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For the 1969 single by The Kinks, see Plastic Man (song). For the grime/dubstep producer formerly known as Plasticman, see Plastician. For the minimal techno artist, see Plastikman.
Plastic Man (Patrick "Eel" O'Brian) is a fictional comic-book superhero originally published by Quality Comics and later acquired by DC Comics. Created by writer-artist Jack Cole, he first appeared in Police Comics #1 (August 1941). One of Quality Comics' signature characters during the Golden Age of Comic Books, Plastic Man can stretch his body into any imaginable form. His adventures were known for their quirky, offbeat structure and surreal slapstick humor. When Quality Comics was shut down in 1956, DC Comics acquired many of its characters, integrating Plastic Man into the mainstream DC universe. The character has starred in several short-lived DC series, as well as a Saturday morning cartoon series in the early 1980s, and as a recurring character on Batman: The Brave and the Bold. Although the character's revival has never been a commercial hit, Plastic Man has been a favorite character of many modern comic book creators, including writer Grant Morrison, who included him in his 1990s revival of the Justice League; Art Spiegelman, who profiled Cole for The New Yorker magazine; painter Alex Ross, who has frequently included him in covers and stories depicting the Justice League; and Frank Miller, who included him in the Justice League in the comics All Star Batman and Robin the Boy Wonder and Batman: The Dark Knight Strikes Again.
[edit] Fictional character biography[edit] Pre-Crisis
 Plastic Man was a crook named Patrick "Eel" O'Brian. Orphaned at age 10 and forced to live on the streets, he fell into a life of crime. As an adult, he became part of a burglary ring, specializing as a safecracker. During a late-night heist at the Crawford Chemical Works, he and his three fellow gang members were surprised by a night watchman. During the gang's escape, Eel was shot in the shoulder and doused with a large drum of unidentified acid. He escaped to the street only to discover that his gang had driven off without him. Fleeing on foot and suffering increasing disorientation from the gunshot wound and the exposure to the acid, Eel eventually passed out on the foothills of a mountain near the city. He awoke to find himself in a bed in a mountain retreat, being tended to by a monk who had discovered him unconscious that morning. This monk, sensing a capacity for great good in O'Brian, turned away police officers who had trailed Eel to the monastery. This act of faith and kindness—combined with the realization that his gang had left him to be captured without a moment's hesitation—fanned Eel's longstanding dissatisfaction with his criminal life and his desire to reform. During his short convalescence at the monastery, he discovered that the acid had entered his bloodstream and caused a radical physical change. His body now had all of the properties of rubber, allowing him to stretch, bounce, and mold himself into any shape. He immediately determined to use his new abilities on the side of law and order, donning a red, black and yellow (later red and yellow) rubber costume and capturing criminals as Plastic Man. He concealed his true identity with a pair of white goggles and by re-molding his face. As O'Brian, he maintained his career and connections with the underworld as a means of gathering information on criminal activity. Plastic Man soon acquired comedic sidekick Woozy Winks, who was originally magically enchanted so that nature itself would protect him from harm. That eventually was forgotten and Woozy became simply a dumb but loyal friend of Plastic Man. In his original Golden Age/Quality Comics incarnation, Plastic Man eventually became a member of the city police force and then the FBI. By the time he became a federal officer, he had nearly completely abandoned his Eel O'Brian identity. The star of the Silver Age run of Plastic Man was the son of the original, who as a toddler had accidentally drunk a souvenir bottle of the same acid that had given Eel O'Brian his powers. Other Silver and Bronze-age versions appear to carry the same identity and origin as the Golden Age original. The silver-age Plastic Man who took up the mantle from his father was later identified as residing on Earth-Twelve. A subsequent version appearing with Batman in The Brave and the Bold and Justice League of America was identified as residing on Earth-One. Afterwards, the original Quality Comics version was specified as being a member of the All-Star Squadron and Freedom Fighters, originally of Earth-Two and later moving to Earth-X. This version died during an extended period of World War II while on the latter world. [edit] Post-CrisisEel O'Brian, abandoned by his criminal gang after being shot and exposed to the acid, wandered the streets as his new powers developed, frightening others and bringing the police and National Guard down on him as a dangerous monster. Eel was at first oblivous to the changes to his body, but after realizing that he was the monster everyone was going on about, he used his new abilities to escape his pursuers, but soon became