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Saul Bellow (June 10, 1915 – April 5, 2005) was a Canadian-born American writer. For his literary contributions, Bellow was awarded the Pulitzer Prize, the Nobel Prize for Literature, and the National Medal of Arts.[2] He is the only writer to have won the National Book Award three times, and the only writer to have been nominated for it six times. In the words of the Swedish Nobel Committee, his writing exhibited "exuberant ideas, flashing irony, hilarious comedy and burning compassion... the mixture of rich picaresque novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age." [3] His best-known works include The Adventures of Augie March, Herzog, Mr. Sammler's Planet, Seize the Day, Humboldt's Gift and Ravelstein. Widely regarded as one of the twentieth century's greatest authors, Bellow has had a "huge literary influence."[4]
[edit] Early lifeSaul Bellow was born Solomon Bello[5] in Lachine, Quebec, two years after his parents emigrated from Saint Petersburg, Russia. Bellow celebrated his birthday in June, although he may have been born in July (in the Jewish community, it was customary to record the Hebrew date of birth, which does not always coincide with the Gregorian calendar).[6] Of his family's emigration, Bellow wrote:
A period of illness from a respiratory infection at age eight both taught him self-reliance (he was a very fit man despite his sedentary occupation) and provided an opportunity to satisfy his hunger for reading: reportedly he decided to be a writer when he first read Harriet Beecher Stowe's Uncle Tom's Cabin. When Bellow was nine, his family moved to the Humboldt Park neighborhood of Chicago, the city that was to form the backdrop of many of his novels.[5] Bellow's father, Abraham, was an onion importer. He also worked in a bakery and delivered coal and as a bootlegger.[6] Bellow's mother, Liza, died when he was 17. She was deeply religious, and wanted her youngest son, Saul, to become a rabbi or a concert violinist. But he rebelled against what he later called the "suffocating orthodoxy" of his religious upbringing, and he began writing at a young age.[6] Bellow's lifelong love for the Bible began at four when he learned Hebrew. Bellow also grew up reading William Shakespeare and the great Russian novelists of the 19th century.[6] In Chicago, he took part in anthroposophical studies. [edit] Education and early careerBellow attended the University of Chicago, but later transferred to Northwestern University. He originally wanted to study literature, but he felt the English department to be anti-Jewish; instead, he graduated with honors in anthropology and sociology.[8] It has been suggested Bellow's study of anthropology had an interesting influence on his literary style, and anthropological references pepper his works. Bellow later did graduate work at the University of Wisconsin–Madison. Paraphrasing Bellow's description of his close friend Allan Bloom (see Ravelstein), John Podhoretz has said that both Bellow and Bloom "inhaled books and ideas the way the rest of us breathe air."[9] In the 1930s, Bellow was part of the Chicago branch of the Works Progress Administration Writer's Project, which included such future Chicago literary luminaries as Richard Wright and Nelson Algren. Most of the writers were radical: if they were not card-carrying members of the Communist Party USA, they were sympathetic to the cause. Bellow was a Trotskyist, but because of the greater numbers of Stalinist-leaning writers he had to suffer their taunts.[10] In 1941 Bellow became a naturalized US citizen.[11] During World War II, Bellow joined the merchant marine and during his service he completed his first novel, Dangling Man (1944) about a young Chicago man waiting to be drafted for the war. From 1946 through 1948 Bellow taught at the University of Minnesota, living on Commonwealth Avenue, in St. Paul, Minnesota.[12] In 1948, Bellow was awarded a Guggenheim Fellowship that allowed him to move to Paris, where he began writing The Adventures of Augie March (1953). Critics have remarked on the resemblance between Bellow's picaresque novel and the great 17th Century Spanish classic Don Quixote. The book starts with one of American literature's most famous opening paragraphs, and it follows its titular character through a series of careers and encounters, as he lives by his wits and his resolve. Written in a colloquial yet philosophical style, The Adventures of Augie March established Bellow's reputation as a major author. [edit] Returns to ChicagoBellow lived in New York City for a number of years, but he returned to Chicago in 1962 as a professor at the Committee on Social Thought at the University of Chicago. The committee's goal was to have professors work closely with talented graduate students on a multi-disciplinary approach to learning. Bellow taught on the committee for more than 30 years, alongside his close friend, the philosopher Allan Bloom. There were also other reasons for Bellow's return to Chicago, where he moved into the Hyde Park neighborhood with his third wife, Susan Glassman. Bellow found Chicago to be vulgar but vital, and more representative of America than New York.