| Angel Dust |  | | Studio album by Faith No More | | Released | June 8, 1992 (1992-06-08) | | Recorded | Coast Recorders and Brilliant Studios San Francisco, California January – March 1992[1] | | Genre | Experimental rock, alternative metal, avant garde metal | | Length | 58:49 | | Label | Slash | | Producer | Matt Wallace, Faith No More | | Professional reviews | | | | Faith No More chronology | | | | | Alternate cover |  The cover of the 6 track promo CD | | Singles from Angel Dust | - "Midlife Crisis"
Released: May 26, 1992 - "Land of Sunshine"
Released: as an album sampler - "A Small Victory"
Released: August 3, 1992 - "A Small Victory (Remix)"
Released: September 1, 1992 - "Everything's Ruined"
Released: November 9, 1992 - "Easy"
Released: December 29, 1992 | Angel Dust is the fourth studio album by American rock band Faith No More, first released through Slash on June 8, 1992 in Europe and the United States. It's the follow-up to 1989's highly successful The Real Thing, as well as the final studio album with long time guitarist "Big" Jim Martin and the second to feature Mike Patton on vocals; it is, however, the first album in which Patton had an influence on the band's sound,[2][3] as Patton hadn't previously had input on the musical composition of the album's predecessor, The Real Thing, as it had all been composed and recorded prior to his joining.[4][5] It remains as Faith No More's highest-selling album outside the United States (where, as of July 2007, it has sold 664,000 copies). The album and subsequent tour were very successful in Europe where it went Platinum for sales of more than 1 million copies and Gold in Australia for selling more than 35,000 copies. Worldwide sales are around 3 million copies. [edit] Background, title and artwork Following the success of their previous album, The Real Thing and the subsequent tour that followed, Faith No More took a break for about a year and a half off before beginning work on the follow-up, Angel Dust. During this time Mike Patton went back with his high-school band Mr. Bungle to record their eponymous début album.[6] Mike Bordin said: | “ | I think it affected us in a really good way [...] it was like the magic slate was completely covered in writing; there was not any more room for any more writing on that slate, so we all went and said all right, and erased everything, and started writing new stuff. Mike Patton, in his way—I think he's blessed with, to me, tremendous creativity—I really think it was necessary for him to do that, because that was his way of going Pshewt! and erasing all this.[6] | ” | They decided not to "play it safe" and re-do their last album and went off in a different direction musically,[7] much to the dismay of Jim Martin,[8] who also didn't approve of the album's title, which Roddy Bottum chose, in an interview taken while they were in the studio he said: | “ | Roddy wanted to name it Angel Dust, I don't know why, I just want you to know that if it's named Angel Dust, it didn't have anything to do with me.[9] | ” |  The Meat hook scene found on the back cover and booklet of Angel Dust Roddy stated that he chose the name because it "summed up what [they] did perfectly" in that "it's a really beautiful name for a really hideous drug [Phencyclidine] and that should make people think."[2] The artwork has been described as in a similar fashion in that on the front it depicts a soft blue airbrushed egret, photographed by Werner Krutein, and the back depicts a meat hook scene, by Mark Burnstein, with the head of a cow hanging among plucked and decapitated chickens.[10] It has been stated by both Billy Gould and Mike Bordin that it isn't based on any vegetarian sentiments but rather a reflection of the music and its balance of being "really aggressive and disturbing and then really soothing", the "beautiful with the sick".[6][10]  The cover of the "Midlife Crisis" single, featuring the Red Square image. The Russian army photo taken in the Red Square with the adaptation of the band members faces imposed over that of the soldiers, which was edited by Werner Krutein and also appears as the cover of the "Midlife Crisis" single, was originally going just the five members faces on a black background but wasn't well received by the band in this manner.