so despondent over his new condition that he attempted suicide by jumping off a bridge. Fortunately, he was interrupted by Woozy Winks, a former mental patient who was kicked out of an institution due to lack of funding (or as Woozy put it, "something called Reaganomics"), who desired nothing more than to return to the warm safety of a straitjacket and padded room. Eel and Woozy decided to work together and capitalize on Eel's new powers to make their fortunes (Eel wanting to get rich quick, Woozy just wanting his "old room" back), but couldn't decide whether there was more money in crime or crime-fighting, and resorted to flipping a coin to choose serving the law (though Woozy had his doubts early on). Eel, ending up with the name "Plastic Man" after a reporter misinterpreted his first choice, "Elastic Man", and Woozy set up a detective agency in New York City and had various misadventures. The alteration that Plas was initially in the superhero business for the money has had an effect on his character development post-Crisis, notably in a JLA storyline by Mark Waid where he, along with other Justice League members, was separated into two people, his normal "civilian" identity and his superhero persona. While Plastic Man devolved from a person with a sense of humor into a constantly wisecracking and almost ineffectual idiot, the now "normal" Eel O'Brian struggled with the criminal tendencies he had suppressed as he had become comfortable with his role as a superhero, and wondered if he had actually changed for the better or if it had all been part of the super-hero "act". Ultimately, Eel was the driving force behind the other transformed Leaguers banding together to re-join with their superheroic selves. [edit] One Year Later and CountdownIn the "One Year Later" DC Comics crossover storyline that followed the "Infinite Crisis" crossover, a young man with similar appearance and powers as Plastic Man appears briefly in the superteam series Teen Titans Vol. 3, #34. The character wears a white costume with red goggles, similar to that of Offspring, Plastic Man's son in the earlier DC miniseries The Kingdom. While the Teen Titans story itself does not identify the character, page two of a published script purporting to be writer Geoff Johns' specifies it is "Plastic Man’s son, Offspring".[1] Plastic Man's son is also shown in costume, and identified as Offspring, in 52 Week 35 when he is injured while rescuing a number of the depowered Everyman heroes. In Countdown To Mystery #1, Plastic Man is seduced by Eclipso, being made to believe he is a joke among his fellow heroes, and the only way for him to get some respect is through Eclipso. He is later freed of this corruption by Bruce Gordon. Plastic Man makes his next appearance within the pages of Green Arrow/Black Canary #8, having been freed from a stasis tube by Green Arrow. His DNA is taken by Sivana and used to augment an amnesiac Connor Hawke, in a bid to turn the young hero into a brainwashed slave with a strong healing factor. Plastic Man appears in Justice League of America vol. 2 series, Dr. Light (Kimiyo Hoshi) questions his effectiveness and they start to fight. Vixen breaks them up.[2] Vixen's reassigned Plastic Man to team up with Dr. Light to stop the Royal Flush Gang robbery, when they have some control issues.[3] Later, after the Royal Flush Gang is defeated, Plastic Man and Dr. Light finally stop arguing.[4] During this time, he had a run-in with Prometheus that badly damaged his plastic body, making it difficult for him to even hold himself together.[5] [edit] Blackest NightMain article: Blackest Night Plastic Man had his heart torn out by the Black Lantern Vibe, seemingly killing him.[6] However, due to his powers, he was able to survive such an attack, albeit badly wounded.[7] [edit] Powers and abilitiesMalleable Physiology: Plastic Man's powers are derived from an accident in which his body was bathed in an unknown industrial chemical mixture that also entered into his bloodstream through a gunshot wound. This caused a body-wide mutagenic process that transformed his physiology. Eel exists in a fluid state, neither entirely liquid or solid. Plastic Man has complete control over his entire molecular structure. Malleability (Elasticity/Plasticity): He can stretch his limbs and body to superhuman lengths and sizes. There is no known limit to how far he can stretch his body. Size Alteration: He can shrink himself down to a few inches tall (posed as one of Batman's utility belt pockets) or become a titan (the size of skyscrapers). Shape-Shifting: He can contort his body into various positions and sizes impossible for ordinary humans, such as being entirely flat so that he can slip under a door or using his fingers to pick conventional locks. He can also use it for disguise by changing the shape of his face and body. In addition, he can alter his bodily mass and physical constitution at will, there is virtually no limit to the sizes and shapes he can contort himself into. Superhuman Agility: These stretching powers grant Plastic Man heightened agility enabling him flexibility and coordination that is extraordinarily beyond the natural limits of the human body. Color Change: The only limitation he