This article does not cite any references or sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2008)

Studio Furniture is a subfield of Studio Craft centered around one-of-a-kind or limited production furniture objects designed and built by craftspeople. The work is made in a craftsperson's studio setting as opposed to being made in a high volume factory. This conception of the site of production as being a studio links studio furniture to studio art and reflects its status as an individual creative process. Studio furniture objects often embody creative and/or communicative intent, a unique design, elements of functionality (either implicit or explicit), craftsmanship, and an intimate understanding of material in their creation. Studio furniture objects, perhaps because of their close association with sculpture and other fine art, are shown as often in art galleries as they are in furniture showrooms. As is the case in the Studio Crafts at large, this contested identity is the impetus for frequent intra-field dialogue and differing intellectual positions on the matter.

Contents 1 History 2 Elements of Studio Furniture 3 External links 4 References 5 Further reading

[edit] History

[edit] Elements of Studio Furniture

Design
Studio Furniture incorporates the design process differently than Industrial Design or Product Design, but the designing of the object is an integral and important part of its creation none-the-less. Because of the requisite functionality (or implied functionality) of Studio Furniture, makers must design objects so that they fulfill their intended physical purpose. For example, a functional chair must be able to support the weight of the human body in a sitting position. After this requirement is met, other purposes may also be supported; the chair might also be designed with certain ergonomic considerations for user comfort or it might additionally be able to support the body while standing or reclining. While the meeting of physical requirements links Studio Furniture to other design fields, the expression of personal creative intent links the practice to the Fine Arts. Design comes in to play in the realization of this intent as well; successful Studio Furniture must be designed to simultaneously meet conceptual needs without compromising its functional goals.

The practice of design within the field of Studio Furniture, as with other Studio Crafts, follows a trajectory that that is unique in terms of the process of making. The design process begins with preliminary sketches or models, but this is not a “preconceptualization of the finished work in all its elements and details” which would then be executed by a maker (separate from the designer), as it might be in a Product Design setting. According to Howard Risatti in “A Theory of Craft,” “instead of being separated into stages, conception and execution are integrated so that a subtle feedback system occurs when physical properties of materials encounter conceptual form and conceptual form encounters physical material”^[1] (p169). The design of the object, to a great degree, happens concurrently with its creation. The skill of the maker and his or her ability to work with the subtleties and variations of the material, allowing those variations to inform and exalt the conceptual and functional goals of the piece, is intrinsically tied in to the object’s design.

[edit] External links

Educational Institutions

• San Diego State University [1]
  
• Haystack Mountain School of Crafts [2]
  
• Penland School of Crafts [3]
  
• Arrowmont School of Crafts [4]
  
• Center for Furniture Craftsmanship [5]
  
• College of the Redwoods [6]
  
• Peters Valley Craft Center [7]
  
• Anderson Ranch Arts Center [8]
  
• Appalachian Center for Crafts [9]
  
• Rhode Island School of Design [10]
  
• Rochester Institute of Technology [11]
  
• University of Wisconsin – Madison Campus [12]
  

Maine College of Art [13]
Kendall College of Art and Design [14]
Haywood Community College [15]
Minneapolis College of Art and Design [16]
Savanna College of Art and Design [17]
Herron School of Art and Design [18]
University of Massachusetts - Dartmouth Campus [19]
Murray State, College of Fine Arts [20]
Purchase College SUNY [21]
North Bennet Street School [22]
Northern Michigan University [23]
California College of Art [24]

Publications

American Craft [25]
Fine Woodworking [26]
Woodworking Magazine [27]
Lark Books – 500 Series [28]
Furniture Studio 1: The Heart of the Functional Arts [29]
Furniture Studio 2: Tradition in Contemporary Furniture [30]
Furniture Studio 3: Furniture Makers [31]
Furniture Studio 4: Focus on Materials [32]
Furniture Studio 5: The Meaning of Craft [33]

Galleries

Pritam & Eames [34]
Gallery NAGA [35]
Leo Kaplan Modern [36]
Northwest Fine Woodworking [37]
Wexler Gallery [38]

Museums

Fuller Craft Museum [39]
Museum of Fine Arts, Boston [40]
Mingei International Museum [41]
San Francisco Museum of Craft and Design [42]

Organizations

The Furniture Society [43]
American Crafts Council [44]
Wood Turning Center [45]
Artist Blacksmith Association of North America [46]

[edit] References

[edit] Further reading

• Edward S. Cooke Jr., Gerald W.R. Ward, and Kelly H L'Ecuyer, The Maker's Hand: American Studio Furniture, 1940-1990, Museum of Fine Arts, Boston MA, 2003.