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e · h · w · Stock post message.svg To-do:
  1. Remove the "as of 1911" reference by fact-checking the related information to determine whether or not it is still true.
  2. clearly and early on, give the first theoretical justification of copyright law: compared to having everything in the public domain, the copyright system should result in more creative works, and higher-quality works
  3. clearly and early on, give the second theoretical justification of copyright law: that it's only fair that an author should be able to control and profit by his/her creations
  4. explore if and how these justifications have played out historically, and where they came from
  5. critically evaluate copyright law, citing, for example, cost/benefit studies. is copyright law working? if so, for whom?
  6. examine how copyright is perceived by "common people"
  7. cover the effects of "piracy", both in the "first world" and in places where enforcement is lax, e.g. China and South America
  8. give an example of a typical and/or high-profile copyright enforcement case
  9. Add the concept of the "Poor Man's Copyright", and emphasize whether or not it has ever held up in court.
  10. Add a 'permission granted by copyright holder to use on wikipedia' template option to the dropdown on the file upload page.

(Moved from talk page. Feel free to edit this. It should reflect the consensus of what needs to be worked upon.)

Priority 1 (top)

This page is for discussion of the particular contents of the Copyright article, or for straightforward questions about copyright. This article is not the place for:

  1. debates about the merits of copyright. See Talk:Copyright/is copyright worthwhile?.
  2. discussion of Wikipedia's copyright policies. See Wikipedia:Copyrights, or, for more informal discussion, see Wikipedia:Copyright issues.
  3. Legal advice about copyright. Please see an attorney authorized to practice law in your jurisdiction.

Contents

[edit] Information about copyright symbol

Copyright symbol redirects to this article, but there's no information about the symbol here. It would be great to know its history, how to generate it from a keyboard, etc. -GTBacchus(talk) 01:20, 30 August 2007 (UTC)

Good point. The copyright symbol is a typographical symbol. I don't have the knowledge to write the article, though. --lquilter 14:07, 14 October 2007 (UTC)
I do, so I did. --TJRC 02:03, 1 December 2007 (UTC)

(Indent reverted) How to generate Copyright symbol is described in article by holding the ALT key while typing the numbers 0169 on the numeric keypad. History for C in circle or "(C)" (is valid instead of C in circle) mark set is told on 6 September 1952, though not clear statement found by myself in English web site(s).

Note: the symbol of a lower case "c" inside of a circle accompanied by the name of the copyright proprietor and the year of first publication placed in such manner and location as to give reasonable notice of claim of copyright

The three element, Copyright+issue year+Writersname is used quite popular in general, such as "© 2008 Writers-name, All rights reserved. or "Copyright 2008 Writers-name, All rights reserved", however without showing this, Copyright is protected by "copyright law"of each country.

"Copyright 2008-2010 Writers-name, All rights reserved" is very ambiguity against Universal Copyright Convention, because moment of issue year timing is not specified exactly.

Search keywords is/are: the 1952 Convention Copyright (C)

The following web site and description may help you. My English en-2 may not help interpret and edit article correctly.

http://www.unesco.org/culture/laws/copyright/html_eng/page1.shtml the 1952 Convention http://fletcher.tufts.edu/multi/texts/UNTS13444.html 4th paragraph: Have resolved to revise the Universal Copyright Convention as signed at Geneva on 6 September 1952 (hereinafter called "the 1952 Convention"), and consequently, http://www.cni.org/docs/infopols/US.Universal.Copyright.Conv.html

http://www.cric.or.jp/cric_e/clj/ocl.html [Ref.] International Conventions (Status as of August 2006)

http://www.unesco.org/culture/copyright/html_eng/ucc52ms.pdf

http://www.britannica.co.jp/azbrowse/u/u7.html Universal Copyright Convention

http://www.britannica.com/eb/article-9074354/Universal-Copyright-Convention --Namazu-tron (talk) 00:54, 18 January 2008 (UTC)

