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The Godfather Part II

Original movie poster
Directed by Francis Ford Coppola
Produced by Francis Ford Coppola
Co-Producers:
Gray Frederickson[1]
Fred Roos
Written by Novel:
Mario Puzo
Screenplay:
Mario Puzo
Francis Ford Coppola
Starring Al Pacino
Robert Duvall
Diane Keaton
Robert De Niro
John Cazale
Talia Shire
Lee Strasberg
Michael V. Gazzo
Music by Nino Rota
Carmine Coppola
Cinematography Gordon Willis
Editing by Barry Malkin
Richard Marks
Peter Zinner
Distributed by Paramount Pictures
Release date(s) NYC première:
December 12, 1974
LA première:
December 18, 1974
US General:
December 20, 1974
Running time theatrical: 200:45. restoration: 201:52. Michael cut: 127:56. Vito Cut 72:14. Full cut: 223:32
Country United States
Language English
Sicilian
Gross revenue $193,000,000
Preceded by The Godfather
Followed by The Godfather Part III

The Godfather Part II (also known as Mario Puzo's The Godfather Part II) is a 1974 American drama film directed by Francis Ford Coppola from a script co-written with Mario Puzo. The film is both a sequel and a prequel to The Godfather, chronicling the story of the Corleone family following the events of the first film while also depicting the rise to power of the young Vito Corleone. The film stars Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale, Talia Shire, Michael V. Gazzo and Lee Strasberg.

The Godfather Part II was nominated for 11 Academy Awards and won six, including Best Picture[2] and Best Supporting Actor for Robert De Niro, and has been selected for preservation in the U.S. National Film Registry.

Contents

[edit] Plot

The Godfather Part II presents two parallel storylines. One involves Mafia chief Michael Corleone from 1958 to 1959; the other is a series of flashbacks following his father, Vito Corleone, from his childhood in Sicily (1901) to his founding of the Corleone crime family in New York City.

The film opens in 1901, in the town of Corleone in Sicily, at the funeral procession for Vito's father, Antonio Andolini, who had been ordered killed by the local Mafia chieftain, Don Ciccio. During the procession, Vito's older brother Paolo is also murdered because he swore revenge on the Don. Vito's mother goes to Ciccio to beg him to let young Vito live. When he refuses, she holds a knife to his throat, sacrificing herself to allow Vito to escape, and Ciccio's gunmen shoot her. With the aid of a few of the townspeople, Vito finds his way by ship to New York. Arriving at Ellis Island, an immigration agent, mishearing Vito's hometown of Corleone as his surname, registers him as "Vito Corleone".

In 1958, Michael Corleone, Godfather of the Corleone Family, deals with various business and family problems at his Lake Tahoe, Nevada compound during an elaborate party celebrating his son's First Communion. He meets with Nevada Senator Pat Geary, who despises the Corleones, but has shown up with his wife to accept a large endowment to the state university. Geary demands a grossly exaggerated price for a new gaming license and a monthly payment of five percent of the gross profits from all of the Corleone Family's Nevada gaming interests, all while insulting the Corleones and Italians in general. Michael coldly tells Geary that his offer is for Geary to give him the gaming license for free.

Michael also deals with his sister Connie, who, although recently divorced, is planning to marry a man of whom Michael disapproves. He also talks with Johnny Ola, the right hand man of Jewish gangster Hyman Roth, who is supporting Michael's move into the gambling industry. Finally, Michael meets with Frank Pentangeli, who took over Corleone caporegime Pete Clemenza's territory after Clemenza's death, and now has problems with the Rosato Brothers, who are backed by Roth and attempting to intrude on Pentangeli's territory. Michael refuses to allow Pentangeli to kill the Rosatos, in order to maintain a smooth business relationship with Roth. Pentangeli leaves abruptly after arguing with Michael.

Later that night, an assassination attempt is made on Michael. Afterward, Michael tells Tom Hagen that the hit was made with the help of someone close. Michael then insists that he must leave and entrusts Hagen to protect his family. The Corleone guards then search the compound, and as Michael suspected, the gunmen are found dead.