[6] Mike Bordin described the situation in these words: | “ | That was a thing the record company really tried to foist on us. They really tried to fuck with our layout, and sent us these fucking pictures of us, just our heads. It was like this, they wanted us to have a poster inside the record consisted of our five heads on a black background, everything was black, the whole inside, and it's like, 'Fuck you.' We're going to make our cover, we made our record, we produced it our way, we wrote our songs, we played them our way, it sounds like us.[6] | ” | The single cover is similar to that of Led Zeppelin II, which has the faces of the four members of Led Zeppelin airbrushed onto an old photograph featuring the German Air Force during World War I. [edit] Writing process The writing for Angel Dust ran throughout most of 1991[11] with large portion of the songs being written between Billy Gould, Roddy Bottum and Mike Bordin, as with many of their previous albums but, unlike those albums Mike Patton, who had only written the lyrics on The Real Thing, had creative input on the albums musical composition.[2][4][11] Regarding this Patton said: | “ | There had never been any question of my staying in the band. We started writing the music for this album, and being part of something so fundamental was what made sure of it for me. The Real Thing had been like someone else's, someone else's band, it had felt like an obligatory thing. They hadn't needed a damn singer, it was just that they had to have a singer. That's why I was there, that's why Chuck was there, we weren't needed there.[11] | ” | Some attributed this to its difference in sound to its predecessors, however, Mike Patton credits it to being "better at playing what [they] hear in [their] heads"[4] and went on to say: | “ | Before, we used to kinda cheat around, and play around what it was. We could never translate it into the band, and we're getting better at doing that. Like, we wanted to do a real lazy, sappy kinda ballad, so we covered the theme from Midnight Cowboy! And there's even a song that sounds like The Carpenters![4] | ” | In a trend carried on from when their vocalist at the time, Chuck Mosley, lived in Los Angeles while the rest of the band resided in the Bay Area they would record demo tapes of the songs and exchange them between each other than send them to Jim Martin for him to work on his own the guitar arrangements, which he always did separately before sending them back for approval.[12] The lyrics for Angel Dust were written for the most part by vocalist Mike Patton. He got his inspiration for the lyrics from many places including questions from the Oxford Capacity Analysis, fortune cookies and late-night TV, from which he wrote "Land of Sunshine" and "Caffeine" during a sleep deprivation experiment.[4] | “ | I drove around a lot in my Honda, Drove to a real bad area of town, parked and just watched people. Coffee shops and white-trash diner-type places were great for inspiration.[13] | ” | Songs with lyrics written by someone other than Patton include "Be Aggressive" by Roddy Bottum, about oral sex,[14] "Everything's Ruined"; which was written by Mike Patton and Billy Gould, "Kindergarten"; by Mike Patton and Roddy Bottum, and "Jizzlobber"; by Jim Martin and Mike Patton which, according to Patton is about his fear of going to jail although it has also been said to be about a porno star by Billy Gould.[7] [edit] Recording process For the recording of Angel Dust Faith No More, as well as self producing, once again had Matt Wallace, who had produced all their studio recordings to date with them. They started recording in January 1992 and originally went in studio to record a total of 17 songs, including the covers of "Midnight Cowboy" "Easy" and the rerecording of "As the Worm Turns". However after writing two more while in studio (Malpractice being one of them), a total of 19 were recorded.[1][15] At the time they had not officially titled them, so they were known by these working titles, some of which were continued to be used later as set list titles: - "Shuffle", "Triplet" – "Caffeine"
- "Madonna" – "Midlife Crisis"
- "Macaroni and Cheese", "Country Western Song" – "RV"
- "Arabic", "The Arabian Song" – "Smaller and Smaller"[16]
- "F Sharp" – "Kindergarten"
- "I Swallow" – "Be Aggressive"[16]
- "Japanese" – "A Small Victory"
- "Action Adventure" – "Crack Hitler"
