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Paul Horgan (born Buffalo, New York, 1903 - died Middletown, Connecticut, 1995) was an American author of fiction and non-fiction, most of which was set in the Southwestern United States. Born in Buffalo, New York, in 1903, he moved to Albuquerque, New Mexico in 1915.

He later attended New Mexico Military Institute in Roswell where he formed a lifelong friendship with fellow classmate, later artist Peter Hurd. He later served as the school's librarian for a number of years.

Horgan enrolled in the Eastman School of Music in Rochester, New York in 1923. He learned that the Russian tenor Vladimir Rosing was starting an opera department at the school. Horgan had loved Rosing's records and he wanted to be part of this new venture. He noticed no one had been assigned to design the sets, and although he had never done set design he somehow convinced Rosing to give him a chance to prove himself. The fledgling company evolved within a three years into a professional organization: the American Opera Company.[1]

Horgan first came to prominence when he won the Harper Prize in 1933 for The Fault of Angels, one of his books not set in the Southwest, drawn instead from his experiences in Rochester. He twice won the Pulitzer Prize for History, first in 1955 with Great River: The Rio Grande in North American History and then once again in 1976 with Lamy of Santa Fe. Both these books broke new ground in New Mexican history. Great River is considered a classic in the historical literature of the American southwest. It is especially noteworthy as the first attempt to describe, for a general audience, the pueblo culture of the Anasazi, as well as the colonial Spanish experience in New Mexico. Horgan's description of the Anglo-Americans who entered and eventually conquered Texas and New Mexico is also regarded as one of the most accurate narratives of southwestern history during this time period.

Horgan served as president of the ([1]) American Catholic Historical Association, an association based at The Catholic University of America. In 1960 (see [2]) Robert Franklin Gish exalted Horgan's contributions in the monograph Paul Horgan: Yankee Plainsman and a few other works.

His later years were spent as a writer in residence at Wesleyan University in Middletown, Connecticut. The author Charles Barber served as a personal assistant to Horgan when Barber was in college. Horgan died in 1995.

Contents

[edit] Other works

[edit] Fiction

  • No Quarter Given
  • The Habit of Empire
  • A Lamp on the Plains
  • Give Me Possession
  • Memories of the Future
  • The Return of the Weed
  • Figures in a Landscape
  • The Devil in the Desert
  • One Red Rose for Christmas
  • The Saintmaker's Christmas Eve
  • To The Mountains
  • Humble Powers
  • Toby and the Nighttime
  • The Peach Stone: Stories from Four Decades
  • Main Line West, 1936
  • Far from Cibola, 1936
  • The Common Heart, 1942
  • A Distant Trumpet, 1951
  • Things as They Are, 1951
  • Everything to Live For, 1968
  • Whitewater
  • The Thin Mountain Air, 1977

[edit] Nonfiction

  • Great River: the Rio Grande in North American History, 1954
  • Men of Arms
  • From the Royal City
  • New Mexico's Own Chronicle (with Maurice Garland Fulton)
  • The Centuries of Santa Fe
  • Rome Eternal
  • Citizen of New Salem, 1961
  • Conquistadors in North American History
  • Peter Hurd: A Portrait Sketch from Life
  • Songs After Lincoln
  • The Heroic Triad, 1954
  • Approaches to Writing
  • Encounters with Stravinsky / A Personal Record

[edit] Notes

  1. ^ Horgan, Paul. Encounters with Stravinsky (1972) p. 44-47. Farrar Straus and Giroux, New York.

[edit] External links




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