The Fall, digital photopainting, 180x120cm
by Rolf Aamot, 2002/2003.

Rolf Aamot (born in Bergen September 28, 1934) is a Norwegian painter, film director, photographer and tonal-image composer. Since the 1950s Aamot has been a pioneer within the field of electronic arts, exploring the emerging technology as it combines with the traditional arts of painting, music, film, theatre, and ballet. Aamot is known for his work as a painter, electronic painter, art photographer, graphic artist, film director, tonal-image composer and cultural author^[1]. Since 1966, Aamot's works have been displayed in Scandinavia, France, Germany, Belgium, Italy, the Soviet Union and subsequently Russia, Poland, USA and Japan. His work can be found in several important public collections. Aamot has been represented at several international film and art festivals throughout the world.^[2]

[edit] Background

Rolf Aamot was, from a very early age, taught after Bauhaus principles by his father Randulf Aamot, a master carpenter, sculptor and wood carver. In 1952 he had his first solo exhibit of paintings at the Paus Knudsen Gallery in Bergen. In 1953, at the age of 18, while still attending the Norwegian National Academy of Craft and Art Industry in Oslo, he was awarded a major public commission for the Natural History Museum at the University of Oslo^{[nb 1]}. From 1957 until 1960 he studied at the Norwegian National Academy of Fine Arts with the painters Aage Storstein and Alexander Schultz, both of them firmly anchored in the effort to combine figuration and abstraction typical of the 1920s. He later studied Film at the Dramatic Institute[1] in Stockholm.

[edit] Electronic art in television

Aamot's electronic tonal-image work ”Evolution” (1966) with music by Arne Nordheim was shown on Norwegian television in 1967^[3][4][5]. “Evolution” represented a milestone of a new art form in which television for the first time was used as an independent picture-artistic means of expression^[6][7]. Throughout the 1960s, 1970s and 1980s Aamot created a series of works for television.

[edit] Video art and digital photopaintings

From the latter half of the 1980s Aamot worked with computer paintings on canvas, digital photopaintings and graphic art. He has continued to make video and film art, often in collaboration with the painter and composer Bjørg Lødøen and the photographer, dancer and choreographer Kristin Lodoen Linder.

[edit] Selected works

• Digital Photopaintings
• Computer Graphic
• Computer Paintings on Canvas

[edit] Tonal-image Compositions for Screen

[edit] Television

• ”Evolution” (1966)
• ”Relieff nr.2” (1967-68)
• ”BSK” (1968)
• ”Visual” (1971)
• ”Progress” (1977)
• ”Structures” (1979)
• ”Medusa” (1986)
• ”Puls” (1986)
• ”Close cluster” (Nærklang) (1987)
• ”Expulsion” (1987)

[edit] Cinema

• ”Relieff” (1966-67)
• Kinetic Energy” (1967-68)
• ”Vision” (1969)
• ”Structures” (1970)
• ”Actio” (1980)
• ”Aurora Borealis” (1991)
• ”Tide” (2000)
• ”Energy” (2003)
• ”U” (2005)
• ”Ir” (2006)
• "Wirr" (2008)
• "Contra" (2009)

[edit] Note

1. ^ Translation of part of article (with one illustration of Rolf Aamot's frescoes at the Natural History Museum in Oslo) in La Lettre de l'OCIM n° 77: 'The frescoes in the Paleontological Museum in Oslo - a special case'. In 1955 [sic] (competition 1953, frescoes finished 1955) a young student at the Norwegian National Academy of Craft and Art Industry, Rolf Aamot, was chosen, by means of a competition, to paint dinosaurs and other creatures of the Secondary (Mesozoic) Era on the walls of the museum. These paintings were originally meant to be an as exact reconstruction as possible, following the scientific advice of the paleontologist Anatol Heintz. Aamot's initial drawings were practically "naturalist reconstructions" but the artist were to let them evolve into a painting of "the soul of the dinosaurs". When contemplating these frescoes today the visitor experiences the same sensations as when facing any other work of art. These dinosaurs are first of all what the artist wanted to create, before being "representations". Rolf Aamot's frescoes are the testimony of an artist on a scientific subject. Emmanuelle Huet, Des dinosaures en représentation.

[edit] References

[edit] External links

• Rolf Aamot official website
• Luminous-Lint
• Store Norske Leksikon (Norwegian encyclopedia)
• Bjørg Lødøen official website
• Kristin Linder official website

[edit] Literature

• Norsk biografisk leksikon (Norwegian biography encyclopedia), 1999-2005 band 10, (Kunnskapsforlaget, Oslo, Norway).
• Allgemeines Kunstler-Lexikon, band 1, München and Leipzig: K. G. Saur, 1992.