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Thomas Adams (in or before 1566 – 1620)[1] was an English publisher. Born into a yeoman's family, he became an apprentice to Oliver Wilkes, a member of the Stationers' Company, on September 29, 1582; he was transferred to a new master, George Bishop, on October 14, 1583. Adams himself was admitted to the Company on October 15, 1583.[1] By 1591, he had established himself as a printer based at the sign of the White Lion at St. Paul's Churchyard in London.[2] His business may have started when printer Robert Walley transferred ownership of a vast collection of books and ballads to Adams,[1] but existing copies indicate that Adams had these works printed for him by others.[3] In 1603, he branched out to the music publishing business, financing or printing several works by John Dowland (including The Third and Last Booke of Songes or Aires in 1603 and Andreas Ornithoparcus his Micrologus in 1609), his son Robert Dowland (Varietie of Lute-Lessons and A Musicall Banquet both in 1610), and Thomas Ravenscroft.[1][2] John Downland may have also considered Adams as publisher for Lachrimae, but ultimately decided against it.[2] In 1611, Adams moved to the sign of the Bell at St Paul's, where we would spend the remainder of his life. That same year, he purchased the rights to 60 important works of his former master, Bishop.[1] It was during this period that Adams came into conflict with William Barley over patents to print several works.[4] He ascended to the title of upper warden at the Stationers' Company in 1616.[1] He is the likely publisher of Orlando Gibbons's Fantasies of III Parts (1620)—the title page bears the inscription, "London. At the Bell in St. Pauls churchyard".[4] Adams died sometime between March and May of 1620.[5][6] His wife Elizabeth continued printing works until 1625, when she sold the rights to Adams' former apprentice, Andrew Hebb.[1] [edit] Notes
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