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Sunshine pop is a subgenre of pop music, characterized by a cheerful attitude, close vocal harmonies, and sophisticated production, although there is no formal or strict definition. This music peaked from the mid-1960s to early 1970s and subsequently faded into obscurity. The term "Sunshine Pop" did not come into use until the music enjoyed a revival in the 1990s.
[edit] HistorySunshine Pop originated in the American state of California in the mid to late-1960s.[1] The music may be seen as a form of escapism from the turmoil of the times.[2] While artists like Bob Dylan, Pete Seeger and others used pop music to deliver political or social commentary, acts such as The Beach Boys, The Mamas & the Papas, The 5th Dimension, Harpers Bizarre and The Association instead popularized a cheerful, sunny sound.[3] Typical are airy themes like color and balloons, as found in the canonical examples "Up, Up and Away" and "Yellow Balloon". As this apolitical music grew in popularity, dozens of groups began recording Sunshine Pop, with widely varying degrees of success. Some acts were fortunate to score one or two hits, while others failed to achieve commercial success. Notable among the former category is The Association -- they scored five US Top 10 singles, including two #1 hits and their 1967 hit "Never My Love" is ranked by BMI as the #2 most-played song of the 20th century on American radio[4]. In the early 1970s, the popularity of Sunshine Pop quickly started to wane. Its lightweight sound had to make way for new music styles such as Singer-songwriter music, progressive rock and hard rock. Many groups thus faded into obscurity. [edit] RevivalFor many years, Sunshine Pop lingered in obscurity, although the music enjoyed some interest among collectors of rare vinyl singles and LPs. Certain albums would occasionally fetch hefty prices at online auctions or in record stores.[5] In the early 1990s, a renewed interest began in Japan,[6] where record companies started publishing compilations of long-forgotten, obscure 1960s music. This revival subsequently spread to Europe and the United States.[7] Music that was previously available only on vinyl was now re-issued on CD. Notable examples of compilations containing Sunshine Pop are:
Compilations or even box-sets by groups such as Spanky and Our Gang, The Association, The Arbors and The Love Generation have also been released on CD. As a result, a wide audience has been able to get acquainted with Sunshine Pop and many of its key acts. Two record labels in particular have specialized in these sort of Sunshine pop re-releases; Revola Records from Britain and the American label Sundazed. Furthermore, Digital remastering has meant that the music can now be heard in unprecedented sound quality. A re-appraisal of The Beach Boys – and Brian Wilson's work in particular – has also contributed in providing an afterlife for many obscure Sunshine Pop groups and their songs.[8] [edit] Characterization
In short, Sunshine Pop is most often characterized by a cheerful attitude, harmony singing, and sophisticated production. These three principal elements are most readily associated with this type of music. However, the term actually has a broader use in practice: Sunshine Pop can sound relentlessly cheerful, but also more subdued or even sad. The music may be experimental and contain psychedelic elements. Sunshine Pop is thus strongly related to several other musical styles:
The boundaries between these styles are often very blurred with the subtle difference between Sunshine Pop and Soft Pop, for example, being seldom noted. Sunshine Pop may thus be considered an umbrella term, that can include elements of various styles and genres. What binds the music labelled 'Sunshine Pop' above anything else, is its obscurity.[citation needed] Sunshine Pop consists mostly of lesser-known groups, some high profile names such as The Beach Boys and The Mamas & the Papas notwithstanding. Furthermore, Sunshine Pop is strongly associated with a specific time and place, namely California from the mid-1960s to early 1970s. However, it should be noted there were plenty of groups from other parts of the United States as well, including The Cowsills (from Rhode Island), The Free Design (from New York), and Spanky and Our Gang (from Illinois). Moreover, British acts such as The Flower Pot Men, Harmony Grass, and Eternal Triangle prove Sunshine Pop was not a strictly American phenomenon. [edit] ArtistsArtists generally regarded as part of Sunshine Pop or associated with this music include:
[edit] Billboard hitsAlthough the music labelled as Sunshine Pop mostly constitutes obscure groups and songs, there were certainly hits. This table contains many notable examples. The last column shows the peak position in the official American singles chart, the Billboard Hot 100.
[edit] Songwriters and producersWhile some very well-known bands are associated with the style, songwriters and producers played an important role in shaping the Sunshine Pop sound as well. Apart from the production influence of Phil Spector and Brian Wilson, other producers generally regarded as influential for the genre include Gary Usher, Curt Boettcher, Bones Howe, and Gary Zekley. Notable songwriters included Jimmy Webb, Roger Nichols, and Paul Williams. [edit] LegacyTraces of Sunshine Pop can nowadays be found in such bands as Tilly and the Wall, The Wondermints, Belle & Sebastian, Eggstone, Stereolab, Mister Soap and the Smiling Tomatoes, Pizzicato Five, The Heavy Blinkers, The High Llamas, The Ladybug Transistor, Afternoon Naps, The Format, Fun, and Brent Cash. Bands like these are often considered part of the Power pop genre, which places heavy emphasis on melody, crisp production and song structure. Like Sunshine Pop, the songs are above all meant to be catchy and fun. [edit] References
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