Spike Milligan
Born	16 April 1918(1918-04-16) Ahmednagar, British India
Died	27 February 2002 (aged 83) Rye, East Sussex, England
Nationality	Irish [1]
Influences	Groucho Marx W.C. Fields Walt Disney Jacques Tati Spike Jones
Influenced	Monty Python, Kenny Everett,

Terence Alan Patrick Seán Milligan KBE (16 April 1918 – 27 February 2002), known as Spike Milligan, was an Anglo-Irish comedian, writer, musician, poet and playwright. Milligan was the co-creator and the principal writer of The Goon Show, in which he also performed. Aside from his well-known comedy and poetry, Milligan did some painting.^[2][3]

His background also included time in the Royal Artillery and civilian jazz/dance bands. One biographer describes his early dance band infiltration: "He managed to croon like Bing Crosby and win a competition: he also played drums, guitar and trumpet, in which he was entirely self taught". He also acquired a double bass, which he took lessons on and would strum in jazz sessions.^[4] The Goon Show was recorded before a live audience, and during the audience warm-up session, Milligan would play the trumpet, while Peter Sellers played on the orchestra's drums.^[5]

[edit] Biography

[edit] Early life

Milligan was born in Ahmednagar, India, on 16 April 1918, the son of an Irish-born father, Captain Leo Alphonso Milligan, MSM, RA, who was serving in the British Indian Army. His mother, Florence Mary Winifred Kettleband, was born in England. He spent his childhood in Poona (India) and later in Rangoon, capital of Burma (Myanmar). He was educated at the Convent of Jesus and Mary, Poona, and St Paul's Christian Brothers, de la Salle, Rangoon.

He lived most of his life in England and served in the British Army, in the Royal Artillery during World War II.

[edit] Second World War

During most of the late 1930s and early 1940s Milligan performed as an amateur jazz vocalist and trumpeter before, during and after being called up for military service in the fight against Nazi Germany, but even then he wrote and performed comedy sketches as part of concerts to entertain troops. After his call-up, but before being sent abroad, he and fellow musician Harry Edgington (nicknamed Edge-ying-Tong which gave birth to one of Milligan's most memorable musical creations, and continued with The Goon Show the Ying Tong Song) would compose surreal stories, filled with puns and skewed logic, as a way of staving off the boredom of life in barracks.

During World War II he served as a signaller in the 56th Heavy Regiment Royal Artillery, D Battery, as Gunner Milligan, 954024 with the First Army in the North African campaign and then in the succeeding Italian campaign. He rose to the rank of Lance Bombardier and was about to be promoted to Bombardier when he was wounded in action in Italy. Subsequently hospitalised for a mortar wound to the right leg and shell shock, he was demoted by an unsympathetic commanding officer (identified in his war diaries as Major Evan 'Jumbo' Jenkins) back to Gunner. It was Milligan's opinion that Major Jenkins did not like him due to the fact that Milligan constantly kept the morale of his fellow soldiers up, whereas Major Jenkins' approach was to take an attitude towards the troops similar to that of Lord Kitchener. An incident also mentioned was when Major Jenkins had invited Gunners Milligan and Edgington to his bivouac to play some jazz with him, only to discover that the musicianship of the aforementioned gunners was far superior to his own ability to play the military tune 'Whistling Rufus' (badly).

After his hospitalisation, Milligan drifted through a number of rear-echelon military jobs in Italy, eventually becoming a full-time entertainer. He played the guitar with a jazz and comedy group called The Bill Hall Trio in concert parties for the troops. After being demobilised, Milligan remained in Italy playing with the Trio but returned to England soon after. While he was with the Central Pool of Artists (a group he described as composed "of bomb-happy squaddies") he began to write parodies of their mainstream plays, that displayed many of the key elements of what would later become The Goon Show (originally called Crazy People) with Peter Sellers, Harry Secombe and Michael Bentine.