[13] He was able to stay in contact with old high school friends and a broad cross-section of society. In a 1982 profile, Bellow's neighborhood was described as a high-crime area in the city's center, and Bellow maintained he had to live in such a place as a writer and "stick to his guns".[14] Bellow hit the bestseller list in 1964 with his novel Herzog. Bellow was surprised at the commercial success of this cerebral novel about a middle-aged and troubled college professor who writes letters to friends, scholars and the dead, but never sends them. Bellow returned to his exploration of mental instability, and its relationship to genius, in his 1975 novel Humboldt's Gift. Bellow used his late friend and rival, the brilliant but self-destructive poet Delmore Schwartz, as his model for the novel's title character, Von Humboldt Fleisher.[15] [edit] Wins Nobel Prize Propelled by the success of Humboldt's Gift, Bellow won the Nobel Prize in literature in 1976. In the 70-minute address he gave to an audience in Stockholm, Sweden, Bellow called on writers to be beacons for civilization and awaken it from intellectual torpor.[15] The following year, the National Endowment for the Humanities selected Bellow for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. Bellow's lecture was entitled "The Writer and His Country Look Each Other Over."[16] Bellow traveled widely throughout his life, mainly to Europe, which he sometimes visited twice a year.[15] As a young man, Bellow went to Mexico City to meet Leon Trotsky, but the expatriate Russian revolutionary was assassinated the day before they were to meet. Bellow's social contacts were wide and varied. He tagged along with Robert F. Kennedy for a magazine profile he never wrote, he was close friends with the author Ralph Ellison and he rubbed shoulders with Chicago gangsters.[citation needed] His many friends included the journalist Sydney J. Harris and the poet John Berryman.[citation needed] While sales of Bellow's first few novels were modest, that turned around with Herzog. Bellow continued teaching well into his old age, enjoying its human interaction and exchange of ideas. He taught at the University of Minnesota, New York University, Princeton University, the University of Puerto Rico, the University of Chicago, Bard College and Boston University, where he co-taught a class with James Wood ('modestly absenting himself' when it was time to discuss Seize the Day). In order to take up his appointment at Boston, Bellow moved in 1993 from Chicago to Brookline, Massachusetts, where he died on April 5, 2005, at age 89. He is buried at the Jewish cemetery Shir HeHarim of Brattleboro, Vermont. Bellow was married five times, with all but his last marriage ending in divorce. His son by his second marriage, Adam, published a nonfiction book In Praise of Nepotism in 2003. Bellow's wives were Anita Goshkin, Alexandra Tsachacbasov, Susan Glassman, Alexandra Ionescu Tulcea and Janis Freedman. In 1999, when he was 84, Bellow had a daughter, his fourth child, with Freedman. While he read voluminously, Bellow also played the violin and followed sports. Work was a constant for him, but he at times toiled at a plodding pace on his novels, frustrating the publishing company.[15] His early works earned him the reputation as one of the foremost novelists of the 20th century, and by his death he was widely regarded to be one of the greatest living novelists.[17] He was the first novelist to win the National Book Award three times. His friend and protege Philip Roth has said of him, "The backbone of 20th-century American literature has been provided by two novelists – William Faulkner and Saul Bellow. Together they are the Melville, Hawthorne, and Twain of the 20th century." James Wood, in a eulogy of Bellow in The New Republic, wrote:[18]
[edit] Themes and styleThe author's works speak to the disorienting nature of modern civilization, and the countervailing ability of humans to overcome their frailty and achieve greatness (or at least awareness). Bellow saw many flaws in modern civilization, and its ability to foster madness, materialism and misleading knowledge.[19] Principal characters in Bellow's fiction have heroic potential, and many times they stand in contrast to the negative forces of society. Often these characters are Jewish and have a sense of alienation or otherness. Jewish life and identity is a major theme in Bellow's work, although he bristled at being called a "Jewish writer." Bellow's work also shows a great appreciation of America, and a fascination with the uniqueness and vibrancy of the American experience. Bellow's work abounds in references and quotes from the likes of Marcel Proust and Henry James, but he offsets these high-culture references with jokes.[6] Bellow interspersed autobiographical elements into his fiction, and many of his principal characters were said to bear a resemblance to him. [edit] Criticism, controversy and conservative cultural activismMartin Amis described Bellow as "The greatest American author ever, in my view".[20]
For Linda Grant, "what Bellow had to tell us in his fiction was that it was worth it, being alive."