- "The Sample Song" – "The World Is Yours"
- "The Carpenters Song"
- "The Funk Song"
It is unsure if the recording session included "Das Schutzenfest" as the production is only credited to "Faith No More", and not "Matt Wallace and Faith No More", as is the album. "Let's Lynch the Landlord" was recorded prior to the album recording session, originally scheduled to be on a Dead Kennedys covers compilation album on Mordam Records, it was however released on Alternative Tentacles Records. [edit] Samples There were many samples used on Angel Dust, to the point of being called a "gratuitous"[5] amount and concerning record label executives,[4] with some from sources such as works by Simon and Garfunkel, Diamanda Galás, Z'EV and music from The Wizard of Oz.[4] The Simon and Garfunkel sample is from the first bar of their song "Cecilia" and appears throughout the drum track of "Midlife Crisis". "Malpractice" contains a four second sample of the second movement of Dmitri Shostakovich's String Quartet No. 8 as performed by the Kronos Quartet, on their album Black Angels; track 8 , "Allegro molto", at 2:10. It features in four points towards the end of the song at 2:56, 3:02, 3:22 and 3:26. Many of the original samples used in the songs were recorded by Roddy on a Digital Audio Tape recorder whilst "just whilst wandering out and about".[17] "Crack Hitler", as well as featuring samples of sirens in the background,[4] features a sample in the intro of Iris Lettieri reading a flight announcement at the Rio de Janeiro-Galeão International Airport,[18] who then tried to sue the band for using her voice without permission.[17] There are also samples of aboriginal chanting, amongst the sound effects from Sound Ideas, Richmond Hill, Ontario, in the background of "Smaller and Smaller".[19] Also, a brief succession of sounds, including a police car siren and a warp noise, similar to what Frank Zappa abundantly made use of on his album Joe's Garage is recognizable in the song "A Small Victory".[citation needed] The song "Midlife Crisis" contains a sample of Car Thief by the Beastie Boys. Finally, the abundance of samples led to the cutting of one song from the album, The World Is Yours (known incidentally as 'The Sample Song' during its demo sessions), which contained so many samples that they could not all be cleared for use in time for release. It was later included on the Limited 2CD Version of the Who Cares A Lot compilation in 1998. [edit] Touring and support Faith No More started the tour to promote Angel Dust shortly after the albums completion on the European leg of the Use Your Illusion Tour with Guns N' Roses and Soundgarden,[20] which Roddy described as a "complete European vacation" due to their light concert schedule.[21] In an interview taken on June 6, 1992 Billy said: | “ | This is really just the beginning for us, Last time we toured, with The Real Thing, I left home at the age of 26 and got back when I was 28. Some of my friends had moved away, some had gotten married, some had had kids—I had a hard time dealing with that. This time I'm 29, and I know I'm gonna be on the road until I'm 31. Fuck, I don't even wanna think about it.[10] | ” | They continued on this tour through the North America leg with Guns N' Roses and Metallica[20] before splitting off on their own European tour through Finland, Sweden,[22] Denmark, Norway, seven performances from November 4 – 11 in Germany, the Czech Republic, Austria, 3 more performances in Germany, Belgium, Germany again, the Netherlands, Wales, England, where they played at the Cambridge Corn Exchange on November 23 then 3 nights straight at the Brixton Academy from November 25 – 27 and on the following night at the NEC Arena in Birmingham before going through Ireland,[23] Scotland, where they played the first 4 nights of December in the Barrowland Ballroom before going back through England, Belgium, 3 performances from the December 8 – 10 in France, 3 performances from the December 12 – 14 in Spain, France again, Italy, Switzerland and Austria again before having a break for Christmas and New Year.[24] They began touring America again in mid January 1993 in Seattle, Washington,[25] and finishing in Utah a month later in mid February.[26] Towards the end of April[27] till mid May they toured through Australia and New Zealand before returning to Europe for a show in Germany on May 29 and the following day in Vienna.