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The first photograph was an image produced in 1826 by the French inventor Nicéphore Niépce on a polished pewter plate covered with a petroleum derivative called bitumen of Judea but for centuries images had been projected onto surfaces - artists used the camera obscura and camera lucida to trace scenes as early as the 16th century. These early "cameras" did not fix an image, but only projected images from an opening in the wall of a darkened room onto a surface, turning the room into a large pinhole camera.

The advent of photography, from the Ancient Greek words φως phos ("light"), and γραφη graphê ("stylus", "paintbrush") or γραφω graphō (the verb, "I write/draw"), together meaning "drawing with light" or "representation by means of lines" or "drawing", has gained the interest of scientists and artists from its inception. Scientists have used photography to record and study movements, such as Eadweard Muybridge's study of human and animal locomotion (1887). Artists are equally interested in these aspects but also try to explore avenues other than the photo-mechanical representation of reality, such as the pictorialist movement. Military, police and security forces use photography for surveillance, recognition and data storage. Photography is used to preserve favorite memories and as a source of entertainment.

Selected picture

Snow crystals

Snow flakes highly magnified by a low-temperature scanning electron microscope (SEM). The colours are called "pseudo colours", they are computer generated and are a standard technique used with SEM images. Photo Credit: United States Department of Agriculture

Selected biography

André Kertész (July 2, 1894September 28, 1985) born Andor Kertész, was a Hungarian-born photographer distinguished by his photographic composition and by his early efforts in developing the photo essay. In the early years of his lengthy career, his then-unorthodox camera angles, and his unwillingness to compromise his personal photographic style, prevented his work from gaining wider recognition. Even towards the end of his life, Kertész did not feel he had gained worldwide recognition. The first photographer to have an exposition devoted to his work, he is recognized as one of the seminal figures of photojournalism, if not photography as a whole.

Dedicated by his family to work as a stock broker, Kertész was an autodidact and his early work was mostly published in magazines. This would continue until much later in his life when he ceased to accept commissions. He served briefly in WWI and began to form dreams to move to Paris, which he realised in 1925, against the wishes of his family. There he was involved with the artistic melting pot of immigrates and the dadaist movement, and achieved critical and commercial success. The imminent threat of WWII pushed him to immigrate again to the United States, where he had a more difficult life and needed to rebuild his reputation through commissioned work. He would take offense with several editors that he felt did not recognize his work. In the 1940s and '50s he stopped working for magazines and began achieved greater international success. Despite the numerous and awards he collected over the years, he still felt unrecognized, a sentiment which did not change even into his death.

Did you know

  • ...that the inventors of Kodachrome, Leopold Mannes and Leopold Godowsky, Jr. were both accomplished musicians?

Quotes

There must be some one quality without which a work of art cannot exist; possessing which, in the least degree, no work is altogether worthless. What is this quality? What quality is shared by all objects that provoke our aesthetic emotions? What quality is common to Sta. Sophia and the windows at Chartres, Mexican sculpture, a Persian bowl, Chinese carpets, Giotto's frescoes at Padua, and the masterpieces of Poussin, Piero della Francesca, and Cezanne? Only one answer seems possible - significant form. In each, lines and colors combined in a particular way, certain forms and relations of forms, stir our aesthetic emotions.

Selected article

Adams The Tetons and the Snake River
Nature photography refers to a wide range of photography taken outdoors and devoted to displaying natural elements such as landscapes, wildlife, plants, and close-ups of natural scenes and textures. Nature photography tends to put a stronger emphasis on the aesthetical value of the photo than other photography genres, such as photojournalism and documentary photography.

Nature photographs are published in scientific, travel and cultural magazines such as National Geographic Magazine and Audubon Magazine or other more specific magazines such as Outdoor Photographer and Nature's Best Photography, as well as a growing hobby as photography is getting more popular in general.

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Photography Topics

Concepts and Principles Photography forms Photography techniques
Camera and photography equipment Miscellaneous Photographers and photographs

Categories

Genres of photography Aerial photography | Astrophotography | Aviation photography | Candid photography | Chronophotography | Color photography | Commercial photography | Computational photography (artistic) | Fashion photography | Fine art photography | Glamour photography | Infrared photography | Kirlian photography | Kite aerial photography | Macro photography | Nature photography | New Topography | Night photography | Non-nude photography | Panoramic photography | Portrait photography | Post-mortem photography | Rollout photography | Secret photography | Still life photography | Stock photography | Straight photography | Street photography | Strip aerial photography | Subminiature photography | Ultraviolet photography | Underwater photography | Vernacular photography | War photography | Wedding photography | Wildlife photography
Photographic techniques Airbrush | Background light | Backlighting (lighting design) | Bracketing | Burned (image) | Chemography | Color correction | Composograph | Contre-jour | Deep focus | Digiscoping | Digiscopy birding | Double exposure | Dutch angle | Exposure compensation | Fill flash | Fill light | Framing | Hand-colouring | Harris Shutter | High dynamic range imaging | High-key lighting | Infinity cove | Kallitype | Key light | Kite aerial photography | Lenticular printing | Light painting | Manual focus | Multiple exposure | Perspective correction | Photo manipulation | Photogram | Photographic print toning | Push printing | Push processing | Rephotography | Rule of thirds | Sandwich printing | Shallow focus | Simplicity | Slit-scan photography | Stereoscopy | Stopping down | Sunny 16 rule | Three-point lighting | Tinted photograph | Zone system
Photographers Fictional photographers | Magnum photographers | Photographers by nationality | Photojournalists | Pioneers of photography | Stock photographers | Photographic studios | Photographers by subject | Photographers who committed suicide | Photographer stubs

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