[edit] Unrelated link

I am removing this link http://info4.juridicas.unam.mx/ijure/tcfed/133.htm?s= because it does not relate to the subject of copyright. This site is about the Mexican "Federal Law of Animal Sanity" ("Ley Federal de Sanidad Animal") Amoscare (talk) 08:09, 11 January 2008 (UTC)

I'm all for removing unrelated links, but I just got to know: "Animal Sanity"? There's a Mexican law about crazy animals? (Maybe "Sanitation" is the better translation?)--TJRC (talk) 18:58, 11 January 2008 (UTC)

I am removing the link * Against Perpetual Copyright from the external links as it is not directly related to the topic and is an opinion piece. Sbauman487 (talk) 00:36, 10 September 2008 (UTC)

[edit] Distinguish US Copyright Law

Perhaps this article could be improved or clarified by separating or distinguishing US copyright law from that of other nations, the WTO TRIPs regime, or the WIPO. The purpose of copyright is subtly different in the US than in parts of Europe. US law, enshrined in the Constitution, is very interested in striking a balance between protecting innovation and delivering "the useful arts" to the people. In Europe, copyright purpose is more geared toward protecting an artist's "moral rights" in his or her work from dilution or use by others. This is a fundamental conceptual difference that's hard to discuss under the monolithic heading of "copyright" that doesn't distinguish between the different purposes of copyright.

However, the US and the world moved closer to more uniform copyright laws after the Uruguay Round of GATT. The Digital Millennium Copyright Act (DMCA) signed into law in the US has made it possible to possess a copyright in a work created without registering it at all (although there are still advantages to registration). The DMCA was also the domestic (US) enabling legislation Congress enacted as part of the US obligation under the Uruguay Round talks of GATT / TRIPs. TRIPs are administered by the WTO. Bkinloch (talk) 19:47, 21 May 2008 (UTC)

[edit] Copying Section Incorrect

Section http://en.wikipedia.org/wiki/Copyright#What_is_a_.22copy.22.3F on What is a "copy"? incorrectly states that a "A three-dimensional counterpart of a two-dimensional drawing is usually not a “copy” of the drawing, under United States copyright law" This is contrary Rogers v Koons and other cases. http://en.wikipedia.org/wiki/Rogers_v._Koons http://www.owe.com/legalities/legalities30.htm —Preceding unsigned comment added by 75.0.176.62 (talk) 17:32, 17 October 2009 (UTC)

[edit] Write an article FOR this magazine. What does that really mean?

I responded to a newspaper ad that advertised a position as journalist. The editor asked me to write a 300 word article for the publication she sought a journalist for. I sent the article through via email on the deadline. Although I came in subsequently for another test, they told me that they found a journalist for the position.

Months later the publisher called me to offer me a job, not as a journalist, but advertising sales person. I took the job, and discovered my article in one of their magazines. They had printed it for publication without my consent, without giving me credit, and without paying for the article.

Their argument was that they asked me to write an article FOR this publication. The editor said, she did not know it was my article when it went to print, and she was unwilling to pay me for it. Have they acted illegally / unlawfully according to South Africn copyright laws? —Preceding unsigned comment added by Inktaps (talkcontribs) 12:20, 11 February 2008 (UTC)

Wikipedia is not the best place to go for legal advice. You should really ask a South African copyright attorney. · jersyko talk 13:48, 11 February 2008 (UTC)

[edit] Creatrix?

