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Some electric guitars have an extended bridge for their tremolo system, named a tailed bridge guitar because of its shape. Most of these tailed bridge guitars were designed in the sixties and used in surf music. The first tailed bridge guitars were designed by Leo Fender; the Fender Jaguar and the Fender Jazzmaster, both of which became popular among surf rock groups in the early to mid 1960s. It became popular again in the 1990s when it was used by a number of alternative rock players.
[edit] Behind the bridgeSurf musicians preferred this guitar because the resonance behind the bridge generates extra acoustic reverb based on string resonance. In addition, large "divebomb" tremolos played on clean guitars were a large part of many Surf guitarists' technique. In the 1990s many shoegaze, noise rock and post rock bands such as My Bloody Valentine, Sonic Youth and Slint began playing on tailed bridge guitars for their special possibilities. Tailed bridge guitars have a primitive third bridge mechanism in their floating bridge with limited timbre when used in an extended technique. When the strings are strummed behind the bridge, a unique chiming sound is created that has come to be associated with Sonic Youth. In some ways these sounds are reminiscent of the sounds of a musical box, because of their often high pitches. Even when strumming in front of the bridge, the long string length behind the bridge coupled with the low break angle over the bridge functions as a "sink" for vibrational energy, producing sympathetic resonance which can function as a counterpoint when power chords are played on different string pairs. Experimental luthier Yuri Landman created a tailed bridge guitar called the Springtime for Laura-Mary Carter of Blood Red Shoes. The tail on this instrument has a mathematical relation of 1/5th of the string length of the open string. This distance causes a tone of two octaves and a major third higher than the open string, similar to the fifth harmonic. For Mauro Pawlowski of dEUS he made an alternate version with an additional pick up in the tail to explore the possibilities of creating third bridge sounds. This pick up has a separate output. Also for Enon he created an alternate version called the Twister, with an extended tail piece generating approximately a double octave tone, because the tail piece is 1/4th of the length of the played field. [edit] List of tailed bridge guitars
[edit] Musical examples with sounds of strings plucked behind the bridge
[edit] See also
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