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Waking Life

Theatrical release poster
Directed by Richard Linklater
Produced by Tommy Pallotta
Jonah Smith
Anne Walker-McBay
Palmer West
Written by Richard Linklater
Starring Wiley Wiggins
Kim Krizan
Lorelei Linklater
Trevor Jack Brooks
Timothy "Speed" Levitch
Alex Jones
Music by Glover Gill
Cinematography Richard Linklater
Tommy Pallotta
Editing by Sandra Adair
Distributed by Fox Searchlight Pictures
Release date(s) January 23, 2001
Running time 99 mins
Language English

Waking Life is a digitally enhanced live action rotoscoped film, directed by Richard Linklater and released in 2001. The entire film was shot using digital video and then a team of artists using computers drew stylized lines and colors over each frame. The film was Fox Searchlight Pictures' only animated film.

The title is a reference to George Santayana's maxim that "[s]anity is a madness put to good uses; waking life is a dream controlled."[1]

Contents

[edit] Plot

Waking Life is about a young man in a persistent lucid dream-like state. The film follows its protagonist as he initially observes and later participates in philosophical discussions that weave together issues such as reality, free will, the relationship of the subject with others, and the meaning of life. Along the way the film touches on other topics including existentialism, Situationist politics, posthumanity, the film theory of André Bazin, and on lucid dreaming itself.

Ethan Hawke and Julie Delpy reprise their characters from Before Sunrise in one scene.[2][3]

[edit] Cast

Wiley Wiggins plays the protagonist. The film features appearances from a wide range of actors and non-actors including Eamonn Healy, Speed Levitch, Adam Goldberg, Nicky Katt, Alex Jones, Steven Soderbergh, Steven Prince, and Louis Black,[4] as well as American philosophers David Sosa and Robert C. Solomon.

[edit] Production

Adding to the dream-like effect, the film used an animation technique based on rotoscoping.[5] Animators overlaid live action footage (shot by Linklater) with animation that roughly approximates the images actually filmed.[5][6] This technique is similar in some respects to the rotoscope style of 1970s filmmaker Ralph Bakshi. Rotoscoping itself, however, was not Bakshi's invention, but that of experimental silent film maker Max Fleischer, who patented the process in 1917.[7] A variety of artists were employed, so the feel of the movie continually changes, and gets stranger as time goes on. The result is a surreal, shifting dreamscape.

The animators used inexpensive "off-the-shelf" Apple Macintosh computers. The film was mostly produced using Rotoshop, a custom-made rotoscoping program that creates blends between keyframe vector shapes (the name is a play on the popular bitmap graphics editing software called Photoshop, which also makes use of virtual "layers"), and created specifically for the production by Bob Sabiston. Linklater would again use this animation method for his 2006 film A Scanner Darkly.

[edit] Release

Waking Life had its theatrical release on January 23, 2001. The film was released on DVD in North America on May 7, 2002. Special features included several commentaries, documentaries, interviews and deleted scenes, as well as the short film Snack and Drink. A bare-bones DVD with no special features was released on Region 2 on February 24, 2003.

[edit] Reception

Critical reaction to Waking Life has been mostly positive. It holds a rating of 80% across 137 reviews on review aggregator Rotten Tomatoes — with critical consensus that "[t]he talky, animated Waking Life is a unique, cerebral experience" — and an average score of 82 out of 100 ("universal acclaim") on Metacritic, based on thirty-one reviews.[8][9] Roger Ebert of the Chicago Sun-Times gave the film four stars out of four, describing it as "a cold shower of bracing, clarifying ideas."[10] Ebert later included the film on his ongoing list of "Great Movies".[11] Lisa Schwarzbaum of Entertainment Weekly awarded the film an "A" rating, calling it "a work of cinematic art in which form and structure pursues the logic-defying (parallel) subjects of dreaming and moviegoing",[12] while Stephen Holden of The New York Times said it was "so verbally dexterous and visually innovative that you can't absorb it unless you have all your wits about you".[13]

Conversely, J. Hoberman of The Village Voice felt that Waking Life "doesn't leave you in a dream ... so much as it traps you in an endless bull session".[14] Frank Lovece felt the film was "beautifully drawn" but called its content "pedantic navel-gazing".[15]

Nominated for numerous awards, mainly for its technical achievements, Waking Life won the National Society of Film Critics award for "Best Experimental Film," the New York Film Critics Circle award for "Best Animated Film", and the "CinemAvvenire" award at the Venice Film Festival for "Best Film". It was also nominated for the Golden Lion, the festival's main award.

