William Halfpenny, English 18th-century architectural designer; he described himself as "architect and carpenter".

His books deal almost entirely with domestic architecture, and especially with country houses in the neo-Gothic and Chinoiserie fashions which were so greatly in vogue in the middle of the 18th century. His most important publications, from the point of view of their effect upon taste, were New Designs for Chinese Temples, in four parts (1750-52); Rural Architecture in the Gothic Taste (1752); Chinese and Gothic Architecture Properly Ornamented (1752); and Rural Architecture in the Chinese Taste (1750-1752). This last book is believed to have introduced the word "gazebo" to the English language.

These four books were produced in collaboration with John Halfpenny, who is said to have been his son. New Designs for Chinese Temples is a volume of some significance in the history of furniture, since, having been published some years before the books of Thomas Chippendale and Sir Thomas Chambers, it disproves the statement so often made that those designers introduced the Chinese taste into this country. Halfpenny states distinctly that "the Chinese manner" had been "already introduced here with success." The work of the Halfpennys was by no means all contemptible. It is sometimes distinctly graceful, but is marked by little originality.

A number of country houses in Gloucestershire draw directly from his designs, including Stouts Hill, near Uley; Frampton Court, Frampton-on-Severn; and Upton House, near Tetbury.

Halfpenny's books were often the source for design details in eighteenth-century American houses as well, including Mount Clare in Baltimore County, Maryland, and the Chase-Lloyd House in Annapolis, Maryland.^[1]

[edit] References

1. ^ The Center for Palladian Studies in America, Inc., "Palladio and Patternbooks in Colonial America."

This article incorporates text from the Encyclopædia Britannica, Eleventh Edition, a publication now in the public domain.