (Borghese) (1610) · The Martyrdom of Saint Ursula (1610) · David with the Head of Goliath (1610) Works attributed to Caravaggio Still Life with Flowers and Fruit · John the Baptist (Reclining) (1610) · The Tooth Puller (1607–1609) · John the Baptist (Basel) · Boy Peeling a Fruit (c. 1593) · Holy Family with St. John the Baptist · Cardsharps (pre-1594)