In 1917, Vito Corleone, now married with one son (Sonny), works in a New York grocery store with his close friend Genco Abbandando. The neighborhood is controlled by a blackhander, Don Fanucci, who extorts protection payments from local businesses. One night, Vito's neighbor Clemenza asks him to hide a stash of guns for him, and later, to repay the favor, takes him to a fancy apartment where they commit their first crime together, stealing an expensive rug.

Michael meets with Hyman Roth in his home near Miami and tells him that he believes Frank Pentangeli was responsible for the assassination attempt. Traveling to his family's former home in Long Beach, New York (which is now owned by Pentangeli), Michael lets Pentangeli know that Roth was actually behind it and that Michael has a plan to deal with Roth, but needs Frankie to cooperate with the Rosato Brothers in order to put Roth off guard. When Pentangeli goes to meet with the Rosatos, their men garrote him, but the attempted murder is accidentally interrupted by a policeman. In Nevada, Tom Hagen is called to a brothel run by Fredo, where a dazed Geary is implicated in the death of a prostitute. Tom offers to take care of the problem in return for "friendship" between the Senator and the Corleone Family. It is implied that the entire event was staged by the Corleone Family in order to gain leverage with Geary and force his cooperation.

Meanwhile, Michael meets Roth in Havana, Cuba at the time when dictator Fulgencio Batista is soliciting American investment, and guerrillas are trying to bring down the government. Hyman Roth is celebrating his birthday with business partners, when Michael reveals to Roth and others that he is hesitant to invest after he saw a rebel suicide bomb several of Batista's policemen with a grenade, convincing him that Fidel Castro is capable of taking over. Roth privately requests Michael's investment once again.

Fredo, carrying the promised money, arrives in Havana and meets Michael. Michael confides to his brother that it was Roth who tried to kill him, and that he plans to try again. Michael assures Fredo that he has already made his move, and that "Hyman Roth will never see the New Year." Instead of turning over the money, Michael asks Roth who gave the order to have Frank Pentangeli killed. Roth avoids the question, instead speaking angrily of the murder of his old friend and ally Moe Greene, which Michael had orchestrated (as depicted at the end of the first film), saying, "I didn't ask who gave the order, because it had nothing to do with business!".

Michael asks Fredo to show Geary and other important American officials and businessmen a good time, during which Fredo pretends to not know Johnny Ola. Later in the evening, however, Fredo drunkenly comments that he learned about the place from Johnny Ola, contradicting what he told Michael twice earlier. Michael now realizes that the traitor in the Corleone Family is his own brother, and dispatches his bodyguard back to their hotel to kill Roth. There, Johnny Ola is strangled, but Roth, whose health is failing, is taken to a hospital before he can be assassinated. Michael's bodyguard follows, but is shot by police while trying to smother Roth with a pillow.

At Batista's New Year's Eve party, at the stroke of midnight, Michael grasps Fredo tightly by the head and gives him the Kiss of Death, telling him "I know it was you Fredo; you broke my heart." Batista announces he is stepping down due to unexpected gains by the rebels, and the guests flee as the guerrillas pour into the city. Michael appeals to his brother to join him in leaving the country, but Fredo runs away, frightened.

Michael returns to Las Vegas, where Hagen tells him that Roth escaped Cuba after suffering a stroke and is recovering in Miami. Hagen also informs Michael that Kay had a miscarriage while he was away.

In New York, in 1921, Don Fanucci is now aware of the partnership between Vito, Clemenza and Sal Tessio, and demands that they "wet his beak." Clemenza and Tessio agree to pay, but Vito is reluctant and asks his friends to leave everything in his hands to convince Fanucci to accept less money, telling his friends "I make him an offer he don't refuse." Vito manages to get Fanucci to take only one sixth of what he had demanded. Immediately afterwards, during a neighborhood festa, Vito kills Fanucci and escapes via the rooftops of the tenement buildings.

Michael returns to his compound in Lake Tahoe. In Washington, D.C., a Senate committee, of which Geary is a member, is conducting an investigation into the Corleone Family. They question disaffected "soldier" Willi Cicci, but he cannot implicate Michael because he never received any direct orders from him.