"Creatrix" is not really a word, is it? Perhaps in theology, but hopefully not in the context of copyright law? I believe that "creator" applies equally to males and females. —Preceding unsigned comment added by 142.177.153.132 (talk) 20:29, 15 February 2008 (UTC)

[edit] "Life of the Author"

Could someone clarify what the life of the author plus 50 or 70 years means? Does it mean the date of death and 50 or 70 years or something else? Thanks.--Gramy! 17:44, 14 March 2008 (UTC)

Sorry. I didn't read the rest of the section. I get it now. If someone else was confused by this, then you should probably change it.--Gramy! 17:48, 14 March 2008 (UTC)

This is best resolved by example to avoid confusion - e.g. John wrote a book when he was 30 and it was published immediately after he wrote it. He died when he was 80. Copyright would end either 50 or 70 years AFTER he died (depending on the specific copyright term for books). I believe for books the duration is 70 years (i haven't checked this, but am pretty sure). Hence copyright on the book would end 70 years after his death and 120 years after John initially wrote it. Hope this clarifies any issues. —Preceding unsigned comment added by ToyotaPanasonic (talkcontribs) 07:01, 24 April 2008 (UTC)



[edit] Recieving Copyright

Can you please describe how to get the copyrights? Is it something any particular organization provides it? —Preceding unsigned comment added by 193.34.231.233 (talk) 10:22, 8 May 2008 (UTC)

How to indicates that that is guide, and this is different per country :Sterremix (talk) 14:04, 27 June 2008 (UTC)

No organization or authorization needed - international copyright protection is automatic, it exists as soon as a work is created, and this principle applies in all the countries party to the Berne Convention.[1] —Preceding unsigned comment added by Cmd4632 (talkcontribs) 15:04, 22 November 2008 (UTC)

  1. ^ [1]

[edit] Question

If I had created a compilation CD, would I be able to put it on Last.fm? I don't mean like uploading the tracks, just the tracklist. Would that be copyright or not? Tcatron565 (talk) 01:03, 12 May 2008 (UTC)

Wikipedia is not a forum. Seek help elsewhere. Cavenba (talkcontribs) 16:31, 14 June 2008 (UTC)

[edit] Transfer and Licensing

I feel like there should be a separate page for discussion of Transfer and Licensing, discussing types of contracts, exclusive vs. non-exclusive licenses, and so forth. —Preceding unsigned comment added by 152.3.228.75 (talk) 18:22, 28 July 2008 (UTC)

[edit] POV in "Justification" section

The "Justification" section is an interesting essay, but it's largely opinion. I share much of the opinion expressed here, but it's not appropriate for an encyclopedia article. I've stricken one paragraph that was pure editorial. The rest could still use some edit. 20:19, 19 September 2008 (UTC)

Why is this edit unsigned? Looks like vandalism without a signature. I'm removing the tag until someone places one who is willing to sign it and improve it. Dr. Perfessor (talk) 02:02, 24 November 2008 (UTC)
the section is now referenced. It could do with some extension but the basics is covered.--SasiSasi (talk) 19:26, 27 January 2009 (UTC)

[edit] Constitutionality of term extensions

Absent from this discussion, at least as far as US Copyright Law, is the defacto notion that copyright extension is itself unconstitutional, being in direct violation of the specific Constitutional statements regarding the inability of Congress to produce "no ex post facto bill of attainder", that is, to change the rules in play. Alterations to copyright laws can alter the copyright length of newly produced material after the law has been altered, but changing the length of copyright is tantamount to extending the length of your sentence for a crime after you've already been convicted and sentenced for that crime. That no one has yet challenged this is probably due to the need for a large war chest to fight Disney's deep pockets on the matter. —Preceding unsigned comment added by 24.250.219.28 (talk) 10:14, 6 October 2008 (UTC)

The reason no one's challenged this is more likely that it's a fringe theory that has no chance of succeeding. There have been some substantial challenges to the copyright term extension, on theories with more substantial foundation; See, for example, Eldred v. Ashcroft. The idea that challenges are not being brought doesn't match reality.
Setting aside that a bill of attainder and an ex post facto law are two different things, not an "ex post facto bill of attainder," this article wouldn't be the right place for a discussion of that theory. This article is a discussion of copyright in general, and the idea you propose is limited to one specific facet (term) of on jurisdiction's (US) copyright law. If it would go anywhere, an appropriate place might be a line or two in an article like Copyright Term Extension Act; but only if there are reliable sources that discuss it. TJRC (talk) 14:57, 6 October 2008 (UTC)

