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The depiction of erotic behavior (as in pictures or writing) intended to enhance sexual excitement is known as Pornography. This has become a multi-billion dollar industry. Examples of pornographic materials include adult videos, magazines, live shows, phone sex, cable/pay per view, selected internet sites, art, digital pornography etc. (read more . . . )

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A fluffer is a hired member of the crew of a pornographic movie whose role on the set is to sexually arouse the male participants prior to the filming of scenes requiring erections. Many adult film stars today maintain that fluffers are a thing of the past, needed in the '70s and '80s when the crew, shooting on celluloid, needed much more time to prepare a shot. Erectile dysfunction drugs such as Viagra have also taken part in replacing fluffers. Brittany Andrews states on her website that fluffers are now utilized only in "gang bang" scenarios. David Gordon of Camp Appleton uses 'fluffers' in every movie he directs - he reportedly once had 14 fluffers in the Green Room of his 1987 movie titled 'Where's My Fluffer?'.

There have been two movies titled The Fluffer. The first [1], a 2001 release, about a bisexual man with a crush on a gay porn star who is heterosexual outside of his video career. There is also a 2003 film [2] that has received less attention. (read more . . . )

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"Did You Know?"

...that Michiko Maeda, the first Japanese actress to appear nude in a mainstream film, was banned from Japanese cinema for 42 years disobeying a director?

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Nana is a novel by the French naturalist author Emile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, which was to tell "The Natural and Social History of a Family under the Second Empire" (Becker 96).

A year before he started to write Nana, Zola didn't know anything yet about the Variétés. It was Ludovic Halévy who invited him to see an operetta with him on February 15, 1878, took him backstage, and told him innumerable stories about the amorous life of the star (Anna Judic whose ménage à trois would become the model for Rose Mignon, her husband, and Fauchery) and also about famous cocottes such as Blanche d'Antigny, Anna Deslions, Delphine de Lizy, and Hortense Schneider, an amalgam of which was to serve the writer as the basis for his principal character.

Nana tells the story of Anna Coupeau's rise from streetwalker to high-class cocotte during the last three years of the French Second Empire. Nana first appears in the end of L'Assommoir (1877), another of Zola's Rougon-Macquart series, in which she is portrayed as the daughter of an abusive drunk; in the end, she is living in the streets and just beginning a life of prostitution. (read more . . . )

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