Sheila E. Murphy (b. 1951, Mishawaka, Indiana) is an American text and visual poet who has been writing and publishing actively since 1978. She currently lives in Phoenix, Arizona.

She earned:

• B.A. degree (music/English) from Nazareth College, Kalamazoo, Michigan
• M.A. degree (English Language and Literature) from The University of Michigan
• Ph. D. degree (Educational Administration and Supervision, Emphasizing Community Education) from Arizona State University.

With Beverly Carver, Murphy co-founded and coordinated the Scottsdale Center for the Arts Poetry Series for twelve years. Murphy has engaged in a broad range of poetic styles over nearly three decades of writing and publication.

What a Sweet Strong

what a sweet strong swaysy prong

to factor with

to filter

and to long

but I am gusting past

our habitat and flinging

what we are

into a recap

filled with loitering

and singe and replicasio

from brew

and cha cha

give me seashore

in your breath

and double tithe

(a fifth!)

to make this

happensense

go merry as

canary see and shaken saw

The emphasis on sound and the use of neologisms and cadences derive from study of music theory and performance. These same linguistic processes are evident in Murphy's prose poetry. As Jen Tynes noted in a review of Proof of Silhouettes published in the Feb. 2, 2005 issue of Verse, "The varied structure of the poems creates a super-awareness of prose versus broken line that seems organically fitting--[sic] the reader is never quite lulled into recognition of the landscape or movement of this book, and yet it manages to move together, to speak a whole thing with clarity but without oversimplification. The form of the book as a whole creates...its own considerate and considerable relationship between lines of verse and prose, progression and procession..."

In referring to Murphy's prose poems in Letters to Unfinished J., Simon DeDeo (Rhubarb is Susan, Feb. 2006) wrote that "Murphy has the sensual fluency of Gertrude Stein..." [and possesses] "... a decided openness that leads to the sensation of risk, of stopping the torrents to speak directly ... that maintains a distinctly non-narrative attitude, filling the writing ... [I]t is in that pouring that we get the whole Murphy ... the Murphy who wants to point out, to judge, to indicate."

Recently the prose poem has been the form of choice for Sheila Murphy, who coined the term for a new kind of prose poem, the "American Haibun", which is quite separate from the traditional Japanese form. "American Haibun" is being written by other innovative, English language poets, suggesting a possible trend.

Contents 1 Collaboration 2 Writings 3 Anthologies 4 Exhibitions of Visual Poetry 5 Visual Poetry Book Publication 6 External links

[edit] Collaboration

Sheila Murphy writes, "Collaborative projects allow a writer or visual poet to participate in a larger creative mechanism than the usual self, placing the writer in a new, larger system that brings about art that is different from that created by either of the individuals involved. While separate from the individual writer's work, collaboration strengthens muscles that can benefit the individual writer, but not not bear a direct relationship to the writer's individual projects."

She has or is currently collaborating with poets and artists such as Douglas Barbour, Dan Waber, Scott Glassman, Charles Alexander, mIEKAL aND, Joseph Lease, Peter Ganick, K.S. Ernst, C. Mehrl Bennett, John M. Bennett, Jukka-Pekka Kervinen, Jim Leftwich, Scott Helmes, Al Ackerman, Andrew Topel, David Baratier, Carol Novack, Jeff Crouch, and photographer Paula Silverberg.

[edit] Writings

• Reverse Haibun. Chalkeditions. 2009.
• Circumsanct. Chalkeditions. 2009.
• Quaternity (with Scott Glassman). Otoliths Press. 2009.
• how to spell the sound of everything (with mIEKAL aND). Xerox Sutra Editions. 2009.
• Collected Chapbooks. Blue Lion Books. 2008.
• Parsings. Arrum Press (Finland). 2008.
• The Case of the Lost Objective Case. Otoliths Press. 2007.
• Continuations (with Douglas Barbour). The University of Alberta Press, 2006.
• Incessant Seeds. Pavement Saw Press, 2005.
• Proof of Silhouettes. Stride Press (UK), 2004.
• Concentricity. Pleasure Boat Studio: A Literary Press, 2004.
• Green Tea with Ginger. Potes & Poets Press, 2003.
• Letters to Unfinished J. Green Integer Press, 2003.
• The Stuttering of Wings. Stride Press (UK), 2002.
• The Indelible Occasion. Potes & Poets Press, 2000.
• Falling in Love Falling in Love With You Syntax: Selected and New Poems. Potes & Poets Press, 1997.
• A Clove of Gender. Stride Press (UK), 1995.
• Pure Mental Breath. Gesture Press (Toronto), 1994.
• Tommy and Nell. Sun/Gemini Press (Tucson, Arizona), 1993.
• Teth. Chax Press, 1991.
• Sad Isn't the Color of the Dream. Stride Press (UK), 1991.
• With House Silence. Stride Press (UK), 1987.

[edit] Anthologies

• 1000 Views of "Girl Singing". Leafe Press, 2009.
• Visiting Wallace: Poems Inspired by the Life and Work of Wallace Stevens. University of Iowa Press, 2009.
• Troubles Swapped for Something Fresh. Salt Publishing, 2009.
• Anthology: Spidertangle. Xexoxial Editions, 2009.
• Visio-Textual Selectricity. Runaway Spoon Press, 2008.
• The Hay(na)ku Anthology, Volume II. Meritage Press, USA. xPress(ed). Finland. 2008.
• >2: An Anthology of New Collaborative Poetry. Editor, with M.L. Weber. Sugar Mule Press, 2007.
• The First Hay(na)ku Antholgy. Meritage Press, 2005.
• Fever Dreams: Contemporary Arizona Poetry. The University of Arizona Press, 1997.
• The Gertrude Stein Awards in Innovative American Poetry,1993--1994; 1994--1995. Sun & Moon Press.
• Primary Trouble: An Anthology of Contemporary American Poetry. Talisman House Press, 1996.
• A Curious Architecture: A Selection of Contemporary Prose Poems. Stride (UK), 1996.
• The Art of Practice: 45 Contemporary Poets. Potes & Poets Press, 1994.

[edit] Exhibitions of Visual Poetry

• Visual Poetry Etched on Glass Wall. Rondo Community Library and Housing Project, Minneapolis, 2006.
• Blends and Bridges. Cleveland, Ohio, 2006.
• Still Life with Words: an International Exhibition. Gallery 308, Minneapolis, 2005.
• SoundVisionVisionSound III. Nave Gallery, Somerville, Massachusetts, 2005.
• Infinity. Dudley House. Harvard University, 2005.
• Vispo at Durban Segnini Gallery. Miami, Florida, 2005.

[edit] Visual Poetry Book Publication

• Permutoria (with K.S. Ernst). Luna Bisonte Prods, 2008.

[edit] External links

• Mudlark A Sound the Mobile Makes in Wind: 50 American Haibun by Sheila E. Murphy Mudlark #8
• Jacket Magazine: Thomas Fink reviews Incessant Seeds by Sheila E. Murphy

• Tom Beckett Interviews Sheila E. Murphy at r e a d m e