[edit] Vandalism

I've noticed that even now, unregistered users still mess up this topic. I would like to propose a semi-lock on this topic to protect it from future spamming. Adam Hillman (talk) 13:17, 21 October 2008 (UTC)

Not sure if it's down to vandalism but there is a weird bias in this article towards publishers. It's very odd and creepy and tries to make it seem like copyrights should always go automatically to publishers, when the whole point of copyright was originaly to protect authors from publishers to maintain the flow of ideas to create more good works (as the article itself even quotes!). In fact copyright has always gone to the author first and not the publisher. I've tried to correct this. It's not at all nice that someone has done this however. --Kystal (talk) 01:20, 25 December 2008 (UTC)

Actually, copyright does not always automatically go to the author. Probably it should, but if you want to be published, many journal publishers--and encyclopedia publishers--routinely require the author turn over copyright to them as a condition of publication. In a "publishe or perish" academic environment this is certainly exploitation, but its real. Mervyn Emrys (talk) 04:12, 26 December 2008 (UTC)
Thanks for the reply Mervyn. Actually thats true of course and I think in many countries if they work for the publisher they don't even have to turn over the copyright as it is considered "work for hire". :( Technically copyright still goes to the author tho, it's just the legal author is now the company in question. This applies to people employed by the publisher of course. If you are an independent author then copyright still goes directly to you! If you choose to then sell it to a publisher thats your choice. Publishers will of course need you to give them some copyright in some form otherwise they aren't allowed to print anything!--Kystal (talk) 14:11, 28 December 2008 (UTC)

[edit] wordwide view: copyright/author's rights

There are fundamental differences between the common law concept of copyright and the civil law author's rights. This article quite obviously isn't aware of this and anglocentrically treats copyright in the common law sense as if it were universal. But since the article author's rights exists, it shouldn't be too difficult to fix this. It should be noted in this article that in a large part of the world—the larger one, in fact—"copyright" takes on the different form of author's rights, which is a fundamentally different concept, although the effects are largely, but not completely, the same. "Author's rights" should be linked and at least be shortly defined. They comprise moral rights and property rights. The moral rights are personality rights. Therefore, while the property rights are transferable, the moral rights are so only in case of death—to the heirs. This also explains why author's rights come to existence together with the work, without any need to claim them.

It might also be helpful to know that the Berne Convention is founded on author's rights. On the other hand, the expression "intellectual property" is closely linked to copyright and remains somewhat alien to civil law, although it is now used there widely, too. German legalese for example prefers to speak of "Immaterialgüterrecht". Now don't make me translate that. --88.67.45.138 (talk) 08:19, 13 November 2008 (UTC)

[edit] Tags

For a former featured article, this one has too many tags for neutrality, verification and references. Is somebody using these tags inappropriately? The tag for neutrality says there is a dispute, but there is no dispute noted on this talk page for that section. The article appears to have adequate, authoritative references which can easily be verified with hot links. Isn't it time the tags were removed, or for whoever put them there to make a real contribution to the article instead of merely being critical? Dr. Perfessor 03:12, 23 November 2008 (UTC)

Substantial parts of the article does not cite any references at all, which is not in line with Wikipedia quality standards. Tag or not, the problem remains. Maybe instead of removing tags, the problems should be addressed. The tags are not about being critical but providing readers with guidelines as to the reliability of the information in the article, and editors with a reference on which articles need improvement (tagged articles are far likelier to become the focus of cleanup efforts than untagged articles). If you for example look at the Good Article (GA) criteria it gives you a good picture of which quality standards the article should meet, and in the moment it falls far short.--SasiSasi (talk) 13:06, 24 November 2008 (UTC)
Fine, so add some references, please. Enough already with the lectures. How about some edits? Contributions? Dr. Perfessor (talk) 23:01, 24 November 2008 (UTC)
coming from you! where are your contributions apart from removing tags and waffling on talk pages. :-)--SasiSasi (talk) 23:48, 24 November 2008 (UTC)
All over Wikipedia, since September. Please see WP:BITE. Have a nice day. Mervyn Emrys (talk) 04:06, 26 December 2008 (UTC)