[28] On June 2 the played at Ahoy Rotterdam followed by 4 performances in Germany from June 3 – 7 and one in the Slovak Republic on June 10. Towards the end of June they performed on individual nights in Sweden, Denmark, Norway and Portugal[29] then a few days later on July 3 – 4 in Torhout and Werchter, Belgium followed by one last show in Germany, on July 9, and a headline show at Ruisrock Festival in Turku, Finland July 10 before the final show of the tour in Stratford Upon Avon on July 17.[30] [edit] Critical reception Reviews of Angel Dust were generally favourable. One critic wrote that the album is "one of the more complex and simply confounding records ever released by a major label"[31] and similarly, another called it "the most uncommercial follow-up to a hit record ever".[32] The single "A Small Victory" is described as a song "which seems to run Madame Butterfly through Metallica and Nile Rodgers, reveals a developing facility for combining unlikely elements into startlingly original concoctions"[33] while another calls "RV" a "Frank’s Wild Years-esque tale of a guy talking about his miserable life" adding that "you can almost smell the Spaghetti-O’s and beer on his wife-beater" and describes Mike Patton's vocals as "like silk-lined meat hooks".[34] The songs "Malpractice" and "Jizzlobber" have been called "art-damaged death metal" and "nerve-frazzling apocalyptic rock" with a contrast to the "accordion-propelled" Midnight Cowboy theme cover that follows.[19] Allmusic calls the album a "bizarro masterpiece", described the vocals as "smarter and more accomplished", compared to its predecessor The Real Thing and gave it 4.5 stars out of 5, calling it one of their album picks.[35] The album was also called an "Album of the Year" in 1992 by seven different publications in four countries, making the top 10 in three of them and the top position in one, and the "Most Influential Albums of all Time".[36] [edit] Track listing | Lyrics | Music | | 1. | "Land of Sunshine" | Patton | Gould, Bottum | 3:44 | | 2. | "Caffeine" | Patton | Gould, Patton | 4:28 | | 3. | "Midlife Crisis" | Patton | Bottum, Bordin, Gould, Patton | 4:21 | | 4. | "RV" | Patton | Bottum, Patton, Gould | 3:43 | | 5. | "Smaller and Smaller" | Patton | Gould, Bordin, Bottum, Wallace | 5:11 | | 6. | "Everything's Ruined" | Patton, Gould | Gould, Bottum, Patton | 4:33 | | 7. | "Malpractice" | Patton | Patton | 4:02 | | 8. | "Kindergarten" | Patton, Bottum | Gould, Martin | 4:31 | | 9. | "Be Aggressive" | Bottum | Bottum | 3:42 | | 10. | "A Small Victory" | Patton | Gould, Bottum, Bordin, Patton | 4:57 | | 11. | "Crack Hitler" | Patton | Gould, Bottum, Bordin | 4:39 | | 12. | "Jizzlobber" | Martin, Patton | Martin | 6:38 | | 13. | "Midnight Cowboy" | — | Barry | 4:12 | | 14. | "Easy" (Re-release only) [37]) | Richie | Richie | 3:04 | | 15. | "As the Worm Turns" (Japanese bonus track) [37]) | Mosley | Bottum, Gould, Mosley | 2:39 | | Lyrics | Music | | 1. | "Midlife Crisis" | Patton | Bottum, Bordin, Gould, Patton | 4:21 | | 2. | "Kindergarten" | Patton, Bottum | Gould, Martin | 4:31 | | 3. | "Land of Sunshine" | Patton | Gould, Bottum | 3:44 | | 4. | "Everything's Ruined" | Patton, Gould | Gould, Bottum, Patton | 4:33 | | 5. | "Epic" | Patton | Gould, Martin, Bottum, Bordin | 4:51 | | 6. | "We Care a Lot" (Live at Brixton) | Mosley | Gould, Bottum | 3:50 | [edit] Bonus discs There were several different bonus discs released with various editions and formats of the album. [edit] Free Concert in the Park This disc came with the second and third pressings of the Australian release, it contains four tracks from a free concert at Munich, Germany in November 9, 1992 (Cat no. D30953 and TVD93378 (RMD53378) respectively).[37] - "Easy" – 3:06
- "Be Aggressive" – 4:12
- "Kindergarten" – 4:15
- "Mark Bowen" – 3:17
| [edit] Woodpecker from Mars This disc was a promotional release on Limited Edition pressings of Angel Dust in France. On the back it reads "ne peut etre vendu separement offert avec l'album 'Angel Dust' dans la limite des stocks disponibles",[37] which translates to "offered with the album Angel Dust while stocks last, not to be sold separately" - "Woodpecker from Mars" (Live from Norwich, 1990)
- "Underwater Love" (Live from Brixton, April 28, 1990)