[edit] Radio

Milligan returned to jazz in the late 1940s and made a precarious living with the Hall trio and other musical comedy acts. He was also trying to break into the world of radio, as either a performer or as a script writer. His first success in radio was as writer for comedian Derek Roy's show. Milligan soon became involved with a relatively radical comedy project, The Goon Show. Known during its first season as Crazy People, or in full, "The Junior Crazy Gang featuring those Crazy People, the Goons!", the name was an attempt to make the programme palatable to BBC officials by connecting it with the popular group of comedians known as The Crazy Gang.^[6]

Milligan was the primary author of The Goon Show scripts (though many were written jointly with Larry Stephens, Eric Sykes and others) as well as a star performer. Although it elevated him to international stardom, Milligan's work on The Goons took a heavy toll—and he sufffered a major breakdown in late 1951 (just after the start of Series 3), spent two months in hospital recuperating and later blamed the pressure of writing and performing The Goon Show for both his breakdown and the failure of his first marriage^[7].

[edit] Television

Milligan made several forays into television as a writer-performer, in addition to his many guest appearances on interview, variety and sketch comedy series from the 1950s to the 2000s.

The Idiot Weekly, Price 2d (1956) starring Peter Sellers was the first attempt to translate Goon humour to TV; it was followed by A Show Called Fred and Son of Fred, both made during 1956 and directed by Richard Lester, who went on to work with The Beatles.

The 15-minute series The Telegoons (1963) was the next attempt to transplant The Goons to television, this time using puppet versions of the familiar characters. The initial intention was to 'visualise' original recordings of 1950s Goon Show episodes, but this proved difficult to achieve in practice due to the rapid-fire dialogue and was ultimately frustrated by the BBC's refusal to allow the original audio to be used. 15-minute adaptations of the original scripts by Maurice Wiltshire were used instead, with Milligan, Sellers and Seacombe reuniting to provide the voices; according to a contemporary press report, they received the highest fees the BBC had ever paid for 15-minute shows.^[8] Two series were made in 1963 and 1964 and (presumably because it was shot on 35mm film rather than video) the entire series has reportedly been preserved in the BBC archives.

Milligan's next major TV venture was the sketch comedy series The World of Beachcomber (BBC, 1968); it is thought that all 19 episodes are now lost. In 1961 Milligan co-wrote two episodes of the popular sitcom Sykes and A..., co-starring Eric Sykes and Hattie Jacques.

In 1968 the three Goons reunited for a televised re-staging of a vintage Goon Show for Thames Television, with John Cleese substituting for the late Wallace Greenslade, but the pilot was not successful and no further programs were made.

In early 1969 Milligan starred in the ill-fated situation comedy Curry & Chips, created and written by Johnny Speight and featuring Milligan's old friend and colleague Eric Sykes. Curry & Chips set out to satirize racist attitudes in Britain in a similar vein to Speight's earlier creation, the hugely successful Till Death Us Do Part, with Milligan 'blacking up' to play Kevin O'Grady, a half-Pakistani/half-Irish factory worker. The series generated numerous complaints because of its frequent use of racist epithets and 'bad language' - one viewer reportedly complained of counting 59 uses of the word "bloody" in one episode - and it was cancelled on the orders of the Independent Broadcasting Authority after only six episodes.

Later that year, Milligan was commissioned by the BBC to write and star in Q5, the first in the innovative "Q" TV series, acknowledged as an important precursor to Monty Python's Flying Circus, which premiered several months later. However there was a hiatus of several years before the BBC commissioned Q6 in 1975. Q7 appeared in 1977, Q8 in 1978, Q9 in 1980 and There's a Lot of It About in 1982. Milligan later complained of the BBC's cold attitude towards the series and stated that he would have made more programs had he been given the opportunity. A number of episodes of the earlier "Q" series are now missing, presumed wiped.

[edit] Poetry

Milligan also wrote verse, considered to be within the genre of literary nonsense. His poetry has been described by comedian Stephen Fry as "absolutely immortal - greatly in the tradition of Lear."^[9] His most famous poem, On the Ning Nang Nong, was voted the UK's favourite comic poem in 1998 in a nationwide poll, ahead of other nonsense poets including Lewis Carroll and Edward Lear.^[10] This nonsense verse, set to music, became a favourite Australia-wide, performed week after week by the ABC children's programme Playschool. Milligan included it on his album No One's Gonna Change Our World in 1969 to aid the World Wildlife Fund. In December 2007 it was reported that, according to OFSTED, it is amongst the ten most commonly taught poems in primary schools in the UK.^[11]

While depressed, Milligan wrote serious poetry. He also wrote a novel Puckoon, and a series of war memoirs, including Adolf Hitler: My Part in His Downfall (1971), "Rommel?" "Gunner Who?": A Confrontation in the Desert (1974), Monty: His Part in My Victory (1976) and Mussolini: His Part in My Downfall (1978). Milligan's seven volumes of memoirs cover the years from 1939 to 1950 (his call-up, war service, first breakdown, time spent entertaining in Italy, and return to the UK).