[edit] US centric Article

As the case with so many other Articles this piece talks of copyright law as if it exist only in United States. Whereas one can understand the economic significance of copyright law in the US since RIAA MPAA and many huge corporations rely soley on these laws for their major source of revenues, it does not warrant filling up of copyright law article substantially with US copyright legal regime. The Article goes into details US copyright law in nitty gritty when there exists another separate article on US copyright law. It only makes a passing refernce to other common law countries and to very less extent to civil law copyright system. I hope this inherent bias running across various Articles, and discussion pages (talking only of US situations) could be neutralized by doing research on other countries around the world. I do not object to giving more bytes to US if it is justified in the context of the Article. —Preceding unsigned comment added by 202.138.120.65 (talk) 09:10, 27 December 2008 (UTC)

This is a historic problem, and a common one as well. Many contributors to the English Wikipedia are from the US and my impression is that to start with many articles were written from a US perspective for US readers. Many articles are now being "globalised" as per wikipolicy (it takes its time), see tag below.

--SasiSasi (talk) 19:35, 27 January 2009 (UTC)

[edit] Globalising the article

I have started to move some of the very US specific stuff into the United States copyright law... I will do some work on this over the next days (time, oh time), any help is welcome.--SasiSasi (talk) 20:36, 27 January 2009 (UTC)

[edit] The term "Intellectual Property"

Use of the term "Intellectual Property" is right wing POV-pushing that should be avoided. The neutral way is to refer to copyrights, patents, and trademarks separately. Jwray (talk) 19:08, 12 April 2009 (UTC)

Jwray, I am afraid that the train left the station long ago on this one. I remember during the 1970s opposing the use of "intellectual property" to talk about patents, and meeting consistent defeat. The American Patent Law Ass'n changed its name to the American Intellectual Property Ass'n; the Patent Section (of which I was Chief) of the US Dep't of Justice's Antiotrust Division became the Intellectual Property Section; and innumerable law committees changed their names. The term is pretentious and affected, but I think it goes to far to call it a right-wing POV-pusher. The worst it does is to imply that patents and copyrights are somehow sacred and inviolable (as in the 4-3 USSC decision on relief in the Hartford Empire case), buit more recent decisions seem no longer to take such notions seriously (see the CAFC decision in thre Zoltek case). I think we should save our energy for more substantive issues than this. PraeceptorIP (talk) 18:28, 13 April 2009 (UTC)

I understand that some members of the open source community, most notably Stallman, object to the term; and that's fine. However, it's definitely established as the umbrella term for these and other types of rights. See, for example the web page What is Intellectual Property? ([2]) hosted by the United Nations agency, the World Intellectual Property Organization. To avoid using the term in deference to a minority opinion like Stallman's, in the face of near-universal acceptance of the term would be violating WP:NPOV. TJRC (talk) 18:56, 13 April 2009 (UTC)

