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For the Hindi film, see The Train: Some Lines Should Never Be Crossed.
The Train is a 1964 war movie written by Franklin Coen and Frank Davis and directed by John Frankenheimer. It stars Burt Lancaster, Paul Scofield and Jeanne Moreau.
[edit] PlotArt masterpieces looted by the German Army from French museums are being shipped to Germany; the officer in charge of the operation, Colonel von Waldheim (Paul Scofield), is an art lover and is desperate to bring the art to Germany. After the Germans remove the art chosen by von Waldheim from the Jeu de Paume Museum, curator Mademoiselle Villard seeks help from the French Resistance. Given the imminent liberation of Paris by the Allies, they need only delay the train for a few days — still, it is an extremely dangerous operation and it must be done in such a way that does not risk damaging the priceless cargo. Although the Resistance initially rejects the plan ("We won’t waste lives on paintings"; "Don’t you have copies of them?"), the men have a change of heart after a cantankerous elderly engineer, Papa Boule (Michel Simon), is executed for trying to sabotage the train on his own. That sacrifice convinces reluctant French railway area inspector Paul Labiche (Burt Lancaster) to commit his small Resistance group. They devise an elaborate ruse to reroute the train, temporarily renaming railway stations to make it appear to the German escort as if they are heading to Germany when they are actually just circling around. When it is finally discovered, Labiche has to flee for his life, while other Resistance members involved in the plot are executed. Now alone, he continues to delay the train, to the mounting rage of von Waldheim. Finally, Labiche manages to derail the engine. The Germans flag down an army convoy and learn that the Allies are not far behind. They abandon the train, after massacring the French hostages on von Waldheim's order. The colonel stays behind, unwilling to leave his treasures. When Labiche finds the bodies of the hostages, he kills von Waldheim after the German expresses contempt for Labiche and for human life versus art. [edit] Cast
[edit] ProductionThe film includes a number of sequences involving long tracking shots and real locations, a style of filmmaking rarely seen today. Much of the film was photographed using wide-angle lenses, with both foreground and background action in focus. Noteworthy tracking shots include:
During an interview with the History Channel, Frankenheimer revealed:
Frankenheimer remarked on the DVD commentary, "Incidentally, I think this is the last big action picture ever made in black and white, and personally I am so grateful that it is in black and white. I think the black and white adds tremendously to the movie." Throughout the film, Frankenheimer often juxtaposed the value of art (or money) with the value of life. This may also be read as an allegorical commentary on patriotism and war in general. [edit] Historical backgroundThe Train is based on the factual 1961 book Le front de l'art by Rose Valland, the art historian at the Galerie nationale du Jeu de Paume, who documented the works of art placed in storage there that had been looted by the Germans from museums and private art collections throughout France and were being sorted for shipment to Germany in World War II. In contrast to the action and drama depicted in the film, the shipment of art that the Germans were attempting to take out of Paris on August 1, 1944 was held up by the French Resistance with an endless barrage of paperwork and red tape and made it no farther than a railyard a few miles outside Paris.[1] [edit] Awards and nominations
[edit] ProtestGerman veterans' organizations, including the SS veterans' group HIAG, objected to Wehrmacht soldiers being depicted casually executing hostages and Resistance members in the film. They said that SS or uniformed SIPO (the Sicherheitsdienst and Gestapo) personnel should have been used for those scenes. [edit] See also
[edit] References
[edit] External links
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