Rap rock is a cross-genre fusing vocal and instrumental elements of hip hop with various forms of rock. Rap rock is often confused with rap metal and rapcore, subgenres that include heavy metal-oriented and hardcore punk-oriented bands, respectively. These styles became the basis for nu metal.
[edit] History
Proceeding the development of rap rock, some rock bands had experimented with old school hip hop influences, such as Blondie and The Clash.[1][2] In 1986, Run-D.M.C. collaborated with Aerosmith on a remake of the latter's earlier song, "Walk This Way", first released in 1975. The success of the remake helped bring hip hop into popularity with a mainstream white audience.[3] Beastie Boys, formerly a hardcore punk group, began working in the hip hop genre. Their debut album, Licensed to Ill, largely featured a rock-based sound.[4] Detroit rapper Esham became known for his "acid rap" style, which fused rapped metal-influenced lyrics with a sound that was often rock and heavy metal-based,[5][6] and is considered to be an influence on the development of rap rock and rap metal.[5] Rappers who sampled rock songs included Ice-T, The Fat Boys, LL Cool J, Public Enemy and Whodini.[7]
Rap rock began to enter the mainstream arena in the 1990s. Rock bands such as 24-7 Spyz, Faith No More, Living Colour, Rage Against the Machine and Red Hot Chili Peppers fused rock and hip hop influences.[7][8] The soundtrack album for the 1993 film Judgment Night featured 11 collaborations between hip hop and rock musicians.[9] Urban Dance Squad mixed funk, heavy metal, hip hop and punk.[10] Biohazard is also considered to be a pioneering act in the genre.[11] Cypress Hill's Black Sunday featured a rock-based sound and artwork which, according to Allmusic reviewer Steve Huey, resembled that of heavy metal bands.[12] Beck's successful 1994 single "Loser" incorporated hip hop influences,[5] including an imitation of Chuck D's rapping style.[13]
Rap rock gained mainstream popularity in the late-90s. Among the first wave of performers to gain mainstream success were 311,[14] Bloodhound Gang,[15] and Kid Rock.[16] Rap rock would become the basis for the nu metal genre.[17] Although the popularity of these styles is believed to be declining,[8] some believe that rap rock may regain popularity, with younger music fans discovering bands in the genre.[18]
[edit] Characteristics
Rap rock is varied in sound, with performers incorporating influences from various genres, including alternative rock,[7] funk,[19] hardcore punk,[20] hard rock,[7] heavy metal,[7] or pop.[7] In The Violent World of Moshpit Culture, Joe Ambrose describes rapcore as "a mixture of white rap and hardcore".[20] Allmusic describes rap metal as having "big, lurching beats and heavy, heavy riffs" that "occasionally [...] [sound] as if the riffs were merely overdubbed over scratching and beat box beats",[19] and described rap rock as having a more organic sound,[19] characterizing many songs in the genre as rock songs in which the vocals were rapped rather than sung.[19] Allmusic also states that the rhythms of rap rock are rooted in that of hip hop, with more funk influences than normal hard rock.[19]
Hed PE, which fuses punk rock with hip hop, sometimes incorporates reggae and heavy metal influences.[21] According to Rolling Stone writer Rob Kemp, Incubus' 1997 album S.C.I.E.N.C.E. "links funk metal to the rap metal".[22] Kottonmouth Kings perform a style which they refer to as "psychedelic hip-hop punk rock".[23] Kid Rock incorporates country and Southern rock influences,[24] and is backed by a 10 piece band, while Everlast fuses blues and rock with hip hop,[25] performing with a live band that includes a DJ.[26][27]
The lyrical themes of rap rock vary. According to Allmusic, "most rap-metal bands during the mid- to late '90s blended an ultra-aggressive, testosterone-heavy theatricality with either juvenile humor or an introspective angst learned through alternative metal".[28] Although some alternative metal and nu metal bands incorporate hip hop beats, rap rock bands were always fronted by rappers.[28] Rap metal vocalists mix rapping and screaming.[3]
[edit] References
- ^ Christgau, Robert. "Review of Autoamerican". http://www.robertchristgau.com/get_artist.php?name=Blondie. Retrieved 31 December 2008.
- ^ Guarisco, Donald A. "Review of 'The Magnificent Seven'". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&sql=33:fifyxcqjldke. Retrieved 31 December 2008.
- ^ a b Sanneh, Kelefa (December 3, 2000). "Rappers Who Definitely Know How to Rock". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9B0DE2DB143DF930A35751C1A9669C8B63. Retrieved 31 December 2008.
- ^ Erlewine, Stephen Thomas. "Review of Licensed to Ill". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:jpfwxqy5ldse~T1. Retrieved 31 December 2008.
- ^ a b c Keyes, Cheryl Lynette (2002). "Blending and Shaping Styles: Rap and Other Musical Voices". Rap Music and Street Consciousness. University of Illinois Press. p. 108. ISBN 0252072014, 9780252072017.