in law “IP law” is used as an umbrella term that includes copyright, patent and trademark law. However, copyright and patents predate the establishment of the IP grouping. I dont think we have to avoid using the term but I would be in favour of looking at the intro again - i.e.:
"Copyright is a form of intellectual property which gives the creator of an original work exclusive rights for a certain time period in relation to that work, including its publication, distribution and adaptation; after which time the work is said to enter the public domain. Copyright applies to any expressible form of an idea or information that is substantive and discrete. Some jurisdictions also recognize "moral rights" of the creator of a work, such as the right to be credited for the work."
This could be reworded to make clear that copyright law is now regarded as a form of IP law. For example:
"Copyright gives the creator of an original work exclusive rights for a certain time period in relation to that work, including its publication, distribution and adaptation; after which time the work is said to enter the public domain. Copyright applies to any expressible form of an idea or information that is substantive and discrete. Some jurisdictions also recognize "moral rights" of the creator of a work, such as the right to be credited for the work." In law copyright is grouped under intellectual property along with patents and trademarks."
If necessary I can find a citation for the last sentence - as the statement is not covered in the article body. Maybe we could also add a section in the article on how copyright law became grouped as IP law.
This seems unobjectionable. You might revise the last sentence, however, as follows: In law copyright is grouped under the umbrella term intellectual property along with patents and trademarks. PraeceptorIP (talk) 23:28, 14 April 2009 (UTC)
sounds good to me, I made the change as there was no objection.--SasiSasi (talk) 08:16, 19 April 2009 (UTC)

[edit] Poor man’s copyright

In the US this non-statutory practice became known as "poor man's copyright" and was considered a common law concept until 1978.

What happened in 1978? —Frungi (talk) 13:21, 19 April 2009 (UTC)

The 1976 Copyright Act went into effect. The line in the article is pretty much a non-sequitur, though. The mail-it-to-yourself technique was to provide evidence of authorship. It was relevant both to pre-1978 state-law copyright (sometimes called by the misnomer "common law copyright"; in some states it was indeed common-law, but in most it was statutory) as well as proving up a federal copyright. It was not a great technique even before 1978, though. I recall at last one case where a plaintiff relying on it lost because of the unreliability of evidence attempted to be made this way. TJRC (talk) 16:55, 20 April 2009 (UTC)

[edit] Use of "creator" in introduction

The first paragraph states: Copyright gives the creator of an original work exclusive right for a certain time period in relation to that work...

I think it should be mentioned in the introduction that often the copyright does not, in fact, belong to the creator of the work but to the creator's employer. In fact, the introduction contradicts itself by saying that copyright generally lasts for 50-100 years after the death of the creator. How can it belong to the creator, then? Esn (talk) 04:06, 6 May 2009 (UTC)