He wrote comedy songs, including "Purple Aeroplane", which was a parody of The Beatles' song "Yellow Submarine". Glimpses of his bouts with depression, which led to the nervous breakdowns, can be found in his serious poetry, which is compiled in Open Heart University.

[edit] Plays

Spike Milligan also been involved in three plays: Treasure Island, The Bed-Sitting Room (which he co-wrote), and Oblomov.

[edit] Treasure Island

Bernard Miles gave Milligan his first straight acting role, as Ben Gunn, in the Mermaid Theatre production of Treasure Island. Miles described Milligan as "a man of quite extraordinary talents...a visionary who is out there alone, denied the usual contacts simply because he is so different he can't always communicate with his own species..."^[12] "He is a man marooned really. You could say his is Ben Gunn"^[12][13] Treasure Island played twice daily through the winter of 1961-62, and was an annual production at the Mermaid Theatre for some years. In the 1968 production, Barry Humphries played the role of Long John Silver, alongside William Rushton as Squire Trelawney, and Milligan as Ben Gunn. To Humphries, Milligan's "best performance must surely have been as Ben Gunn...Milligan stole the show every night in a makeup which took at least an hour to apply. His appearance on stage always brought a roar of delight from the kids in the audience and Spike had soon left the text far behind as he went off into a riff of sublime absurdity."^[14]

[edit] The Bed-Sitting Room

In 1961-62, during the long pauses between the matinee and the evening show of Treasure Island, Milligan began talking to Miles about the idea he and John Antrobus were exploring of a dramatized post-nuclear world. This became the one-act play The Bed-Sitting Room, which Milligan co-wrote with John Antrobus, and which premiered at the Marlowe Theatre, Canterbury on 12 February 1962. It was adapted to a longer play, and staged by Miles at London's Mermaid Theatre, making its debut on 31 January 1963. It was a critical and commercial success, and was revived in 1967 with a provincial tour before opening at London's Saville Theatre on 3 May 1967. Finally it was made into a film in 1969.^[15][16]

[edit] Oblomov

On 6 October 1964, Milligan appeared in Frank Dunlop's production of the play Oblomov at the Lyric Theatre in London, based on the novel by Russian writer Ivan Goncharov. Per Scudamore's biography, "Milligan's fans and the theatrical world in general found it hard to believe that he was to appear in a straight play...He refused to be serious when questioned about his motives. In the story, Oblomov decides to spend his life in bed. Spike decided to identify with his character, and told disbelieving reporters that he thought it would be a nice comfortable rest for him. This was of course, prevarication. Spike was actually intrigued with Oblomov and had read a translation of Ivan Goncharov's novel."^[17]

Milligan's involvement transformed the play. The first night started poorly. Joan Greenwood played Olga and later recalled that her late husband Andre Morell thought the show was so appalling, they should get her out of the play. Per Scudamore:

Nobody seemed at all comfortable in their roles and the audience began to hoot with laughter when Milligan's slipper inadvertently went spinning across the stage into the stalls. That was the end of Spike's playing straight. The audience demanded a clown, he became a clown. When he forgot his words, or disapproved of them, he simply made up what he felt to be more appropriate ones. That night there were no riotous first night celebrations and most of the cast seemed to go home stunned. The following night Milligan began to ad lib in earnest. The text of the show began to change drastically. The cast were bedevilled and the shaken but they went along with him...Incredibly, the show began to resolve itself. The context changed completely. It was turned upside down and inside out. Cues and lines became irrelevant as Milligan verbally rewrote the play each night. By the end of the week, Oblomov had changed beyond recognition. Andre Morell came again...and afterwards said 'the man is a genius. He must be a genius - it's the only word for him. He's impossible - but he's a genius!'. After Oblomov had run for a record-breaking five weeks at the Lyric Theatre, Hammersmith, it was retitled Son of Oblomov and moved to the Comedy Theatre in the West End.^[18]