Michael Corleone (Al Pacino) appears before the United States Senate committee, with his wife Kay (Diane Keaton) in the background.

When Michael appears before the committee, Geary makes a big show of supporting Italian-Americans and then excuses himself from the proceedings. Michael makes a statement challenging the committee to produce a witness to corroborate the charges against him. The hearing ends with the Chairman promising a witness who will do exactly that (Pentangeli). Tom Hagen and Michael discuss the problem. They observe that Roth's strategy to destroy Michael is well planned. Michael's brother Fredo has been found and persuaded to return to Nevada, and in a private meeting he explains to Michael his betrayal: he is upset about being passed over to head the Family in favor of Michael. He helped Roth, thinking there would be something in it for him, but he swears he didn't know they wanted to kill Michael. He also tells Michael that the Senate Committee's chief counsel is on Roth's payroll. Michael then disowns Fredo and privately instructs Al Neri that nothing is to happen to Fredo while their mother is still alive.

Frank Pentangeli has made a deal with the FBI to testify against Michael, believing he was the one who organized the attempt on his life. At the hearing in which Pentangeli is to testify, Michael arrives accompanied by Pentangeli's brother Vincenzo, brought in from Sicily. Upon seeing his brother, Frank Pentangeli recants his earlier statements, saying that he runs his own family, and claims that the Corleone family is innocent of any wrongdoing, thereby derailing the government's case.

At a hotel room afterwards, Kay tries to leave Michael and take their children with her. Michael at first tries to mollify her, but, when she coldly reveals to him that her recent "miscarriage" was actually an abortion to avoid bringing another son into Michael's criminal family, Michael explodes in anger and slaps her in the face.

In 1925, Vito visits Sicily for the first time since leaving for America. He is introduced to the elderly Don Ciccio by Don Tommasino (who initially helped Vito escape to America) as the man who imports their olive oil to America, and who wants his blessing. When Ciccio asks Vito who his father was, Vito says, "My father's name was Antonio Andolini, and this is for you!" He then stabs the old man to death.

Carmella Corleone, Michaels mother, dies and the whole Corleone family reunites at the funeral. Michael is still shunning Fredo, but relents when Connie implores him to forgive his brother. Michael and Fredo embrace.

Michael, Hagen, Neri, and Rocco Lampone discuss their final dealings with Roth, who has been unsuccessfully seeking asylum from various countries, and was even refused entry to Israel as a returning Jew. Michael rejects Hagen's advice that the Corleone Family's position is secure and that killing Roth and the Rosato brothers for revenge is an unnecessary risk. Later, Hagen pays a visit to Frank Pentangeli at the military base. Hagen talks about the honor of the Roman Empire, and Frank hints that if he were to commit suicide, he and his family would be spared and taken care of. They agree on this and shake hands.

With the help of Connie, Kay visits her children, but cannot bear to leave them and stays too long. When Michael arrives, he closes the door in her face.

The film reaches its climax in a montage of assassinations and death:

  • As he arrives in Miami to be taken into custody, Hyman Roth is killed by Rocco Lampone disguised as a journalist. Lampone is immediately shot dead in turn, by FBI agents.
  • Frank Pentangeli is found dead in his bathtub, having slit his wrists.
  • Finally, Fredo is murdered by Al Neri while they are fishing on Lake Tahoe, as Fredo is saying a Hail Mary to help catch a fish.

The penultimate scene takes place as a flashback to December 1941 as the Corleone family is preparing a surprise birthday party for Vito. Sonny introduces Carlo Rizzi, Connie's future husband, to his family. Sal Tessio comes in with the cake, and they all talk about the recent attack on Pearl Harbor by the Japanese. Michael shocks everybody by announcing that he has dropped out of college and enlisted in the United States Marines. Sonny angrily ridicules Michael's choice, while Tom Hagen mentions how his father has great expectations for Michael and has pulled a lot of strings to get him a draft deferment. Ironically, Fredo is the only one who supports his brother's decision. When Vito arrives (offscreen), all but Michael leave to greet him.

After a final flashback depicting Vito and a young Michael leaving Corleone by train, the film ends with Michael sitting outside the Lake Tahoe compound, alone in contemplative silence.