| [edit] Midlife Crisis 12" This disc was released with Limited Edition UK vinyl's as a Double Vinyl Pack, it was also released as the "Midlife Crisis" single a week prior to the albums, the first disc (with or without the bonus disc) lacked the tracks "Crack Hitler" and "Midnight Cowboy" in addition the track "Smaller and Smaller" appeared as the last track (Cat no. 828 326-1).[37] - "Midlife Crisis (The Scream Mix)" – 3:56
- "Crack Hitler" – 4:39
- "Midnight Cowboy" – 4:13
| [edit] Interview disc This disc was a promotional release on Limited Edition pressings of Angel Dust in Europe released on August 24, 1992 (Cat no. 828 321-2), and was also released separately in a slimline case (Cat no. FNMCD3). The questions were printed inside the packaging with answers on the CD lasting 18:41.[37] | 1. | "Its three years since your last studio album. Are you nervous about releasing the new album?" | | | 2. | "How do you feel about releasing Angel Dust?" | | | 3. | "What inspired Angel Dust?" | | | 4. | "When did you start recording Angel Dust?" | | | 5. | "What was your major concern when you came to record the album?" | | | 6. | "Was it an enjoyable experience recording Angel Dust?" | | | 7. | "What frame of mind were you in when you recorded Angel Dust?" | | | 8. | "What difference did it make this time round having mike involved from the very start of the project?" | | | 9. | "Is there anything you weren’t happy about?" | | | 10. | "The title Angel Dust is not a track on the album. What's the story behind it?" | | | 11. | "What made you choose the title of the album?" | | | 12. | "Where does the inspiration come for your songs?" | | | 13. | "Do you all usually agree on the songs?" | | | 14. | "How do you write your songs?" | | | 15. | "Do you deliberately set out to provoke with your songs?" | | | 16. | "Did you record much material for the album?" | | | 17. | "Why did you choose to do a cover of 'midnight cowboy'?" | | | 18. | "What is “Crack Hitler” about?" | | | 19. | "What's “A Small Victory” about?" | | | 20. | "Why did you choose to work with producer Matt Wallace again?" | | | 21. | "How does Angel Dust compare to your last studio album The Real Thing?" | | | 22. | "What changes have taken place between the two albums?" | | | 23. | "Do you think you diluted or compromised your sound in a way to make it more commercially palatable?" | | | 24. | "What do you think the press will have to say about Angel Dust?" | | | 25. | "Are you affected by what the critics say?" | | | 26. | "How do you feel about fame?" | | | 27. | "What difference has success made to you?" | | | 28. | "Do you think your original fans have stuck by you as you’ve moved up the scale?" | | | 29. | "Do you get nervous playing stadium gigs in front of thousands of fans?" | | | 30. | "What was your worst ever gig?" | | | 31. | "Does the band have a sense of humour?" | | | [edit] Personnel [edit] Band members [edit] Technical staff [edit] Accolades | Year | Publication | Country | Accolade | Rank | | | 1992 | Musik Express Sounds | Germany | "Albums of the Year" | 1 | [38] | | 1992 | Raw magazine | United Kingdom | "Albums of the Year" | 8 | [39] | | 1992 | Vox | United Kingdom | "Albums of the Year" | 10 | [40] | | 1992 | The Face | United Kingdom | "Albums of the Year" | 17 | [41] | | 1992 | The Village Voice | United States | "Albums of the Year" | 26 | [42] | | 1992 | Muziekkrant OOR | Netherlands | "Albums of the Year" | 36 | [43] | | 1992 | Q | United Kingdom | "Albums of the Year" | * | [44] | | 1995 | Raw magazine | United Kingdom | "90 Essential Albums of the 90s" | * | [45] | | 1996 | Visions | Germany | "The Best Albums 1991-96" | * | [46] | | 1999 | Panorama | Norway | "The 30 Best Albums of the Year 1970-98" | 3 | | 1999 | Visions | Germany | "The Most Important Albums of the 90s" | 22 | [47] | | 2000 | Terrorizer | United Kingdom | "The 100 Most Important Albums of the 90s" | * | [48] | | 2002 | Revolver | United States | "The 69 Greatest Metal Albums of All Time" | 36 | | 2003 | Kerrang! | United Kingdom | "50 Most Influential Albums of all Time" | 1 | [36] | | 2006 | Metal Hammer | United Kingdom | "The 200 Greatest Albums of the 90s" | * | [49] | | "*" denotes an unordered list. | [edit] Chart performance [edit] Singles [edit] Release histories - In 2008 Mobile Fidelity Sound Lab remastered re-released Angel Dust on CD and LP.