In an interview with Bernard Braden, Milligan described theatre as important to him: “First it was a means of livelihood. And I had sort of lagged behind my confederates, that I…remained in the writing seat. And I realise that basically I was quite a good clown…and the one and only chance I ever had to prove that was in Oblomov when I clowned my way out of what was a very bad script…I clowned it into a West End success and uh, we kept changing it all the time. It was a tour de force of improvisation…all that ended it was I got fed up with it, that’s all.”^[19]

[edit] Ad-libbing

As illustrated in the description of his involvement in theatre, Milligan often ad-libbed. He also did this on radio and television. One of his last screen appearances was in the BBC dramatisation of Mervyn Peake's Gormenghast, and he was (almost inevitably) noted as an ad-libber.

One of Milligan's most famous ad-lib incidents occurred during a visit to Australia in the late 1960s. He was interviewed live on air and remained in the studio for the news broadcast that followed (read by Rod McNeil), during which Milligan constantly interjected, adding his own name to news items. As a result, he was banned from making any further live appearances on the ABC. The ABC also changed its national policy so that talent had to leave the studio after interviews were complete. A tape of the bulletin survives and has been included in an ABC Radio audio compilation, also on the BBC tribute CD, Vivat Milligna [sic].

Film and television director Richard Lester recalls that the television series A Show Called Fred was recorded live. "I've seen very few moments of genius in my life but I witnessed one with Spike after the first show. He had brought around a silent cartoon" and asked Lester if his P.A. took shorthand. "She said she did. 'Good, this needs a commentary.' It was a ten-minute cartoon and Spike could only have seen it once, if that. He ad-libbed the commentary for it and it was perfect. I was open-mouthed at the raw comedy creation in front of me"^[20]

[edit] Cartoons

Milligan contributed occasional cartoons to the satirical magazine Private Eye. Most were visualizations of one-line jokes. For example, a young boy sees the Concorde and asks his father "What's that?". The reply is "That's a flying groundnut scheme, son."

[edit] Advertising

In 1967, applying a satirical angle to a fashion for the inclusion of “superman” inspired characters in UK television commercials, Milligan dressed up in a “Bat-Goons” outfit to head up a series of television commercials for British Petroleum.^[21] A contemporary reporter found the TV commercials “funny and effective”.^[21]

[edit] Personal life

[edit] Australia

After their retirement, Milligan's parents and his younger brother Desmond moved to Australia. His mother lived the rest of her long life in the coastal village of Woy Woy on the New South Wales Central Coast, just north of Sydney. As a result, Milligan became a regular visitor to Australia and made a number of radio and TV programmes there, including The Idiot Weekly with Bobby Limb. He also wrote several books including Puckoon during a visit to his mother's house in Woy Woy. In July 2007, it was proposed that the suspension bridge on the cyclepath from Woy Woy to Gosford be named after him.^[22][23]

[edit] Health

He suffered from severe bipolar disorder for most of his life, having at least ten major mental breakdowns, several lasting over a year. He spoke candidly about his condition and its effect on his life:

I have got so low that I have asked to be hospitalised and for deep narcosis (sleep). I cannot stand being awake. The pain is too much... Something has happened to me, this vital spark has stopped burning - I go to a dinner table now and I don't say a word, just sit there like a dodo. Normally I am the centre of attention, keep the conversation going - so that is depressing in itself. It's like another person taking over, very strange. The most important thing I say is 'good evening' and then I go quiet.^[24]

[edit] Prince of Wales

The Prince of Wales was a fan, and Milligan caused a stir by calling him a "little grovelling bastard" on live television in 1994.^[25] He later faxed the prince, saying "I suppose a knighthood is out of the question?" In reality he and the Prince were very close friends,^[24] and he was made a Knight Commander of the British Empire (KBE) (honorary because of his Irish citizenship) in 2000. He had been made an Honorary Commander of the Order of the British Empire (CBE) in 1992.

[edit] Campaigning

He was a strident campaigner on environmental matters, particularly arguing against unnecessary noise, such as the use of muzak.

