add site
services
publishers
database
health videos
toolbar
stats
live show
health store
more stuff
JOIN/LOGIN
| advertise add site services publishers database health videos
| | about toolbar stats live show health store more stuff JOIN/LOGIN |
Samuel "Sam" Cook (January 22, 1931 – December 11, 1964) was an American gospel, R&B, soul, and pop singer, songwriter, and entrepreneur. He is considered to be one of the pioneers and founders of soul music.[2][3][4] Cooke had twenty-nine top-40 hits in the U.S. between 1957 and 1964. Major hits like "You Send Me", "A Change Is Gonna Come", "Chain Gang", "Wonderful World", and "Bring It on Home to Me" are some of his most popular songs. Cooke was also among the first modern black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the American Civil Rights Movement.[5]
[edit] Early life and careerMain article: The Soul Stirrers Cooke was born in Clarksdale, Mississippi. He later added an "e" onto the end of his name, though the reason for this is disputed.[6] He was one of seven children of Annie Mae and the Reverend Charles Cook, a Baptist minister. The family moved to Chicago in 1933. Cooke began his career singing gospel with his siblings in a group called The Singing Children. He first became known as lead singer with the Highway QC's as a teenager. In 1950, Cooke replaced gospel tenor R.H. Harris as lead singer of the landmark gospel group The Soul Stirrers. Under Cooke's leadership, the group signed with Specialty Records and recorded the hits "Peace in the Valley", "How Far Am I From Canaan?", "Jesus Paid the Debt" and "One More River". [edit] Crossover pop successHis first pop single, "Lovable" (1956), was released under the alias "Dale Cooke" in order not to alienate his gospel fan base (he sang with the Soul Stirrers until 1957); there was a considerable stigma against gospel singers performing secular music. However, it fooled no one[7] - Cooke's unique and distinctive vocals were easily recognized. Art Rupe, head of Specialty Records, the label of the Soul Stirrers, gave his blessing for Cooke to record secular music under his real name, but he was unhappy about the type of music Cooke and producer Bumps Blackwell were making. Rupe expected Cooke's secular music to be similar to that of another Specialty Records artist, Little Richard. When Rupe walked in on a recording session and heard Cooke covering Gershwin, he was quite upset. After an argument between Rupe and Blackwell, Cooke and Blackwell left the label. In 1957, Cooke appeared on ABC's The Guy Mitchell Show. That same year, he signed with Keen Records. His first release was "You Send Me", the B-side of his first Keen single (the A-side was a reworking of George Gershwin's "Summertime")[8] which spent six weeks at #1 on the Billboard R&B chart. The song also had mainstream success, spending three weeks at #1 on the Billboard pop chart.[9]  In 1961, Cooke started his own record label, SAR Records, with J.W. Alexander and his manager, Roy Crain.[10] The label soon included The Simms Twins, The Valentinos, Bobby Womack, and Johnnie Taylor. Cooke then created a publishing imprint and management firm, then left Keen to sign with RCA Victor. One of his first RCA singles was the hit "Chain Gang". It reached #2 on the Billboard pop chart and was followed by more hits, including "Sad Mood", "Bring it on Home to Me" (with Lou Rawls on backing vocals), "Another Saturday Night" and "Twistin' the Night Away". Like most R&B artists of his time, Cooke focused on singles; in all he had twenty-nine top-40 hits on the pop charts, and more on the R&B charts. In spite of this, he released a well received blues-inflected LP in 1963, Night Beat, and his most critically acclaimed studio album Ain't That Good News, which featured five singles, in 1964. [edit] DeathCooke died at the age of thirty-three on December 11, 1964, at the Hacienda Motel at 9137 South Figueroa Street in Los Angeles, California, which has since been torn down. Bertha Franklin, manager of the motel, told police that she shot and killed Cooke in self-defense because he had threatened her. Police found Cooke's body in Franklin's apartment-office, clad only in a sports jacket and shoes, but no shirt, pants or underwear.[11] The shooting was ultimately ruled a justifiable homicide.[7] Cooke was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California. Some posthumous releases followed, many of which became hits, including "A Change Is Gonna Come", an early protest song that is generally regarded as his greatest composition.[12] After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Bobby's brother, Cecil.[10] [edit] ControversyThe details of the case involving Cooke's death are still in dispute. The official police record[13] states that Cooke was shot dead by Bertha Franklin, the manager of the Hacienda Motel, where Cooke had checked in earlier that evening. Franklin claimed that Cooke had broken into the manager's office-apartment in a rage, wearing nothing but a shoe and a sports coat demanding to know the whereabouts of a woman who had accompanied him to the hotel. Franklin said that the woman was not in the office and that she told Cooke this, but the enraged Cooke did not believe her and violently grabbed her, demanding again to know the woman's whereabouts. According to Franklin, she grappled with Cooke, the two of them fell to the floor, and she then got up and ran to retrieve her gun. She said that she then fired at Cooke in self-defense, because she feared for her life. Cooke was struck once in the torso, and according to Franklin, he exclaimed, "Lady, you shot me," before mounting a last charge at her. She said that she beat him over his head with a broomstick before he finally fell, mortally wounded by the gunshot. According to Franklin and to the motel's owner, Evelyn Carr, they had been on the telephone together at the time of the incident. Thus, Carr claimed to have overheard Cooke's intrusion and the ensuing conflict and gunshots. Carr called the police to request that they go to the motel, informing them that she believed a shooting had occurred. A coroner's inquest was convened to investigate the incident. The woman who had accompanied Cooke to the motel was identified as Elisa Boyer, who had also called the police that night shortly before Carr did. Boyer had called the police from a telephone booth near the motel, telling them she had just escaped from being kidnapped. Boyer told the police that she had first met Cooke earlier that night and had