Firstly, copyright by default belong to a creator. If they're employed (we're not born employed!), then local laws probably change this, might rarely change this, or might change it to favour an employer by default (this is commonplace). In UK law it depends on the conditions in which the work is carried out and there's all sorts of subtlety in contract law as to what defines a "work for hire", particularly when the creator is to some extent an independent creator rather than a salaried employee. For one thing, as a "contractor for hire" I might be happy for my client to own the copyright eventually, but certainly not if they failed to pay for it! The contract here needs to make it clear that copyright only transfers if the creator is paid as agreed - otherwise the legal position gets hazy and it depends on whether this "work for hire" status would be ruled applicable.
Secondly it belongs to the creator's estate (a legal term, which continues after death). If our wording is "Copyright gives the creator ... " (rather than "belongs to") then this is correct. It's given to the creator when they create it (they clearly aren't dead at this point, as they're still creating) and it's inherited afterwards. Local laws might affect this in detail, but it's broadly how it works. Andy Dingley (talk) 10:33, 6 May 2009 (UTC)
Ok, thanks for the information. I still believe that this reality of the copyright very often not belonging to the creator but to his employer is important enough to be mentioned in the introduction. How about this: "Copyright gives the creator of an original work (or his employer) exclusive right for a certain time period..." It is also worth pointing out that though theoretically it belongs to his estate after death, in reality the majority of the most culturally-significant copyrighted works belong not to estates but to corporations/companies, often in very complex ways. For example, here are the owners the songs from just one album by Annette Hanshaw. Esn (talk) 07:41, 7 May 2009 (UTC)
Legally, copyright does not give any rights to an employer. Copyright gives rights to creators; but it's employment or contract law that may then transfer them to an employer immediately. The difference is subtle but important - for one thing this ensures that any "right to copyright" remains clearly related to the act of creation, not to mere financial involvement. For instance a studio's landlord has no claim to copyright (and clearly doesn't), but a copyright law that was rewritten in terms of "copyright is granted to who paid for it" would open up an opportunity for landlords and banks to challenge the ownership, on the grounds of their purely financial involvement or support.
Secondly there's also the notion of "moral rights" (more prevalent in the USA than the UK). Unlike copyright these are strongly attached to the creator and remain with them, unless specifically transferred afterwards.
Overall, we should certainly clarify the "work for hire" aspects, but I don't think this needs to go into the lead, and it's confusing to try and put a simplified statement of it into the lead. Leads are introductions, not one-para precis of everything in the whole article. Andy Dingley (talk) 11:06, 7 May 2009 (UTC)
A bit of a quibble, but at least in the U.S., it's not true that "Legally, copyright does not give any rights to an employer." In the U.S., when an employee creates a work within the scope of his employment, the employer is the author of the work, and ownership of the copyright vests directly in the employer. The employee never has any rights in the work, and never transfers them to the employer; the rights belong to the employer ab initio. This may be different in other jurisdictions, of course.
My suggestion for this article would be to use the more precise term "author" to refer to the entity deemed by law to be the author of the work, and in whom/which rights initially vest; and use "creator," "creating individual," or some such, where there's a need to distinguish the actual human being who created the work from whoever the legal author may be. "Author" is the word used in the U.S. and U.K copyright acts, as well as in the Berne Convention and WIPO Copyright Treaty. There's really no good reason to vary from the generally internationally accepted terminology. TJRC (talk) 14:48, 7 May 2009 (UTC)
How about we use "owner"? This is the term used in the introduction to the intellectual property article, the "parent article" of this one. Esn (talk) 02:13, 26 May 2009 (UTC)

[edit] The large "fair use" paragraph at the top of the article - not necessary

I don't think the following paragraph is necessary in the overview of Copyright, so I've removed it:-

"The development of the Internet, digital media, and computer network technologies, such as peer-to-peer file sharing, have prompted reinterpretation of these exceptions, introduced new difficulties in enforcing copyright, and inspired additional challenges to copyright law's philosophic basis. Simultaneously, businesses with great economic dependence upon copyright have advocated the extension and expansion of their copyrights, and sought additional legal and technological enforcement."

EssentialParadox (talk) 22:37, 10 June 2009 (UTC)

Consensus is generally attempted before such an action, but thanks for keeping us informed anyway.
I prefer it with the inclusion of "digital fair use" in the intro. It's a topic of current major interest, and especially so around on-line systems such as Wikipedia and Wikimedia Commons. As such, I think this topic deserves a para of intro coverage. Andy Dingley (talk) 20:04, 17 June 2009 (UTC)
Well, he did propose it and then waited an entire week, making the change only when no one objected in a pretty reasonable time. I see no consensus issues here.
My own preference is to keep it out. I think shorter ledes are better, as a rule, and shoveling a lot into the lede from the body tends toward WP:UNDUE problems. But that's just a personal preference; I'm mostly apathetic about it. TJRC (talk) 20:27, 17 June 2009 (UTC)
My mistake - I'd missed it first time, caught the later edit to it on my watchlist tonight. Andy Dingley (talk) 22:03, 17 June 2009 (UTC)

[edit] Free encyclopedic public domain source (CRS report)

I'm adding Congress's CRS reports to their relevant talk pages, since they're so thorough and you can just copy-and-cite the content ... here's yours:

PS : if you can think of a better talk page for this, please copy it there

[edit] International copyright law

I would love to see a table comparing the copyright laws in different countries. Possible columns would whether a three strikes law is in force. —Preceding unsigned comment added by 141.209.108.248 (talk) 12:16, 13 July 2009 (UTC)




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