On the other hand, Bellow's detractors considered his work conventional and old-fashioned, as if the author was trying to revive the 19th century European novel. In a private letter, Vladimir Nabokov once referred to Bellow as a "miserable mediocrity."[23] Journalist and author Ron Rosenbaum described Bellow's Ravelstein (2000) as the only book that rose above Bellow's failings as an author. Rosenbaum wrote,
Sam Tanenhaus wrote in New York Times Book Review in 2007:
But, Tanenhaus went on to answer his question:
V. S. Pritchett praised Bellow, finding his shorter works to be his best. Pritchett called Bellow's novella Seize the Day a "small gray masterpiece."[6] Bellow's account of his 1975 trip to Israel, To Jerusalem and Back: A Personal Account, was criticized by Noam Chomsky in his 1983 book Fateful Triangle: the United States, Israel & the Palestinians. Bellow, Chomsky wrote, "sees an Israel where ‘almost everyone is reasonable and tolerant, and rancor against the Arabs is rare,’ where the people ‘think so hard, and so much’ as they ‘farm a barren land, industrialize it, build cities, make a society, do research, philosophize, write books, sustain a great moral tradition, and finally create an army of tough fighters.’ He has also been criticized for having praised Joan Peters's controversial book, From Time Immemorial, which challenged the conventional history of the Palestinian people.[26][27] As he grew older, Bellow moved decidedly away from leftist politics and became identified with cultural conservatism.[15] His opponents included feminism, campus activism[28] and postmodernism. In 1995 along with Lynne V. Cheney and other noted conservatives, he helped found the American Council of Trustees and Alumni (ACTA) based in Washington, D.C. and funded by the conservative Bradley Foundation and John M. Olin Foundation[citation needed] Promoting the Core Curriculum view of liberal education, the ACTA is best known for its 2001 report, Defending Civilization . . . , which met with wide criticism and accusations of neo-McCarthyism, because it served as a broadside against a "liberal academia" that the report authors saw as being insufficiently patriotic and "soft" on international terrorism.[29] Following a barrage of criticism, ACTA published a "revised and expanded" version. Bellow also thrust himself into the often contentious realm of Jewish and African-American relations. In Mr. Sammler's Planet, Bellow's portrayal of a black pickpocket who exposes himself in public was criticized, by some activists, as racist. In 2007, attempts to name a street after Bellow in his Hyde Park neighborhood were scotched by local alderman on the grounds that Bellow had made remarks about the neighborhood's current inhabitants that they considered racist.[30] In an interview in the March 7, 1988 New Yorker, Bellow sparked a controversy when he asked, concerning multiculturalism, "Who is the Tolstoy of the Zulus? The Proust of the Papuans? I'd be glad to read him." The taunt was seen by some as a slight against non-Western literature. Bellow at first claimed to have been misquoted. Later, writing in his defense in the New York Times, he said, "The scandal is entirely journalistic in origin... Always foolishly trying to explain and edify all comers, I was speaking of the distinction between literate and preliterate societies. For I was once an anthropology student, you see." Bellow claimed to have remembered shortly after making his infamous comment that he had in fact read a Zulu novel in translation: Chaka by Thomas Mofolo (an inaccuracy remains in this: Mofolo's novel is in Sesotho, not Zulu). Despite his identification with Chicago, he kept aloof from some of that city's more conventional writers. Studs Terkel in a 2006 interview with Stop Smiling magazine said of Bellow: "I didn't know him too well. We disagreed on a number of things politically. In the protests in the beginning of Norman Mailer's Armies of the Night, when Mailer, Robert Lowell and Paul Goodman were marching to protest the Vietnam War, Bellow was invited to a sort of counter-gathering. He said, 'Of course I'll attend'. But he made a big thing of it. Instead of just saying OK, he was proud of it. So I wrote him a letter and he didn't like it. He wrote me a letter back. He called me a Stalinist. But otherwise, we were friendly. He was a brilliant writer, of course. I love Seize the Day." [edit] Quotations"[There is] an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for."[31] "I feel that art has something to do with the achievement of stillness in the midst of chaos. A stillness which characterizes prayer, too, and the eye of the storm. I think that art has something to do with an arrest of attention in the midst of distraction."[32] "A great deal of intelligence can be invested in ignorance when the need for illusion is deep."[33] "People can lose their lives in libraries. They ought to be warned."[34] [edit] Bibliographyfor a complete list of works see Bibliography of Saul Bellow [edit] Novels and novellas
[edit] Short Story Collections
[edit] Library of America editions
[edit] Translations
[edit] Non-Fiction
[edit] Works about Saul Bellow
[edit] See also[edit] References
[edit] External links
Categories: 1915 births | 2005 deaths | American Nobel laureates | American novelists | American short story writers | Anthroposophists | Bard College faculty | Canadian-American Jews | Canadian immigrants to the United States | Canadian Nobel laureates | Canadian novelists | Canadians of Russian descent | Guggenheim Fellows | Jewish American writers | Jewish novelists | National Book Award winners | Nobel laureates in Literature | O. Henry Award winners | People from Montreal | Pulitzer Prize for Fiction winners | Russian-American Jews | American Trotskyists | American socialists | United States National Medal of Arts recipients | University of Chicago alumni | University of Chicago faculty | Writers from Chicago, Illinois | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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