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The Color of Pomegranates

DVD cover
Directed by Sergei Parajanov
Written by Sergei Parajanov
Sayat-Nova (poems)
Narrated by Armen Dzhigarkhanyan
Starring Sofiko Chiaureli
Melkon Aleksanyan
Vilen Galstyan
Giorgi Gegechkori
Music by Tigran Mansuryan
Studio Armenfilm
Release date(s) 1968
Running time 79 minutes
Country Soviet Union
Language Armenian

The Color of Pomegranates (Armenian: Նռան գույնը, Nran guyne; originally released in the Armenian SSR as Սայաթ-Նովա, Sayat Nova) is a 1968 motion picture by the Soviet Armenian director Sergei Parajanov, considered to be one of the best movies ever made by Federico Fellini, Jean-Luc Godard, Michelangelo Antonioni, and many others.[1] It was censored, refused an export license and banned in the Soviet Union but made the Top 10 list in Cahiers du cinéma[2] in 1982 and Top 100 in Time Out[3].

Contents

[edit] Overview

The Color of Pomegranates is a biography of the Armenian ashug Sayat Nova (King of Song) that attempts to reveal the poet's life visually and poetically rather than literally. The film depicts the poet's coming of age, discovery of the female form, falling in love, entering a monastery and dying, all framed through both Sergei Parajanov's imagination and Sayat Nova's poems. Actor Sofiko Chiaureli notably plays six roles in the film, both male and female.[4]

The director had claimed his inspiration was "the Armenian illuminated miniatures. I wanted to create that inner dynamic that comes from inside the picture, the forms and the dramaturgy of colour."[5]. Paradjanov once made a speech in Minsk in which he asserted that the Armenian public very likely did not understand Sayat Nova, but then said that people "are going to this picture as to a holiday" (Paradjanov, "Vystuplenie" 610). The Color of Pomegranates was referenced in the films Peter Greenaway in Indianapolis (1997) and Erased Faces II (2006).[citation needed] Clips from the movie are used in a music video for the song God Is God by the musical group Juno Reactor and later also by the Iranian band Kiosk.

[edit] Cast

[edit] Themes

The film deals with such themes such as:

  • A poet's soul and state of mind[citation needed]
  • the destiny of the 'selfless heart' man (genius or not) and the solitude of exceptional human beings.[citation needed]
  • the superficiality of the world[citation needed]
  • the Armenian culture which accompanied the poet: clothes, music, colors, art in life, centuries-old monasteries, religion and customs in life of people.[citation needed]
  • celebration of a country's traditions and folklore.[citation needed]
  • a poet dies but his muse is immortal (from the poetry of Sayat Nova himself)[citation needed]

[edit] Critical reception

The film could be considered non-narrative, with the story carried visually or aurally, and uses highly conceptual imagery. It is a series of Tableau vivants, often preferring cuts to camera moves. Filmmaker Mikhail Vartanov has said, "besides the film language suggested by Griffith and Eisenstein, the world cinema has not discovered anything revolutionarily new until the 'Color of Pomegranates,' not counting the generally unaccepted language of the 'Andalusian Dog' by Buñuel." According to Michelangelo Antonioni, "Parajanov’s Color of Pomegranates is of a stunningly perfect beauty. Parajanov, in my opinion, is one of best film directors in the world."[6]

[edit] See also

[edit] References

[edit] External links




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