[edit] Cast

[edit] Casting notes

  • James Caan agreed to reprise the role of Sonny in the birthday flashback sequence on the condition that for the single scene he be paid the same amount he received for the entire last film. He got his wish. Marlon Brando initially agreed to return for the brief but important birthday flashback sequence, but the actor, feeling mistreated by the board at Paramount, failed to show up for the single day's shooting. Coppola rewrote the scene that same day. Richard Castellano, who portrayed Pete Clemenza in the first film, also declined to return, as Castellano and the producers could not reach agreement on Castellano's demands that he be allowed to write the character's dialogue in the film. Clemenza's role was subsequently filled by his successor, Frank Pentangeli.
  • Troy Donahue, in a small role as Connie's boyfriend, plays a character named Merle Johnson: Merle Johnson is Troy Donahue's birth name.
  • Dominic Chianese, notable for his role as Uncle Corrado "Junior" Soprano in The Sopranos, plays the role of Johnny Ola in his film debut.
  • Two actors who appear in the film played different character roles in other Godfather films; Carmine Caridi, who plays Carmine Rosato, also went on to play crime boss Albert Volpe in The Godfather Part III, and Frank Sivero, who plays a young Genco Abbandando, also plays a bystander to the fight between Sonny Corleone and Carlo Rizzi in The Godfather.
  • Among the Senators in the hearing committee are film producer/director Roger Corman, writer/producer William Bowers, producer Phil Feldman, and science-fiction writer Richard Matheson.

[edit] Production

The Godfather Part II was shot between October 1, 1973 and June 19, 1974, the last major American motion picture to be filmed in Technicolor. The scenes that took place in Cuba were shot in Santo Domingo, Dominican Republic.[3] Charles Bluhdorn, whose Gulf+Western conglomerate owned Paramount, felt strongly about developing the Dominican Republic as a movie-making site.

The Lake Tahoe house and grounds portrayed in the film are Fleur du Lac, the summer estate of Henry J. Kaiser on the California side of the lake. The only structures used in the movie that still remain are the complex of old native stone boathouses with their wrought iron gates. Although Fleur du Lac is private property and no one is allowed ashore there, the boathouses and multi-million dollar condominiums may be viewed from the lake.

George Lucas commented on the film after its five-hour long preview, telling Coppola: "You have two films. Take one away, it doesn't work."

In the director's commentary on the DVD edition of the film (released in 2002), Coppola states that this film was the first major motion picture to use "Part II" in its title. Paramount was initially opposed to his decision to name the movie The Godfather Part II. According to Coppola, the studio's objection stemmed from the belief that audiences would be reluctant to see a film with such a title, as the audience would supposedly believe that, having already seen The Godfather, there was little reason to see an addition to the original story. The success of The Godfather Part II began the Hollywood tradition of numbered sequels.

[edit] Additional/deleted scenes

For both The Godfather and The Godfather Part II, many scenes that were shot were not shown in the original theatrical runs but were included in the television adaptation The Godfather Saga (1977) and the home video releases The Godfather 1901-1959: The Complete Epic (1981) and The Godfather Trilogy: 1901–1980 (1992). To date, there has not been a single release that contains all of this footage together in one collection.[citation needed]

A limited time-reduced version of The Godfather Part II was later released because of its runtime. The shorter version was 2hr 7min 56sec rather than the original 3hr 20min 45sec version.[citation needed]

[edit] Reception

The Godfather Part II ranks among the most critically and artistically successful film sequels in movie history, and is the most honored. Many critics praise it as equal, or even superior, to the original film (although it is almost always placed below the original on lists of "greatest" movies). The film received a "98%" rating on Rotten Tomatoes with only one rotten review. The film also regularly ranks independently on many "greatest movies" lists.

The Godfather Part II is ranked as the #1 greatest movie of all time in TV Guide's "50 Best Movies of all time", and is ranked at #7 on Entertainment Weekly's list of the "100 Greatest Movies of All Time". The film is also featured on movie critic Leonard Maltin's list of the "100 Must-See Films of the 20th Century", as well as Roger Ebert's "Great Movies" list. It was also featured on Sight and Sound's list of the ten greatest films of all time in 1992 and 2002.

