| Featured sounds in Wikipedia The featured sounds are what we believe to be the best sounds in Wikipedia. Prior to being listed here, sounds are reviewed at Wikipedia:Featured sound candidates. At present, there are 130 featured sounds in 187 parts. For the latest featured sounds, see this month's featured log. Sounds that no longer meet the criteria can be proposed for removal by being listed at Wikipedia:Featured sound candidates#Nominations for removal. See Wikipedia:Media help for help with playing sound files on Wikipedia. The sounds will be promoted on certain days by featured sound directors: X!, Shoemaker's Holiday and the part-timer Mitchazenia. The promotions will be done depending on the support of the sound and if it meets the featured sound criteria. If the sound is promoted, it will appear on this page. | Featured content: Featured sound tools: | | Contents | Music By date Organised, by date of composition or (where that is not available) date of performance. Where dating is particularly ambiguous, the date is marked with "?". Arrangements not notable in their own right are listed by date of the original composition. | 1902 – Lillian Russell – Come Down Ma Evenin' Star | | | | Lillian Russell's only recording, from 1912. During the production of Twirly Whirly, composer John Stromberg delayed giving her her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for "Come Down Ma Evenin' Star" was found in his pocket. It became Lillian Russell's signature song. | | 1904 - Castrato singing | | | | A recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Moreschi, as the only castrato trained in the old traditions to be recorded, provides our only insight into what a lost musical tradition was like. | | 1912 – Memphis Blues | | | | "Memphis Blues", composed by W. C. Handy in 1912. This is the first known recording, performed by the Victor Military Band, July 15, 1914. | Undateable | Omaha Flag song | | | | Traditional anthem in the Omaha language, used for homecomings and to close ceremonies. Translation: : "When you went overseas, you made a stand so that the flag could be raised. When you returned, you brought the flag back. You saved our lives." | Recordings in multiple parts [edit] George Frideric Handel — Fitzwilliam Sonatas
[edit] Ludwig van Beethoven – Moonlight Sonata Ludwig van Beethoven: Piano Sonata No. 14 in C sharp minor Op. 27 No. 2 – Moonlight (1801)
[edit] Antonio Vivaldi – The Four Seasons Antonio Vivaldi: The Four Seasons (Le quattro stagioni, 1725). Performed by the Wichita State University Chamber Players; violin, John Harrison. Concerto No. 1 in E major, Op. 8, RV 269, "La primavera" (Spring) Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer) Concerto No. 3 in F major, Op. 8, RV 293, "L'autunno" (Autumn) Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter)
[edit] Franz Schubert – Impromptu in B flat Franz Schubert's Impromptu in B flat (1827, D. 935/3; Op. 142 No. 3) A combined version is also available:
[edit] Ludwig van Beethoven - Piano Sonata No. 28 Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101 (1816). Performed by Daniel Veesey from Musopen.com. See also: Beethoven's original sketch of the fourth movement.
[edit] Charles Gounod - Petite Symphonie pour neuf instruments à vent Charles Gounod's Petite Symphonie pour neuf instruments à vent (Little Symphony for Nine Woodwinds, 1885). Performed by the Soni Ventorum: Felix Skowronek, flute; Laila Storch, oboe; William McColl, clarinet; Christopher Leuba, horn; Arthur Grossman, Bassoon; and guest performers Ove Hanson, oboe; Julie Oster, clarinet; David Cottrell, horn; and Robert Olson, bassoon.
[edit] Johann Sebastian Bach - Sonata for Flute or Recorder and Harpsichord in B minor, BWV 1030 Johann Sebastian Bach's Sonata in B minor for flute or recorder and harpsichord. Performed by Alex Murray (traverso) and Martha Goldstein (harpsichord)
[edit] Gilbert and Sullivan - H.M.S. Pinafore These recordings of selections from W.S. Gilbert and Arthur Sullivan's H.M.S. Pinafore (1878) was created by Edison Records in 1911. It stars Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley. | "Pinafore airs", pt. 1 | | | | Includes "We have sailed the ocean blue" "Hail, men of oarsmen", "I'm called Little Buttercup", and "A maiden fair to see" | | "Pinafore airs", pt. 2 | | | | Includes "My gallant crew, good morning", "I am the Captain of the Pinafore", "Sorry her lot" (second verse, beginning "Sad is the hour"), "Over the bright blue sea", and "I am the monarch of the sea" |
[edit] Molière and Jean-Baptiste Lully - Le Bourgeois gentilhomme The ballet music by Jean-Baptiste Lully from Le Bourgeois gentilhomme Molière's 1670 comédie-ballet (that is, a ballet broken up by spoken scenes). This version was performed by the Advent Chamber Orchestra in 2007.
