Pop rock:
Pop rock is a mix of pop music and rock music that uses catchy pop style, with light lyrics over top of guitar-based songs. There are varying definitions of the term, ranging from it being classed as an "upbeat variety of rock music" to a subgenre of pop music. Scholars have noted that pop and rock are usually depicted as opposites; the detractors of pop often deride it as a slick, commercial product along with advocates of rock who claim that rock music is a more authentic, sincere form of music.
[edit] Definitions
The textbook American Popular Music defines pop rock as an "upbeat variety of rock music represented by artists such as Elton John, Paul McCartney, Everly Brothers, Rod Stewart, Chicago, and Peter Frampton."[1] In contrast, music reviewer George Starostin defines it as a subgenre of pop music that uses catchy pop songs that are mostly guitar-based. Starostin argues that most of what is traditionally called 'power pop' falls into the pop rock subgenre. He claims that the lyrical content of pop rock is "normally secondary to the music!" [2]
Critic Philip Auslander argues that the distinction between pop and rock is more pronounced in the US than in the UK. He claims in the US, pop has roots in white crooners such as Perry Como, whereas rock is rooted in African-American-influenced forms such as Rock and Roll. Auslander points out that the concept of pop rock, which blends pop and rock is at odds with the typical conception of pop and rock as opposites. Auslander and several other scholars such as Simon Frith and Grossberg argue that pop music is often depicted as an inauthentic, cynical, "slickly commercial" and formulaic form of entertainment. In contrast, rock music is often heralded as an authentic, sincere, and anti-commercial form of music, which emphasizes songwriting by the singers and bands, instrumental virtuosity, and a "real connection with the audience". [3]
Simon Frith's analysis of the history of popular music from the 1950s to the 1980s has been criticized by B. J. Moore-Gilbert, who argues that Frith and other scholars have over-emphasized the role of "rock" in the history of popular music by naming every new genre using the "rock" suffix. Thus when a folk-oriented style of music developed in the 1960s, Frith terms it "folk rock", and the pop-infused styles of the 1970s were called "pop rock." Moore-Gilbert claims that this approach unfairly puts rock at the apex, and makes every other influence become an add-on to the central core of rock. [4]
[edit] Examples
The categorization of groups as "pop rock" is subjective, and music critics and journalists have differing opinions on which category a band should be placed in. Billboard magazine provides one perspective on how to categorize "pop rock" groups from the 1970s to the 2000s. Other perspectives from other magazines and individual music journalists and critics are also provided.
Billboard magazine considers the pop/rock performers or groups from this era to include The Jackson 5, Three Dog Night, Elton John, Diana Ross, Bee Gees, Fleetwood Mac, Donna Summer, Billy Joel, and Olivia Newton-John, among others.[5] The Encyclopedia Britannica calls the Bee-Gees an "English-Australian pop-rock band that embodied the disco era of the late 1970s."[6] A university course on the history of popular music claims that Three Dog Night were "one of the most popular bands of the late Sixties early Seventies; pop rock, singles-oriented sound with soul-influences". [7]
From the perspective of Billboard magazine, the pop/rock performers or groups from the early 1980s include Daryl Hall and John Oates, Stevie Wonder, Michael Jackson, and Phil Collins.[8] In 1980, with the demise of disco, the "music industry floundered in 1980 looking for something to fill the void" and help to boost falling sales. For a period, "easy listening" pop was the top seller. Music critic Michael Gross called it "commercial cotton candy": "Magic" by Olivia Newton-John; "Sailing" by Christopher Cross; "You've Lost That Lovin' Feeling" by Hall and Oates, and others. The "syrupy pop-rock of Air Supply" hits such as "All Out Of Love" "best exemplified the formula for chart success" during this period. [9]
For the later part of the 1980s, Billboard lists: Cher, Roxette, Bryan Adams, Billy Ocean, U2, Michael Jackson, Def Leppard,among others, as significant pop rock performers of the decade. Madonna was notable in that she was a prominent pop-rock artist during the entire decade. [10]
Billboard magazine considers the pop/rock performers or groups from the 1990s to include Ace Of Base. For the later part of the decade, the magazine lists Hanson, Gin Blossoms, R&B artists http://www.muchmoremusic.com/muchmoreradio/tc_poprock/ MuchMoreMusic | The very best in pop music past and present]</ref>
Billboard magazine considers the pop/rock performers or groups from this era to include singers such as Robbie Williams, pop punkers Blink-182, All Time Low, Boys Like Girls, The All-American Rejects, Madina Lake, Lostprophets, SR-71, Something Corporate, The Blackout, Cute Is What We Aim For, The Academy Is..., Angels And Airwaves, Avril Lavigne,+44, Drake Bell, Box Car Racer, McFly, We The Kings, Jack's Mannequin, Fall Out Boy, Nicolas, Panic At The Disco, P!nk, Paramore, Kelly Clarkson, Metro Station, Stellar Kart, The Veronicas,Jonas Brothers and Demi Lovato.
[edit] Further reading
- Birrer, F.A.J. "Definitions and research orientation: do we need a definition for popular music?" in D. Horn (ed). Popular Music Perspectives, 1985. Gothenburg. pg 99-105.
- Chambers ,I. Urban Rhythms, Pop Music and Popular Culture. 1985:OUP.
- Fiske, J.Understanding Popular Culture, - 1989 - Routledge
- Frith, S. The Sociology of Rock - 1978 - Constable
- Frith, S. Sound Effects: Youth, Leisure and the Politics of Rock'n'Roll - 1983 - Constable
- Hamm, C. Yesterdays: Popular Song in America - 1979 - New York
- Harker, D. One For the Money: Politics and Popular Song - 1980 - Hutchinson
- Harron, M. "Pop as Commodity," cited in S Frith - Facing The Music: Essays on Pop, Rock and Culture 1988, Mandarin. pg 173-220
- Hill, D. Designer Boys and Material Girls: Manufacturing the '80's Pop Dream. 1986 - Blandford Press
- Middleton, R. Studying Popular Music. - 1990 - OUP
- Moore, A.F. Rock: The Primary Text, - 1993 - OUP
- Shuker, R. Understanding Popular Music - 1994 - Routledge
[edit] References
[edit] External links
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