[edit] Vinyl history [edit] CD history | Region | Date | Label | Catalog | Pressing | Notes | [37] | | United States | June 8, 1992 | Slash, Reprise | 9 26785-2 | First | Early copies came in a rectangular LP art picture box. | [68] | | Canada | June 16, 1992 | CD 26785-2 | [69] | | United Kingdom | June 8, 1992 | Slash, London | 828 321-2 | Early copies came with the Interview bonus disc. | | | Germany | | [70] | | France | Early copies came with the Woodpecker From Mars disc. | | | Brazil | | London, PolyGram | 828 321-2 | | | | Australia | | Slash, Liberation | TVD93363
RMD53363 | 'Red Square' picture disc. | [71] | | Japan | June 12, 1992 | Slash, London | POCD-1081 | with extra track "As the Worm Turns". | | | South Africa | | Slash, RPM | CDSLASH2 | | | | Czechoslovakia | | Slash, London, Globus | 210 134-2 | Gold Edition, 1000 individually numbered copies with gold discs. | | | | | | United Kingdom | January 29, 1993 | Slash, London | 828 401-2 | Second | with extra track "Easy". | [72] | | Japan | | POCD-1111 | with extra tracks "Easy" and "As the Worm Turns". | | | Brazil | | London, PolyGram | 828 401-2 | with extra track "Easy". | | | Australia | | Slash, Liberation | D30953
PRD93/7 | 'Bird photo' picture disc with "Easy" and Free Concert in the Park. | [73] | | TVD93378
RMD53378 | Third | 'Bird photo' picture disc with "Easy" and Free Concert in the Park. | | | Slash, London | ??? ??? | Polydor generation re-release | | | United Kingdom | | Slash, Liberation | TVD93378
RMD53378 | 'Bird photo' picture disc with "Easy" and Free Concert in the Park. | [74] | | 3984 28200 2 | with extra track "Easy". | [75] | | United States | July 2008 | MoFi, Rhino | UDCD 787 | First | Album has been completely remastered from the original master tapes by Rob LoVerde at Mobile Fidelity Sound Lab under license from Warner Bros. Incorporated. Manufactured by Rhino. Does not contain extra track 'Easy'. | [76] |
[edit] Cassette history [edit] Digital Compact Cassette history - ^ a b The Making of Angel Dust, Mike Bordin interview. MTV. Retrieved 22 December 2007
- ^ a b c Ammons, Nathan; Newman, Tim (January 27, 1993). "Talking music and zoning with Roddy Bottom of Faith No More". Public News, Houston, Texas. http://negele.org/db/index.php3?band=2&year=1993&month=1&day=27&id=815. Retrieved 2008-06-21.
- ^ Hobbs, Mary Anne (August 1993). "Last in, First Out?". Select. http://negele.org/db/index.php3?band=2&year=1993&month=8&id=932. Retrieved 2008-08-30.
- ^ a b c d e f g h Aswad, Jem (June 1992). "Faith No More: Angel Dust in the wind". Issue 25. Reflex magazine. http://negele.org/db/index.php3?band=2&year=1992&month=6&id=980. Retrieved 2008-06-15.
- ^ a b Stolder, Steve (February 26, 1993). "The Power of Negative Thinking". BAM. http://negele.org/db/index.php3?band=2&year=1993&month=2&day=26&id=828. Retrieved 2008-08-30.
- ^ a b c d e Moses, Peter (December 1992). "Interview with Mike Bordin". Metal Maniacs. http://negele.org/db/index.php3?band=2&year=1992&month=12&id=1260. Retrieved 2008-08-29.
- ^ a b Sheaffe, Jeremy (Mid 1992). "Angel of Weird". Hot Metal. http://negele.org/db/index.php3?band=2&year=1992&id=1279. Retrieved 2007-12-22.
- ^ "Faith No More - Bio, paragraph 6". FNM.com. http://www.fnm.com/band/. Retrieved 2008-01-23.