[edit] Soundtrack

Soundtrack cover

The Waking Life OST was performed and written by Glover Gill and the Tosca Tango Orchestra, except for one piece written by Frédéric Chopin, and was relatively successful. Featuring the nuevo tango style, it bills itself "the 21st Century Tango." Influence for the compositions stem from the Argentine "father of new tango" Ástor Piazzolla. The actual tango scores are revised renditions of Ástor Piazzolla's works.

[edit] Related topics

[edit] Footnotes

  1. ^ Santayana, George (1989). Interpretations of Poetry and Religion (Cambridge, Mass.: MIT Press), 156.
  2. ^ 8:40 p.m. ET (2004-07-05). "Hawke and Delpy reunite ‘Before Sunset’ - More news and other features- msnbc.com". MSNBC. http://www.msnbc.msn.com/id/5334809/. Retrieved May 26, 2009. 
  3. ^ DigitallyObsessed. "dOc Scenes Interview: Dream Life: An Interview With Julie Delpy". Digitallyobsessed.com. http://www.digitallyobsessed.com/showinterview.php3?ID=28. Retrieved May 26, 2009. 
  4. ^ Deming, Mark. "Waking Life > Overview". AllMovie. http://www.allmovie.com/work/waking-life-237170. Retrieved May 26, 2009. 
  5. ^ a b Silverman, Jason (October 19, 2001). "Animating a Waking Life". [[Wired (magazine)|]]. http://www.wired.com/culture/lifestyle/news/2001/10/47433. Retrieved September 30, 2009. 
  6. ^ Howe, Desson (October 26, 2001). "Aroused by Waking Life". The Washington Post. The Washington Post Company. http://www.washingtonpost.com/ac2/wp-dyn/A50955-2001Oct25?language=printer. Retrieved May 26, 2009. 
  7. ^ US1,242,674 (PDF version) (1917-10-09) Max Fleischer, Method of producing moving-picture cartoons. 
  8. ^ "Waking Life Movie Reviews, Pictures". Rotten Tomatoes. IGN Entertainment. http://www.rottentomatoes.com/m/waking_life/. Retrieved May 26, 2009. 
  9. ^ "Waking Life (2001): Reviews". Metacritic. CBS Interactive. http://www.metacritic.com/video/titles/wakinglife. Retrieved May 26, 2009. 
  10. ^ Ebert, Roger (October 19, 2001). "Waking Life". Chicago Sun-Times (Sun-Times Media Group). http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20011019/REVIEWS/110190306/1023. Retrieved May 26, 2009. 
  11. ^ Ebert, Roger (February 11, 2009). "Waking Life". Chicago Sun-Times (Sun-Times Media Group). http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090211/REVIEWS08/902119997/-1/RSS. Retrieved May 26, 2009. 
  12. ^ Schwarzbaum, Lisa (October 18, 2001). "Waking Life". Entertainment Weekly (Time Inc.). http://www.ew.com/ew/article/0,,180109~1~0~wakinglife,00.html. Retrieved May 26, 2009. 
  13. ^ Holden, Stephen (October 12, 2001). "Surreal Adventures Somewhere Near the Land of Nod". The New York Times (The New York Times Company). http://www.nytimes.com/2001/10/12/movies/12WAKI.html. Retrieved May 26, 2009. 
  14. ^ Hoberman, J. (October 16, 2001). "New York Movies - Sleep With Me". The Village Voice (Village Voice Media). http://www.villagevoice.com/2001-10-16/film/sleep-with-me/1. Retrieved May 26, 2009. 
  15. ^ Lovece, Frank. "Waking Life Review". TVGuide.com. http://movies.tvguide.com/waking-life/review/135385. Retrieved May 26, 2009. 

[edit] References

  • Jones, Kent (2007). Physical Evidence: Selected Film Criticism. Middletown: Wesleyan University Press. pp. 76–78. ISBN 0819568449. 
  • Rosenbaum, Jonathan (2004). "Good Vibrations". Essential Cinema: On the Necessity of Film Canons. Baltimore: Johns Hopkins University Press. ISBN 0801878403. 

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