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Peter Doig
Born 1959 (1959)
Edinburgh, Scotland, UK
Nationality Scottish British
Field Painting
Training Wimbledon, St Martin's, Chelsea schools of art
Blotter, 1993.
Ski Jacket, 1994.
Architect's Home in the Ravine, oil on canvas, 200cm x 275cm, 1991.

Peter Doig[1] (born 1959) is a Scottish painter.

Contents

[edit] Biography

Peter Doigg was born in Edinburgh, and in 1962 moved with his family to Trinidad, where his father worked with a shipping and trading company, and then in 1966 to Canada. He went to London in 1979 to study art at the Wimbledon School of Art, St Martin's School of Art (where he became friends with Billy Childish) and later the Chelsea School of Art, where he received an MA. In the middle 1980s he lived and worked in Montreal.

In 1993 he won the first prize at the John Moores exhibition with his painting Blotter. This brought public recognition, cemented in 1994, when he was nominated for the Turner Prize. In 1999 he selected EASTinternational with Roy Arden. From 1995 to 2000 he was a trustee of the Tate Gallery.

In 2002, Doig moved back to Trinidad, where he set up a sstudio at the Caribbean Contemporary Arts centre near Port of Spain, and also became professor at the fine arts academy in Düsseldorf, Germany.

[edit] Work

Many of Doig's pictures are landscapes, very abstract, with a number harking back to the snowy scenes of his childhood in Canada. Doig’s landscapes are splendidly layered formally and conceptually, and draw on assorted artists from art history, including Edvard Munch and Claude Monet to Friedrich and Klimt. His works are frequently based on found photographs (and sometimes of his own), but are not painted in a photorealist style, Doig instead using the photographs simply for reference. In a 2008 interview, Doig referred to his use of photographs and postcards as painting "by proxy" and noted that his paintings "made no attempt to reflect setting."[2] Doig is best know for his series of paintings of Le Corbusier’s modernist communal living apartments known as l’Unite d’Habitation located at Briety-en-Foret in northeast France. The modern urban structures are partially revealed and hidden by the forest that surrounds them. As Doig explains: “When you walk through an urban environment, you take the strangeness of the architecture for granted”. The cohabitation of urban and rural is a prominent subject in Doig’s work. This does not mean that he spends his time painting buildings overrun by jungle-like vegetation. Rather, he shows us the close proximity that nature and urban creations inhabit. Through his vision, they share the same colours, the same textures. Peter Doig’s work captures moments of tranquillity, which contrast with uneasy oneiric elements. He uses unusual colour combinations and depicts scenes from unexpected angles, all contributing to give his work a magic realist feel. In The Architect’s Home in the Ravine the thick undergrowth partly obscures the house. It is the play of twig-like shapes and range of colours overlapping the building which one notices. His scenes that involve lakes with canoes, cabins tucked away in the woods, and skiers dotting mountain scenery are his most well-known subjects. [3]

In 2003, Doig started a weekly film club called StudioFilmClub in his studio together with Trinidadian artist Che Lovelace. Doig not only selects and screens the films; he also paints the poster advertising the week's film. He told an interviewer that he finds this ongoing project liberating because it's "much more immediate" than his usual work. [4]

In 2005 he was one of the artists exhibited in part 1 of The Triumph of Painting at the Saatchi Gallery in London.

In 2007, a painting of Doig's, entitled White Canoe, sold at Sotheby's for $11.3 million, then an auction record for a living European artist. Paul Schimmel, chief curator at the Museum of Contemporary Art, Los Angeles said in an interview that the sale made Doig go from being “a hero to other painters to a poster child of the excesses of the market."[5]

In 2008, a major retrospective of his work (entitled "Peter Doig") was held at Tate Britain (February-May) and the Paris Museum of Modern Art (June-September)and the Schirn Kunsthalle in Frankfurt (October 8-January , 2009)[6]

He is teaching at the Kunstakademie Düsseldorf.

[edit] Notes and references

  1. ^ Doig is pronounced /ˈdɔɪɡə/ DOY-gə.
  2. ^ Diane Solway (November 2008). "Peter Doig". W magazine. http://www.wmagazine.com/artdesign/2008/11/peter_doig?currentPage=1. Retrieved 2008-11-20. 
  3. ^ Meredith Mendelsohn (February 20, 2008). "Artist Dossier: Peter Doig". ARTINFO. http://www.artinfo.com/news/story/26612/artist-dossier-peter-doig/. Retrieved 2008-04-23. 
  4. ^ Diane Solway (November 2008). "Peter Doig". W magazine. http://www.wmagazine.com/artdesign/2008/11/peter_doig?currentPage=1. Retrieved 2008-11-20. 
  5. ^ Diane Solway (November 2008). "Peter Doig". W magazine. http://www.wmagazine.com/artdesign/2008/11/peter_doig?currentPage=1. Retrieved 2008-11-20. 
  6. ^ http://www.sundayherald.com/news/heraldnews/display.var.1185372.0.national_galleries_eyes_up_doig_after_5_7m_sale.php "National Galleries eyes up Doig after £5.7m sale"], Sunday Herald, 11 February, 2007

[edit] Sources

  • Hans-Jürgen Tast (Hrsg.) „As I Was Moving. Kunst und Leben“ (Schellerten/Germany 2004) (z.m.a. K.) ISBN 3-88842-026-1;

[edit] External links




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