- ^ The Making of Angel Dust, Jim Martin interview. MTV. Retrieved 22 December 2007
- ^ a b c Putterford, Mark (December 1992). "Faith No More - Dusted". Rip magazine. http://negele.org/db/index.php3?band=2&year=1992&month=12&id=1261. Retrieved 2008-06-21.
- ^ a b c Chirazi 1994, p. 81
- ^ Lee Sherman (September 1992). "Faith No More: Get the Funk Out". Guitar Magazine. http://negele.org/db/index.php3?band=2&year=1992&month=9&id=1079. Retrieved 2008-07-01.
- ^ Nick Chester (1992). "Patton enjoys the Diner things in life". Circus Magazine. http://negele.org/db/index.php3?band=2&year=1992&id=1276. Retrieved 2008-06-15.
- ^ Lance Loud (June 15, 1993). "Heavy Metal Homo". The Advocate. http://negele.org/db/index.php3?band=2&year=1993&month=6&day=15&id=890. Retrieved 2008-06-22. "It was a pretty fun thing to write, knowing that Mike was going to have to put himself on the line and go up on-stage and sing these vocals."
- ^ The Making of Angel Dust, Billy Gould interview. MTV. Retrieved 26 February 2008
- ^ a b Erin Culley (July 1992). "Faith No More's Savage Democracy". CREEM magazine. http://negele.org/db/index.php3?band=2&year=1992&month=7&id=1020. Retrieved 2008-07-25.
- ^ a b Chirazi, Steffan (July 17, 1993). "Rod against the Machine". Issue 452. Kerrang!. http://negele.org/db/index.php3?band=2&year=1993&month=7&day=17&id=922. Retrieved 2008-08-30.
- ^ "Iris Lettieri - Release em Espanhol com Fotos" (in Spanish). irislettieri.com.br. http://www.irislettieri.com.br/release_espanhol_fotos.htm. Retrieved 2008-09-03.
- ^ a b Sinclair, Tom (September 3, 1992). "Faith No More: Angel Dust : Music Reviews". Rolling Stone. http://www.rollingstone.com/artists/faithnomore/albums/album/321678/review/6068107/angel_dust. Retrieved 2008-08-29.
- ^ a b Marina Zogbi (1992). "Faith No More - The Long & Dusty Road". http://negele.org/db/index.php3?band=2&year=1992&id=1285. Retrieved 2008-06-17.
- ^ J.D. Considine (1992). "On Tour with Guns is Boring". Des Moines Register. http://negele.org/db/index.php3?band=2&year=1992&id=1277. Retrieved 2008-06-17.
- ^ Stefan Negele. "Faith No More - 1992 - October". Caca Volante. http://negele.org/db/index.php3?band=2&year=1992&month=10. Retrieved 2008-06-17.
- ^ Stefan Negele. "Faith No More - 1992 - November". Caca Volante. http://negele.org/db/index.php3?band=2&year=1992&month=11. Retrieved 2008-06-17.
- ^ Stefan Negele. "Faith No More - 1992 - December". Caca Volante. http://negele.org/db/index.php3?band=2&year=1992&month=12. Retrieved 2008-06-17.
- ^ Stefan Negele. "Faith No More - 1993 - January". Caca Volante. http://negele.org/db/index.php3?band=2&year=1993&month=1. Retrieved 2008-07-01.
- ^ Stefan Negele. "Faith No More - 1993 - February". Caca Volante. http://negele.org/db/index.php3?band=2&year=1993&month=2. Retrieved 2008-07-01.
- ^ Stefan Negele. "Faith No More - 1993 - April". Caca Volante. http://negele.org/db/index.php3?band=2&year=1993&month=4. Retrieved 2008-07-01.
- ^ Stefan Negele. "Faith No More - 1993 - May". Caca Volante. http://negele.org/db/index.php3?band=2&year=1993&month=5. Retrieved 2008-07-01.
- ^ Stefan Negele. "Faith No More - 1993 - June". Caca Volante. http://negele.org/db/index.php3?band=2&year=1993&month=6. Retrieved 2008-07-01.
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- ^ Erlewine, Stephen Thomas. "Faith No More Biography". allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:m7rvad5kv8wo~T1. Retrieved 2007-06-04.
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