- ^ Ketchum III, William E. (October 15, 2008). "Mayor Esham? What?". Detroit, Michigan: Metro Times. http://www.metrotimes.com/music/story.asp?id=13341. Retrieved 2008-10-16.
- ^ a b c d e f Henderson, Alex. "Genre essay: Rap-Metal". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=19:T2164. Retrieved 2008-06-24.
- ^ a b Grierson, Tim. "What Is Rap-Rock: A Brief History of Rap-Rock". About.com. http://rock.about.com/od/rockmusic101/a/raprock.htm. Retrieved 31 December 2008.
- ^ Greene, Jr, James (April 4, 2008). "Review of Judgment Night: Music from the Motion Picture". PopMatters. http://www.popmatters.com/pm/feature/judgment-night-music-from-the-motion-picture-1993. Retrieved 31 December 2008.
- ^ Jenkins, Mark (July 14, 1990). "Urban Dance Squad". The Washington Post. http://www.highbeam.com/doc/1P2-1137290.html. Retrieved 31 December 2008.
- ^ "Pop and Jazz Guide". The New York Times. December 26, 2003. http://query.nytimes.com/gst/fullpage.html?res=9F0CE3D9163EF935A15751C1A9659C8B63. Retrieved 31 December 2008.
- ^ Huey, Steve. "Review of Black Sunday". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:anfyxqtgldse~T1. Retrieved 31 December 2008.
- ^ Black, Johnny (March 2003). "The Greatest Songs Ever! Loser". Blender. http://www.blender.com/guide/articles.aspx?id=830. Retrieved 31 December 2008.
- ^ Nixon, Chris (August 16, 2007). "Anything goes". The San Diego Union-Tribune. http://www.signonsandiego.com/uniontrib/20070816/news_lz1w16anythin.html. Retrieved 31 December 2008.
- ^ Potterf, Tina (October 1, 2003). "Turners blurs line between sports bar, dance club". The Seattle Times. http://community.seattletimes.nwsource.com/archive/?date=20031001&slug=turners01n. Retrieved 31 December 2008.
- ^ "Long Live Rock n' Rap: Rock isn't dead, it's just moving to a hip-hop beat. So are its mostly white fans, who face questions about racial identity as old as Elvis". Newsweek. July 19, 1999. http://www.highbeam.com/doc/1G1-55145760.html. Retrieved 31 December 2008.
- ^ McIver, Joel (2002). "The Shock of the New". Nu-metal: The Next Generation of Rock & Punk. Omnibus Press. p. 10. ISBN 0711992096.
- ^ Wedge, Dave (December 24, 2008). "Reveille answers wake-up call". Boston Herald. http://news.bostonherald.com/entertainment/music/general/view/2008_12_24_Reveille_answers_wake-up_call/srvc=home&position=also. Retrieved 31 December 2008.
- ^ a b c d e "Genre: Rap-Rock". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=77:7730. Retrieved 1 January 2009.
- ^ a b Ambrose, Joe (2001). "Moshing - An Introduction". The Violent World of Moshpit Culture. Omnibus Press. p. 5. ISBN 0711987440.
- ^ Sculley, Alan (August 28, 2008). "(Hed) p.e. wants (no) interference". Naperville, Illinois: The Wichita Eagle. http://www.kansas.com/entertainment/story/509949.html. Retrieved 2008-08-23.
- ^ Kemp, Rob (2004). "Incubus". in Brackett, Nathan; Hoard, Christian. The New Rolling Stone Album Guide (4th ed.). Simon and Schuste. p. 403. ISBN 0743201698.
- ^ Ankeny, Jason. "Biography for Kottonmouth Kings". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&sql=11:0jfqxqlhld6e~T1. Retrieved 2008-08-04.
- ^ Hess, Mickey (2007). "White Rappers". Hip Hop Dead? The Past, Present, and Future of America's Most Wanted Music. Greenwood Publishing Group. pp. 122-123. ISBN 0275994619.
- ^ "Everlast, Mike Ness, Willie Nelson Soothe Nerves With Early Sunday Sets". MTV News. July 26, 1999. http://www.mtv.com/news/articles/1428783/19990726/everlast.jhtml. Retrieved 1 January 2009.
- ^ Sullivan, Jim (September 28, 1998). "Scrambling genres works for Everlast". The Boston Globe. http://nl.newsbank.com/nl-search/we/Archives?p_product=BG&p_theme=bg&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EADDD510046BBCD&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM. Retrieved 1 January 2009.
- ^ Johnson, Brett (August 14, 1999). "Everlast succeeds with introspection". The Hartford Courant. http://pqasb.pqarchiver.com/courant/access/43928773.html?dids=43928773:43928773&FMT=ABS&FMTS=ABS:FT&date=Aug+14%2C+1999&author=BRETT+JOHNSON%3B+Courant+Staff+Writer&pub=Hartford+Courant&desc=EVERLAST+SUCCEEDS+WITH+INTROSPECTION&pqatl=google. Retrieved 1 January 2009.
- ^ a b "Genre: Rap-Metal". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=77:2931. Retrieved 1 January 2009.