Like the film itself, Al Pacino's performance has become legendary. The general public and many movie critics have praised Pacino's performance in Part II as perhaps his best, and one of the best performances of all time by any actor. Many critics have criticized the Academy Awards for not awarding Pacino the Academy Award for Best Actor (Art Carney won instead, for his role in Harry and Tonto). In 2006, Premiere Magazine issued "The 100 Greatest Performances of all Time", ranking Pacino's performance at #20.[4]

[edit] Awards and honors

Academy Awards record[5]
1. Best Supporting Actor, Robert De Niro
2. Best Art Direction, Dean Tavoularis, Angelo P. Graham, George R. Nelson
3. Best Director, Francis Ford Coppola
4. Best Original Score, Nino Rota, Carmine Coppola
5. Best Picture, Francis Ford Coppola, Gray Frederickson, Fred Roos
6. Best Adapted Screenplay, Francis Ford Coppola, Mario Puzo
BAFTA Awards record
1. Best Actor, Al Pacino

Between The Godfather and The Godfather Part II, Coppola directed The Conversation, which was released in 1974 and was also nominated for Best Picture. This resulted in Coppola being the second director in Hollywood history to have two films released in the same year nominated for Best Picture. (The first was Alfred Hitchcock in 1941 with Foreign Correspondent and Rebecca, which won. This achievement was matched by Herbert Ross in 1977 with The Goodbye Girl and The Turning Point and again with Steven Soderbergh in 2000, when the films Erin Brockovich and Traffic were both nominated for Best Picture.)

American Film Institute recognition

[edit] Miscellany

  • This was the final major film to be processed in Technicolor.
  • The scene in which Vito negotiates with Don Fanucci inspired George Lucas' deleted (and later restored) scene in Star Wars Episode IV: A New Hope, in which Han Solo negotiates with Jabba the Hutt for more time to pay the money he owes.
  • The character Hyman Roth, portrayed by Lee Strasberg, is based on Meyer Lansky. Shortly after the premiere in 1974, Lansky phoned Strasberg and congratulated him on a good performance, but added "You could've made me more sympathetic."
  • Richard Nixon was said by Coppola to have been the inspiration for Peter Donat's character, Questadt the Senate lawyer.
  • The Senate hearings seem a conflation of the Kefauver and McClellan committees on organized crime and union corruption, respectively; the former, a more general investigation of Mafia corruption, was only operable from 1950 through '51, but the McClellan committee's investigations (focused on Mob infiltration of labor unions like the Teamsters) would be contemporaneous to the film's events. Roth specifically mentions Kefauver at one point in the film.
  • The murder of Roth by Rocco Lampone visually recalls Jack Ruby's assassination of Lee Harvey Oswald.
  • In an early draft of the script, Tom Hagen had an affair with Sonny's widow, causing some friction within the Corleone family. This sub-plot was soon cut from the script, though Michael refers to Sonny's widow as his mistress.
  • The statue carried during the Festa (in the movie, The Feast Of St. Rocco) is of St. Rocco and is currently located at St. Joseph Church in New York City. The priest in the Festa is Rev. Joseph Moffo, who was the pastor of St. Joseph at the time of the filming. In addition, the altarboys and men carrying the canopy were also from St. Joseph. Coincidentally, Fr. Moffo was also a priest at the Church Of St. Rocco in Johnston, RI, for some time in the late 1960s and again in the mid 1980's.
  • The Italian spoken in the film is actually an amalgamation of Southern Italian dialects (or languages: see Sicilian language, Calabrian languages), markedly different from the standard Tuscan-based Italian language.
  • After bad experiences directing the first film, Coppola originally sought Martin Scorsese to direct the sequel after seeing Mean Streets. Eventually, under pressure from Paramount, Coppola directed, but was also given other incentives such as a larger budget and the chance to make The Conversation in the same year.

[edit] References

[edit] External links

Awards and achievements
Preceded by
The Sting
Academy Award for Best Picture
1974
Succeeded by
One Flew Over the Cuckoo's Nest



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