[edit] Frédéric Chopin - Cello Sonata Op. 65 Frédéric Chopin wrote his Cello Sonata in G minor, Op. 65 in 1846. It is one of only nine works of Chopin published during his lifetime that were written for instruments other than piano (although the piano still appears in every work he wrote). Chopin composed four sonatas, the others being all piano sonatas. The cello sonata was the last of Chopin's works to be published in his lifetime. The sonata was written for and dedicated to Auguste Franchomme, and it was played by Franchomme and Chopin at the composer's last public concert, at the Salle Pleyel on 16 February 1848. This performance is by John Michel and Lisa Bergman.
[edit] Ludwig van Beethoven - The Diabelli Variations The 33 Variations on a waltz by Anton Diabelli, Op. 120, commonly known as the Diabelli Variations, is a set of variations for the piano written between 1819 and 1823 by Ludwig van Beethoven on a waltz composed by Anton Diabelli. One of the supreme compositions for the piano, it often shares the highest honours with Bach's Goldberg Variations. The distinguished music writer Donald Francis Tovey has called it "the greatest set of variations ever written."[1] Pianist Alfred Brendel has described it as simply "the greatest of all piano works." It also comprises, in the words of Hans von Bülow, "a microcosm of Beethoven's art."
[edit] "Trois Quintetti Concertans" by Giuseppe Cambini Giuseppe Cambini (1746 - 1825?) wrote the Trois Quintetti Concertans ("Three Wind Quintets") around 1802, making the some of the earliest ever composed. This recording was performed in 2004 by the Soni Ventorum Wind Quintet: Felix Skowronek (flute), Laila Storch (oboe), William McColl (clarinet), Christopher Leuba (horn), and Arthur Grossman (bassoon). No. 1 in Bb major No. 2 in D minor No. 3 in F major [edit] Ludwig van Beethoven - Violin Sonata No. 8 (Opus 30-3) The Violin Sonata No. 8 in G major of Ludwig van Beethoven, the third of his Opus 30 set, was written between 1801 and 1802, published in May 1803, and dedicated to Czar Alexander I of Russia. This sonata is characteristic of early/middle Beethoven in its solid sonata structure, just beginning to get adventurous in syncopation, with some extraordinary off beat sforzandi.
[edit] Videos Field recordings - Recordings of nature and other background noises, such as machines in operation or wind-chimes. Insects | Field cricket | | | | Recording of a field cricket, Gryllus pennsylvanicus. | Historical recordings - Speeches, historic incidents, landmarks in the history of recording, and similar. Speeches | 1943 – Heinrich Himmler - Posen speech | | | Excerpt from the Posen speech of October 4, 1943, made by Reichsführer-SS Heinrich Himmler to the seniority of the SS, discussing the ongoing extermination of the Jews in the Holocaust. A full translation is available at the file information page; a small sample is below. | “ | It's one of those things that is easily said: 'The Jewish people are being exterminated', says every party member, 'this is very obvious, it's in our program, elimination of the Jews, extermination, we're doing it, hah, a small matter.' [...] But of all those who talk this way, none had observed it, none had endured it. Most of you here know what it means when 100 corpses lie next to each other, when 500 lie there or when 1,000 are lined up. To have endured this and at the same time to have remained a decent person - with exceptions due to human weaknesses - had made us tough. [...] We have the moral right, we had the duty to our people to do it, to kill this people who wanted to kill us. | ” | | Miscellaneous
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