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Pathos (pronounced /ˈpeɪθɒs/; Greek: πάθος, for 'suffering' or 'experience') is a communication technique used most often in rhetoric (where it is considered one of the three modes of persuasion, alongside ethos and logos), and in literature, film and other narrative art. Pathos represents an appeal to the audience's emotions. It is not to be confused with 'bathos' (βάθος), which is an attempt to perform in a serious, dramatic fashion that fails and ends up becoming comedy. Within literature and film, pathetic occurences in a plot are not to be confused with tragic occurences. In a tragedy, the character brings about his or her own demise, whereas those invoking pathos often occur to innocent characters, invoking unmerited grief.

Emotional appeal can be accomplished in a multitude of ways:

by a metaphor or story telling, common as a hook,
by a general passion in the delivery and an overall number of emotional items in the text of the speech, or in writing.

Pathos is often associated with emotional appeal. But a better equivalent might be appeal to the audience's sympathies and imagination. An appeal to pathos causes an audience not just to respond emotionally but to identify with the writer's point of view - to feel what the writer feels. In this sense, pathos evokes a meaning implicit in the verb 'to suffer' - to feel pain imaginatively. Perhaps the most common way of conveying a pathetic appeal is through narrative or story, which can turn the abstractions of logic into something palpable and present. The values, beliefs, and understandings of the writer are implicit in the story and conveyed imaginatively to the reader. Pathos thus refers to both the emotional and the imaginative impact of the message on an audience, the power with which the writer's message moves the audience to decision or action.

[edit] Friedrich Schiller: Sublime Pathos

In the many works of Friedrich Schiller, "Sublime Pathos" (German, das Pathetisch-Erhabene) appears as a privileged aesthetic concept. According to Schiller, sublime pathos in the context of art demonstrates human freedom and triumph in the struggle against suffering. As such, pathos no longer refers to suffering itself, but rather an effect produced by overcoming suffering. Generally, Schiller links the experience of suffering to "grand ideas" - such as the idea of freedom; in this sense, pathos reminds one of Milton's Satan, when he cries out: "Hail, horrors, I greet thee!". Schiller's description of pathos continues to influence the use of the word today, in which such triumphant overcoming of suffering and other negative situations is seen as representing pathos. In modern cinema in particular, pathos can be found in many forms, such as in the popular film renditions of the Lord of the Rings:

"I see in your eyes the same fear that would take the heart of me. A day may come when the courage of men fails, when we forsake our friends and break all bonds of fellowship – but it is not this day. This day we fight!“ (Aragorn, in the Return of the King)

[edit] Lack of pathos

Although most film and television have pathos, Larry David frequently includes no pathos in his works. Seinfeld for example has no pathos, while Curb Your Enthusiasm has a low amount.^{[citation needed]}

[edit] See also

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