In 1971, Milligan caused controversy by attacking an art exhibition at the Hayward Gallery with a hammer.^[26] The exhibit consisted of catfish, oysters and shrimp that were to be electrocuted as part of the exhibition. He was a strong opponent of cruelty against animals and, during an appearance on Room 101, chose fox hunting as a pet hate, and succeeded in banishing it to the eponymous room.

In 1996, he successfully campaigned for the restoration of London's Elfin Oak.

He was also a public opponent of domestic violence, dedicating one of his books to Erin Pizzey.

The grave of Spike Milligan in the grounds of St Thomas, Winchelsea, East Sussex. The epitaph reads "Duirt mé leat go raibh mé breoite", Irish for "I told you I was ill."

[edit] Family

Milligan had three children with his first wife June (Marchinie) Marlow: Laura, Seán and Síle. They were married in 1952 and divorced in 1960. He had one daughter with his second wife, Patricia Ridgeway (known as Paddy): the actress Jane Milligan (b. 1964). Milligan and Patricia were married in June 1962 with George Martin as best man. The marriage ended in 1978 with her death. In 1975 Milligan fathered a son, James (born June 1976), in an affair with Margaret Maughan. Another child, a daughter Romany, is suspected to have been born at the same time by a Canadian journalist named Roberta Watt. His last wife was Shelagh Sinclair, to whom he was married from 1983 to his death on 27 February 2002. Four of his children have recently collaborated with documentary makers on a new multi-platform programme called I Told You I Was Ill: The Life and Legacy of Spike Milligan (2005) and accompanying website^[27].

In October 2008 an array of Milligan's personal effects were to be sold at auction by his third wife, Shelagh, who was moving into a smaller home. These included a grand piano salvaged from a demolition and apparently played every morning by Paul McCartney, a neighbour in Rye in East Sussex^[28].

[edit] Death

Even late in life, Milligan's black humour had not deserted him. After the death of friend Harry Secombe from cancer, he said, "I'm glad he died before me, because I didn't want him to sing at my funeral." A recording of Secombe singing was played at Milligan's memorial service. He also wrote his own obituary, in which he stated repeatedly that he "wrote the Goon show and died".

Milligan died from liver disease, at the age of 83, on 27 February 2002, at his home in Rye, East Sussex. On the day of his funeral, 8 March 2002, his coffin was carried to St Thomas's Church in Winchelsea, Sussex, and was draped in the flag of the Republic of Ireland.^[29] He had once quipped that he wanted his headstone to bear the words "I told you I was ill." He was buried at St Thomas's Church cemetery in Winchelsea, East Sussex, but the Chichester Diocese refused to allow this epitaph.^[30] A compromise was reached with the Irish translation, "Dúirt mé leat go raibh mé breoite", and additionally in English, "Love, light, peace".

[edit] Legacy

The Holden Road plaque

From the 1960s onwards Milligan was a regular correspondent with Robert Graves. Milligan's letters to Graves usually addressed a question to do with classical studies. The letters form part of Graves' bequest to St. John's College, Oxford.

The film of Puckoon, starring Sean Hughes and including Milligan's daughter, the actress Jane Milligan, was released after his death.

Milligan lived for several years in Holden Road, Woodside Park and at The Crescent, Barnet, and was a strong supporter of the Finchley Society. His old house in Woodside Park is now demolished, but there is a blue plaque in his memory on the new house on the site. The Finchley Society is trying to get a statue of him erected in Finchley. There is also a campaign to erect a statue in the London Borough of Lewisham where he grew up (see Honor Oak). After coming to the UK from India in the 1930s he lived at 50 Riseldine Road, Brockley and attended Brownhill Boys' school (later to become Catford Boys' School which was demolished in 1994). Lynsey De Paul is a patron of the Spike Milligan Statue Memorial Fund. There is a plaque and bench located at the Wadestown Library, Wellington New Zealand in an area called Spike Milligan corner.

In a BBC poll in August 1999, Spike Milligan was voted the "funniest person of the last 1000 years". Also, in a 2005 poll to find The Comedians' Comedian, he was voted among the top 50 comedy acts ever by fellow comedians and comedy insiders.

