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[edit] ignore thisthis section was deleted due to vandalism [edit] Sound unlimitedSurely Sound Unlimited deserve a mention here? They had an album release and a couple of hit singles back in the early 1990's. --Robert Merkel 02:13, 25 May 2005 (UTC) Well just add it they do deserve a mention. "The biggest hip hop group in Australia is the Hilltop Hoods" - the term "biggest" seems a little vauge, I'm suggesting "commercially successful". Just seems clearer. And the sentence needed a slight cleanup to make it flow better. --Original Digga What do you mean they aren't the biggest, we all know they are the most successful so therefore they are the biggest so there! Reddevilbatcave 08:37, 18 October 2006 (UTC) Pardon my ignorace but who are Natural Causes? The group that the writer belongs to? If you're going to mention random up-n-coming artists, surely there'd be some more deserving that they are? Engorge W 23:31, 19 September 2005 (UTC) Contradiction: The sentence "The most commercially successful hip hop group in Australia is the Hilltop Hoods. They have reached Gold status for their album "The Calling" - a feat that no other Australian hip hop group has achieved. " is then contradicted by the sentence "This success was mirrored by 1200 Techniques, who achieved gold status with their debut album Choose One". Manning 06:28, 11 November 2005 (UTC)
Can someone be bothered so as to put in other people worth mentioning such as Bliss N Eso, Hyjak N Torcha, Art Of War, Downsyde, Drapht, Lyrical Commission etc? Its nice to have Hilltop Hoods mentioned and all but theres alot more to Australian Hip Hop than just that. And when I mean mention, I mean a decent paragraphs worth of info on each artist.
[edit] Reverted material
Australian hip hop as a musical genre has had slow-forming roots over the past few decades. As early as the 1970's, Australian artists were beginning to experiment with more lyrically-driven musical forms, though still markably different from our contemporary understanding of hip hop. Nigel Butterley's First Day Covers (1972) is an early example of intergrated spoken word with musical forms and popular themes, though often overlooked for its satirical edge (due mainly to the influence of Barry Humphries). A decade later, Fabian Cool's solo release Not Without My Microphone (1982), despite being classified as Gospel Music, was and is still widely regarded as a critical step in the domestic evolution of hip hop. Fabian Cool's later work with Frangipani And The Floating Circus of Lights would also craft the Australian hip hop scene further. as well as the other references to Frangipani And The Floating Circus Of Lights, which is currently at AfD.
Anonymous users, please consider using a Wikipedia account. It makes life a lot easier, both for you and for us. There are lots of benefits. pfctdayelise 01:02, 24 November 2005 (UTC) [edit] External linksI've moved the following here from the main page. I first looked at Wikipedia:External links. If there is a compelling reason not to follow this guideline, we can discuss it here. Then if we reach some accord on it, we can add these links back in. [edit] External links
[edit] ButterfingersWhere should Butterfingers go in the article? They have had lots of exposure on Triple J. there does not appear to be an associated list of artists. Paul foord 11:15, 9 January 2007 (UTC) not entirely sure Butterfingers can be classified as aussie hip-hop these days, they seem to have branched out into a different style. Thoughts? Chillicane 05:09, 17 July 2007 (UTC) [edit] Fags from Ozhiphop.comStop editing your crap drama into this article. It isnt funny. This article is rubbish, what is with the continued reference to race? Surely this is not like the formation of North American hip hop, as some of you like to think.--58.173.0.224 (talk) 13:28, 27 July 2008 (UTC) [edit] Reworked the ArticleI completely reworked the article adding a lot of headings, section breaks, and a small amount of new content mainly on the most commercially successful band (which has nothign to do with the size of it, unlike User: Redevilbatcave seems to beleive) the Hilltop Hoods - as they are prominent in the genre and were lacking a mention. However much of the article (including what I added) still lacks verifiablility, sources for opinions expressed, or is original research, such as my contributions. I'm going to flag thi article as lacking in sources in references, and perhaps someone else can help find some. I prefer to attempt to find sources for insourced information before making mass removals - but at the moment i'm much too tired to do so, especially after spending an hour working on the article. I put this comment at both ends of the talk page as i'm not sure whether up or down is firsat or last :/ Revoranii 15:01, 20 May 2007 (UTC)
MC Opi is a UK born West African/Irish dance hall artist and was not a hip hop artist. She was around in the late 80s and early 90s, she has worked and/or performed with alternative rock musicians, vocalists and reggae artists internationally eg. Massive Attack, Christine Anu, Wicked Beats Sound System, The Grid, DJ Joe 90, Emphat Majuru, Lucky Dube and others. She should be included in the wiki for dance hall in Australia or the UK, although she was a prominent figure in the early 90s Australian hip hop scene as she produced the ABC radio national documentary 'Women on the Rhyme' which presented female hip hop and dance hall artists in Australia and internationally, this documentary featured Australian hip hop artist Charlene from Def Wish Cast. She was also a reporter and music journalist for SBS TV's music shows 'The Noise' and 'MCTVEE',she interviewed the Beastie Boys, Lucky Dube, Dr Alban and others. MC Opi has both an English and African name, Opi is an abbreviation of her African name Oparabea, but in respect MC's should be known as their MC name not by their full names, unless they themselves use it. —Preceding unsigned comment added by 60.229.69.14 (talk) 07:26, 10 March 2009 (UTC) [edit] Re: Little Nobody referenceThis was deleted from the page, tho no notes as to why - which is weird since Little Nobody was an early Melbourne artist working with hip hop beats and grooves from 1997, and The Age review from 2000 specifically refers to this. Have reintroduced the artist, but please let me know if any reason why he should be removed. Cheers muchly.(Nina phunsta 14:37, 4 August 2007 (UTC)) [edit] KatalystI can't believe that there isn't an article on Katalyst on wikipedia - any body want to give it a shot?09:48, 7 November 2007 (UTC) [edit] South West SyndicateSouth West Syndicate (formed 1992) should be mentioned. Badagnani (talk) 23:42, 25 November 2007 (UTC)
This is one of the longest running, most notable and respected hip hop crews in the entire country. Badagnani (talk) 16:58, 7 April 2008 (UTC) [edit] PhinesseI can't believe that Phinesse isn't listed, they have toured with 50 Cent, Omarion, Fat Man Scoop, Naught by nature. They are also touring with Akon and T-Pain on the Konvict Tour in October 2009. —Preceding unsigned comment added by 202.4.69.180 (talk) 00:32, 16 September 2009 (UTC) [edit] who wrote the 'Style' section?"As a result, it is hard to pinpoint what in Australian hip hop makes the hip hop Australian." Honestly, this has to be one of the worst sentences I've ever seen on wikipedia. —Preceding unsigned comment added by U4418327 (talk • contribs) 01:10, 30 October 2009 (UTC) Categories: Start-Class music genre articles | WikiProject Music genres articles | Start-Class Regional and national music articles | Unknown-importance Regional and national music articles | Start-Class Australia articles | Low-importance Australia articles | Start-Class Australian music articles | Unknown-importance Australian music articles | WikiProject Australian music articles | Start-Class Hip hop articles | Low-importance Hip hop articles | WikiProject Hip hop articles | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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