spent the evening in his company. She claimed that after they left a local nightclub together, she had repeatedly requested that he take her home, but that he instead took her against her will to the Hacienda Motel. She claimed that once in one of the motel's rooms, Cooke physically forced her onto the bed and that she was certain he was going to rape her. According to Boyer, when Cooke stepped into the bathroom for a moment, she quickly grabbed her clothes and ran from the room. She claimed that in her haste, she had also scooped up most of Cooke's clothing by mistake. She said that she ran first to the manager's office and knocked on the door seeking help. However, she said that the manager took too long in responding, so, fearing Cooke would soon be coming after her, she fled the motel altogether before the manager ever opened the door. She claimed she then put her own clothing back on, hid Cooke's clothing away and went to the telephone booth from which she called the police. Boyer's story is the only account of what happened between the two that night. However, her story has long been called into question. Inconsistencies between her version of events and details reported by other witnesses, as well as circumstantial evidence (e.g., cash that Cooke was reportedly carrying was never recovered, and Boyer was soon after arrested for prostitution),[14] invited speculation that Boyer may have gone willingly to the motel with Cooke and then slipped out of the room with Cooke's clothing in order to rob him, rather than to escape an attempted rape.[6][13] Ultimately, such questions were deemed to be beyond the scope of the inquest,[6] whose purpose was to establish the circumstances of Franklin's role in the shooting, not to determine exactly what had happened between Cooke and Boyer preceding that. Boyer's leaving the motel room with almost all of Cooke's clothing, regardless of exactly why she did so, combined with the fact that tests showed Cooke was inebriated at the time, provided what inquest jurors deemed a plausible explanation for Cooke's bizarre behavior and state of dress, as reported by Franklin and Carr. This explanation, together with the fact that Carr's testimony corroborated Franklin's version of events, and the fact that police officials testified that both Boyer and Franklin had passed lie detector tests,[6][15][16] was enough to convince the coroner's jury to accept Franklin's explanation that it was a case of justifiable homicide. With that verdict, authorities officially closed the case on Cooke's death.[6][17] However, some of Cooke's family and supporters have rejected not only Boyer's version of events but also Franklin's and Carr's. They believe that there was a conspiracy to murder Cooke and that the murder took place in some manner entirely different from Franklin's, Boyer's, and Carr's official accounts.[18][19][20][21][22][23][6] In her autobiography, Rage to Survive, singer Etta James claimed that she viewed Cooke's body in the funeral home and that the injuries she observed were well beyond what could be explained by the official account of Franklin alone having fought with Cooke. James described Cooke as having been so badly beaten that his head was nearly separated from his shoulders, his hands were broken and crushed, and his nose was mangled.[24] Nevertheless, no solid, reviewable evidence supporting a conspiracy theory has been presented to date.[21][22] [edit] Legacy and cultural impactThe song "A Change Is Gonna Come" was played upon the death of Malcolm X, and was featured in Spike Lee's film Malcolm X. Barack Obama's presidential victory speech paraphrased the song: "It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America."[25] Rapper Tupac Shakur references Cooke in a line of the song "Thugz Mansion", and Nas references him in the song "We Major" with Kanye West. The Roots' song "Stay Cool" suggests, "I got the soul of a young Sam Cooke." The Irish rock-group Jetplane Landing have a song named "Sam Cooke". Canadian punk band The Riptides pay homage to Cooke in "Change Gonna Come." He is once again mentioned by Nas on the song "Blunt Ashes". The rapper talks about the marriage between Bobby Womack and Sam Cooke's widow, suggesting Cooke’s discontent with the affair in the afterlife. A fictional version of Cooke (portrayed by Paul Mooney) appeared briefly in the 1978 film, The Buddy Holly Story, leaving the stage at the Apollo Theater before Buddy and The Crickets went on. After being featured prominently in the 1985 film Witness,[26] the song "Wonderful World" gained further exposure. "Wonderful World" was featured in one of two concurrently running Levi's Jeans commercials in 1985 and became a hit in the United Kingdom because of this, reaching #2 in re-release. Two of Cooke's songs, "Cupid" and "Twistin' the Night Away" were also prominently featured in the 1987 movie, Innerspace. Other movies that featured his music are Animal House ("Wonderful World" and "Twistin' the Night Away"), American Werewolf in London, and Cadence ("Chain Gang"). Cooke's songs "Bring It on Home to Me" and "Change is Gonna Come" were both featured in the movie Ali. The opening scene of the movie consisted of a live reenactment of "Bring It on Home to Me". Alternative rock band The Wallflowers song "Sleepwalker" off of their 2000 album (Breach) featured the lyric "Cupid don't draw back your bow/Sam Cooke didn't know what I know." John Cougar Mellencamp's song "Ain't Even Done With the Night" contains the line "You got your hands in my back pockets, and Sam Cooke's singin' on the radio." [edit] Posthumous honors
[edit] DiscographyMain article: Sam Cooke discography [edit] Albums
[edit] Singles[edit] Further reading
[edit] References
[edit] External links
Categories: Incomplete music lists | 1931 births | 1964 deaths | African American singers | American gospel singers | American male singers | American soul musicians | Specialty Records artists | RCA Victor Records artists | African Americans' rights activists | Burials at Forest Lawn Memorial Park (Glendale) | Cause of death disputed | Musicians from Chicago, Illinois | Deaths by firearm in California | Grammy Lifetime Achievement Award winners | Musicians from Mississippi | Murdered African Americans | Murdered entertainers | People from Clarksdale, Mississippi | People from Chicago, Illinois | Rock and Roll Hall of Fame inductees | Songwriters Hall of Fame inductees | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ↑ top of page ↑ | about thumbshots |