Milligan has been portrayed twice in films. In the adaptation of his novel Adolf Hitler: My Part in His Downfall, he was played by Jim Dale, while Milligan himself played his own father. He was also portrayed by Edward Tudor-Pole in The Life and Death of Peter Sellers (2004). In a 2008 stage play, Surviving Spike, Milligan was played by the entertainer Michael Barrymore.

On 9 June 2006 it was reported that Professor Richard Wiseman had identified Milligan as the writer of the world's funniest joke as decided by the Laughlab project. Professor Wiseman said the joke contained all three elements of what makes a good gag: anxiety, a feeling of superiority, and an element of surprise.^[31]

Eddie Izzard described Milligan as "The Godfather of Alternative Comedy". "From his unchained mind came forth ideas that just had no boundaries. And he influenced a new generation of comedians who came to be known as 'alternative'."^[32] Members of Monty Python greatly admired him. In one interview, which was widely quoted at the time, John Cleese stated "Milligan is the Great God to all of us".^[33] The Pythons gave Milligan a cameo role in their 1979 film, Monty Python's Life of Brian, when Milligan happened to be holidaying in Tunisia, near where it was being filmed. Graham Chapman gave him a minor part in Yellowbeard.

Apart from those cited above, a number of people have played tribute to Milligan's influence on them, with 49 such people contributing to Maxine Ventham's (2002) book "Spike Milligan: His Part in Our Lives".^[34]

[edit] Radio comedy shows

• The Goon Show (1951–1960)
• The Idiot Weekly (1958–1962)
• The Omar Khayyam Show (1963–1964)
• Milligna (or Your Favourite Spike) (1972) The title is based on Milligan's introduction in The Last Goon Show of All as "Spike Milligna, the well-known typing error".
• The Milligan Papers (1987)

[edit] Other radio shows

Milligan contributed his recollections of his childhood in India for the acclaimed 1970s BBC audio history series Plain Tales From The Raj. The series was published in book form in 1975 by Andre Deutsch, edited by Charles Allen.

[edit] TV comedy shows

• The Idiot Weekly, Price 2d
• A Show Called Fred
• Son of Fred
• The World of Beachcomber
• The Q series: Q5, Q6, Q7, Q8, Q9, and There's a Lot of It About
• Curry & Chips

[edit] Other notable TV involvement

• Six-Five Special, first aired on 31 August 1957. Spike Milligan plays an inventor, Mr. Pym, and acts as a butcher in a sketch.
• This is Your Life, 11 April 1973. With Sellers, Bentine, and many others. Secombe spoke via a TV recording, as did his great friend Robert Graves.
• In 1975 Milligan co-wrote (with Neil Shand) and co-starred in a BBC TV sitcom called The Melting Pot.^[35] Its cast of characters included two illegal Indian immigrants, an Irish landlord, a Chinese Cockney, a Scottish Arab and numerous other racial stereotypes. After screening the pilot, the series was deemed to be too offensive for transmission. Five episodes remain unseen. Some of the characters and situations were reused in Milligan's novel, The Looney.
• Tiswas - 1981 edition.
• Guest appearing along with Peter Cook in Kenny Everett's Christmas Show in 1985.
• Playing a moaning stranger in an episode from 1987 of In Sickness and in Health.
• Narrator of The Ratties (1987), a children's cartoon series written by Mike Wallis and Laura Milligan, Spike's daughter.
• The Phantom Raspberry Blower of Old London Town ran as a serial in The Two Ronnies in the 1970s.
• Special guest star of the 18 January 1979 edition of The Muppet Show
• Guest star in the 3rd episode of the award-winning BBC Scotland drama series Takin' Over the Asylum (1994)
• Narrated the 1995 TV show Wolves, Witches and Giants. A cartoon based on the book of the same name, it retold classic tales such as Little Red Riding Hood and Cinderella, but with a twist. The programme won the 1995 Royal Television Society award for Best Children's Entertainment, and was nominated for the same award again in 1997.
• Guest on Series 4, Episode 3 of Room 101 in 1999

[edit] Theatre

• Treasure Island (1961, 1973–1975)
• The Bed-Sitting Room (1963, 1967) written by Milligan and John Antrobus
• Oblomov opened at the Lyric Theatre, Hammersmith, in 1964. It was based on the Russian classic by Ivan Goncharov, and gave Milligan the opportunity to play most of the title role in bed. Unsure of his material, on the opening night he improvised a great deal, treating the audience as part of the plot almost, and he continued in this manner for the rest of the run, and on tour as 'Son Of Oblomov'. The show ran at The Comedy Theatre in London's West end in 1965.