has relates to color, which he cannot change without intense concentration. He generally does not use this ability and sticks to his red and yellow colored uniform. Invulnerability: Plastic Man's powers extraordinarily augment his durability. He is able to withstand corrosives, punctures and concussions without sustaining any injury (although he can be momentarily stunned). He is resistant to high velocity impacts that would kill an ordinary person, resistant to blasts from energy weapons, and is completely bullet proof. His bodily mass can be dispersed, but for all intents and purposes it is invulnerable. Regeneration: He is able to regenerate and/or assimilate lost or damaged tissue, though it does take a long time, its far faster than an ordinary human. Telepathic Immunity: As stated by Batman (in JLA #88), "Plastic Man's mind is no longer organic. It's untouchable by telepathy." (Mostly immune to mind control. It's unknown if Batman meant that Plas is immune to just mind control or to telepathy altogether from that point on...considering Plas's history with mind scans, mind wipes, and the use of J'onn's telepathic link.) Immortality: Plastic Man does not appear to age; if he does, it is at a rate far slower than that of normal human beings. In the aftermath of the JLA story Arc "Obsidian Age", Plastic Man was discovered to have survived for 3000 years as little more than crumbs on the bottom of the Atlantic Ocean. He is now over 3000 years old and is still active as a superhero. Ultrasonic Detection: His body will start to "ripple" when an ultrasonic frequency is triggered. [edit] WeaknessesHis semi-liquid form remains stable at relatively high and low temperatures, provided that the temperature change is gradual. A sudden change induces a complete change of state, creating a truly solid or truly liquid form. Plastic Man was incapacitated in the JLA story arc "Tower of Babel" when mercenaries froze and shattered his body. Once thawed and reassembled, he was physically unharmed (though emotionally traumatized). In the JLA story arc "Divided We Fall", Plastic Man is shown to have some weakness to extreme heat (intense heat vision attack from a martian) and was temporarily melted. In some versions, Plastic Man is also vulnerable to chemicals such as acetone, which melts and destabilises his putty-like form, although he will eventually regenerate when the chemicals are gone. [edit] EnemiesPlastic Man had many enemies he has fought:
[edit] Other versions
[edit] In other media[edit] Television
[edit] Film
[edit] Magazines The April 19, 1999, issue of The New Yorker features Plastic Man on the cover gawking at a Picasso painting. This issue ran a biography of Jack Cole by Art Spiegelman, which two years later would comprise much of the text in his and Chip Kidd's book Jack Cole and Plastic Man: Forms Stretched to their Limits. In the 499th issue of Mad Magazine, Plastic Man can be seen in the magazine's Watchmen spoof during Funnyman's (spoof of Edward Blake/Comedian) funeral. [edit] Action figuresThere have been several versions of Plastic Man immortalized in plastic. In 1979 he was made into a stretch figure for the Mego Corporation Elastic Superheroes line (which is highly sought after by collectors and extremely rare). He was a part of Kenner's Super Powers action figure line in 1986. In 1998, Plastic Man was included in Hasbro's line based on the JLA comic book. When DC Comics started its own toy company, DC Direct, in 1999, Plastic Man was one of its first action figures made. A second figure, this time an interpretation of the character based on the art of Alex Ross, was released by DC Direct in May 2006. In 2009, two versions of Plastic Man were released as part of the Batman: The Brave and the Bold tie-in toy line. Plastic Man will be released as a figure in the Justice League Unlimited toyline at some point in the upcoming year[citation needed]. [edit] GamingPlastic Man is featured in Wizkids' Heroclix tabletop miniatures game, in his traditional red and yellow costume, in addition to having a regular Rookie/Experienced/Veteran figure in the inaugural DC Hypertime set. In 2003 a convention-exclusive figure was produced which featured the same powers and abilities but with a figure of Plastic Man as a mailbox (actually the mailbox 3-D object token repainted with his costume). Another version of Plastic Man, in the form of a hang glider was released in 2007. Mean while, in the VS System Trading Card Game, there was an alternate art version of Plastic Man's first card in VS System, in which his face takes up the entire card. [edit] Video games
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[edit] Jack Cole reprintsDC Comics unless otherwise noted.
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Categories: 1941 comics characters debuts | DC Comics immortals | DC Comics superheroes | DC Comics titles | Fictional characters who can stretch themselves | Fictional FBI agents | Fictional Irish-Americans | Fictional shapeshifters | Golden Age superheroes | Quality Comics superheroes | Quality Comics titles | Fictional criminals | Fictional orphans | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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