[edit] Films

• Down Among the Z Men (1952), played Eccles in a black-and-white secret agent comedy with all the Goons, including early member Michael Bentine and original announcer Andrew Timothy.
• The Case of the Mukkinese Battle Horn (1956), a Goon-like 2-reel comedy ("Mukkinese" = "mucky knees").
• The Running, Jumping and Standing Still Film (1960), a silent comedy, Richard Lester's debut film.
• Country postman Harold Petts in Postman's Knock (1962).
• The Bed-Sitting Room (1969), post-apocalyptic comedy with Peter Cook and Dudley Moore and also Arthur Lowe; written by John Antrobus based on the Milligan/Antrobus play. Milligan had a small role as a postman named "Mate", which was also the name of a Goon Show character.
• The traffic warden who eats the ticket in The Magic Christian (1969).
• Alice's Adventures in Wonderland (1972) as Gryphon.
• Adolf Hitler: My Part in his Downfall (1972), a film of the first volume of his autobiography. Spike played the part of his father. The role of the young Spike Milligan was played by Jim Dale.
• The decrepit manager of a seedy London hotel in Bruce Beresford's The Adventures of Barry McKenzie (1972).
• Digby, the Biggest Dog in the World (1973) children's comedy.
• Monsieur Bonacieux, husband of Madame Bonacieux (Raquel Welch) in Richard Lester's The Three Musketeers (1973).
• The Great McGonagall (1974), untalented Scottish poet (based on William Topaz McGonagall) angles to become laureate, with Peter Sellers as Queen Victoria.
• The decrepit Geste family retainer Crumpet in The Last Remake of Beau Geste (1977), with Marty Feldman.
• A policeman who briefly talks to Dr. Watson and Stapleton when they first arrive on the moors in The Hound of the Baskervilles.
• The prophet abandoned by his flock in Life of Brian (1979).
• Monsieur Rimbaud in History of the World, Part I (1981).
• A royal herald flunkie who accidentally blows a spy's cover in Yellowbeard (1983).

One of Milligan's earlier books

[edit] Books

• Silly Verse for Kids (1959); the 1968 paperback edition omits one poem and adds some from the next two books
• A Dustbin of Milligan (1961, Dobson Books). Subsequent reprints by Tandem, London, 1965-1975. This book contains a good representation of Milligan's earlier writing style, including poems, cartoons, short stories, letters to Secombe, and his views on some issues.
• Goblins (1978) A collection of poems
• The Little Pot Boiler (1963)
• Puckoon (1963)
• A Book of Bits, or A Bit of a Book (1965)
• A Book of Milliganimals (1968)
• Badjelly the Witch (1973)

• The Goon Show Scripts (1973). London: Sphere. Milligan's selection of scripts.
• More Goon Show Scripts (1974, paperback). London: Sphere. ISBN 0-7221-6077-1. Milligan's selection of scripts. [Original, London, Woburn Press, 1973]
• The Lost Goon Shows (1987). London: Robson. Milligan's selection of scripts.

• The Bedsitting Room. First published in Great Britain by Margaret & Jack Hobbs, 1970. Published by Universal-Tandem, 1972. Tandem, 1973. © 1970 Spike Milligan and John Antrobus.
• The Looney: An Irish Fantasy (1987)
• The Bedside Milligan
• "The War (and Peace) Memoirs"
  • The seven memoirs were also recorded as talking books with Spike reciting them in his own inimitable style.
  • Adolf Hitler: My Part in His Downfall (1971)
  • "Rommel?" "Gunner Who?" (1974)
  • Monty: His Part in My Victory (1976)
    • This and the previous two books were released and publicised as the first, second and third part respectively of a trilogy.
  • Mussolini: His Part in My Downfall (1978)
• Scunthorpe Revisited, added articles and instant relatives. Michael Joseph, London. Published by Penguin. Copyright, Spike Milligan Productions, 1989. ISBN 07181.3356.0

• • This was announced as the fourth part of his "increasingly misnamed" trilogy.
  • Where Have All the Bullets Gone? (1985)
  • Goodbye Soldier (1986)
  • Peace Work (1992)
• Small Dreams of a Scorpion
• Hidden Words: Collected Poems
• Open Heart University
• Startling Verse for All the Family
• Sir Nobonk and the Terrible Dreadful Awful Naughty Nasty Dragon
• A Mad Medley of Milligan
• Transports of Delight (Sidgwick & Jackson 1974)
• More Transports of Delight
• Depression and How to Survive It (with Professor Anthony Clare), medical biography.
• It Ends with Magic
• The Murphy (Virgin, 2001)
• Milligan's Ark
• The Spike Milligan Letters (edited by Norma Farnes)
• More Spike Milligan Letters (edited by Norma Farnes)
• The Unpublished Spike Milligan BOX 18 (edited by Norma Farnes), London, Fourth Estate, 2006. ISBN 978-0-00-721427-3. [posthumous]
• The "According to" Books
  • The Bible—the Old Testament According to Spike Milligan (Michael Joseph, October 1993)
  • Black Beauty According to Spike Milligan (Michael Joseph, 1996)
  • D.H.Lawrence's John Thomas and Lady Jane: According to Spike Milligan—Part II of "Lady Chatterley's Lover" (Michael Joseph, 1995)
  • Frankenstein According to Spike Milligan (Virgin, 1997)
  • The Hound of the Baskervilles According to Spike Milligan
  • Lady Chatterley's Lover According to Spike Milligan (Michael Joseph, April 1994)
  • Robin Hood According to Spike Milligan (Virgin, 1998)
  • Treasure Island According to Spike Milligan
  • Wuthering Heights According to Spike Milligan (Michael Joseph, 1994)
• The Essential Spike Milligan (compiled by Alexander Games, 2002), ISBN 0-00-767358-2
• The Compulsive Spike Milligan (Edited by Norma Farnes, 2004), ISBN 0-00-771702-4

[edit] Notes and References

[edit] Biographical Works

• Ventham, Maxine (2002). Spike Milligan: His Part In Our Lives. London: Robson. ISBN 1-86105-530-7. 
• Carpenter, Humphrey. Spike Milligan: The Biography. London, Hodder and Stoughton. 2003. ISBN 9780340826119
• Farnes, Norma. Spike: An Intimate Memoir. London, Harper Perennial. 2004. ISBN 1-84115-787-2 [Original, 2003] (Written by his “manager, mentor and troubleshooter for thirty or more years” - Eric Sykes, in Foreword)
• Scudamore, Pauline. Spike. London, Sutton Publishing. 2003. ISBN 9780750932547 This is a paperback publication of the hardcover biography, originally published as: Scudamore, Pauline (1985). Spike Milligan: A Biography. London: Granada. ISBN 0-246-12275-7. 
• Games, Alexander (2003). The Essential Spike Milligan. London: Fourth Estate. ISBN 0-00-717103-X. 
• Farnes, Norma (2004). The Compulsive Spike Milligan. London: Fourth Estate. ISBN 0-00-719543-5. 
• McCann, Graham (2006). Spike & Co.. London: Hodder & Stoughton. ISBN 0-340-89809-7. 

[edit] External links

• "Spike Milligan's people": an article in the Times Literary Supplement, February 21, 2007.
• The Spike Milligan Appreciation Society^{[dead link]}
• A fuller listing of the works and performances of Spike Milligan.
• Spike Milligan's TV Q series
• Previously unheard audio of one of Spike Milligan's last one-man shows. Extrageographic Magazine.
• The web site to accompany the new documentary, I Told you I was Ill: The Life and Legacy of Spike Milligan
• Spike Milligan at the Internet Movie Database
• Spike Milligan at Find a Grave
• The Guardian newspaper obituary for Spike Milligan
• Link to BBC poll article
• Comprehensive list of Spike's works (illustrated)
• PDF Document: Kettering Magazine - The fanzine of elderly comedy - 700k file, contains detailed article on Milligan and his role in the film The Great McGonagall
• Puckoon website

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