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The parables of Jesus, found in the three synoptic gospels, are a key part of the teachings of Jesus, forming approximately one third of his recorded teachings. Christians place high emphasis on these parables, since being the words of Jesus they are believed as what the Father has taught (cf John 8:28 and 14:10).[1][2][3][4] Jesus' parables are seemingly simple and memorable stories, often with imagery, and each conveys a message. Scholars have commented that although these parables seem simple, the messages they convey is deep, and central to the teachings of Jesus. Christian authors view them as not mere similitudes which serve the purpose of illustration, but as internal analogies where nature becomes a witness for the spiritual world.[5][6] Jesus, for example, likened the Kingdom of God to a mustard seed which although small can grow to be tree large enough for birds to nest in it. And he also likened it to leaven implying that as men get mixed with it, corruption can arise. In Western civilization, these parables formed the prototype for the term parable and in the modern age, even among those who know little of the Bible, the parables of Jesus remain some of the best known stories in the world.[7]
[edit] Roots and sources
As a translation of the Hebrew word mashal the word parable can also refer to a riddle. In all times in their history the Jews were familiar with teaching by means of parables and a number of parables also exist in the Old Testament. The use of parables by Jesus was hence a natural teaching method that fit into the tradition of his time.[8][9] The parables of Jesus have been quoted, taught and discussed since the very beginnings of Christianity. [edit] In the four gospelsOf the four canonical gospels the parables are almost all in the three synoptic gospels. The Gospel of John contains only the stories of the Vine and Good Shepherd, which some consider to be a parable,[10][11] else it includes allegories but no parables. Several authors such as Barbara Reid, Arland Hultgren or Donald Griggs comment that "parables are noticeably absent from the Gospel of John".[12][13][14][15] The Catholic Encyclopedia states: "There are no parables in St. John's Gospel. In the Synoptics ... we reckon thirty-three in all; but some have raised the number even to sixty, by including proverbial expressions."[16] The Gospel of Luke contains both the largest total number of parables (24) and eighteen unique parables; the Gospel of Matthew contains 23 parables of which eleven are unique; and the Gospel of Mark contains eight parables of which two are unique. In Harmony of the Gospels, Cox and Easley provide a Gospel harmony for the parables based on the following counts: Only in Matthew: 11, only in Mark: 2, only in Luke: 18, Matthew and Luke: 4, Matthew, Mark and Luke: 6. They list no parables for the Gospel of John.[17] [edit] Other documentsParables attributed to Jesus are also found in other documents apart from the Bible. Some of these overlap those in the Bible and some are not part of the Bible. The noncanonical Gospel of Thomas contains up to fifteen parables, eleven of which have parallels in the four canonical Gospels. The unknown author of the Gospel of Thomas did not have a special word for "parable," making it difficult to know what he considered a parable.[18] Those unique to Thomas include the Parable of the Assassin and the Parable of the Empty Jar. The noncanonical Apocryphon of James also contains three unique parables of Jesus.[19] They are known as "The Parable of the Ear of Grain", "The Parable of the Grain of Wheat", and "The Parable of the Date-Palm Shoot".[20] The parables are thought to have been transmitted orally for years before being written down. The hypothetical Q document is seen as a source for some of the parables in Matthew, Luke, and Thomas.[21] [edit] Purpose and motiveIn the Gospel of Matthew (13:10-17) Jesus provides an answer when asked about his use of parables:[22]
While Mark 4:33-34 and Matthew 13:34-35 may suggest that Jesus would only speak to the "crowds" in parables, while in private explaining everything to his disciples, modern scholar do not support the private explanations argument and surmise that Jesus used parables as a teaching method.[23] Dwight Pentecost suggests that given that Jesus often preached to a mixed audience of believers and non-believers, he used parables to reveal the truth to some, but hide it from others.[24] Christian author Ashton Axenden suggests that Jesus constructed his parables based on his divine knowledge of how man can be taught:[25]
In the 19th century, Lisco and Fairbairn stated that in the parables of Jesus, "the image borrowed from the visible world is accompanied by a truth from the invisible (spiritual) world" and that the parables of Jesus are not "mere similitudes which serve the purpose of illustration, but are internal analogies where nature becomes a witness for the spiritual world".[26] Similarly, in the 20th century, calling a parable "an earthly story with a heavenly meaning", William Barclay states that the parables of Jesus use familiar examples to lead men's minds towards heavenly concepts. He suggests that Jesus did not form his parables merely as analogies but based on an "inward affinity between the natural and spiritual orders".[27] [edit] An example harmony of parablesThe table below provides an example of a Gospel harmony applied to the parables. Usually, no parables are associated with the Gospel of John, just allegories.[28] [edit] In artOf the thirty or so parables in the canonical Gospels, four were shown in medieval art almost to the exclusion of the others, but not mixed in with the narrative scenes of the Life of Christ. These were: the Ten Virgins, Lazarus and Dives, the Prodigal Son and the Good Samaritan.[32] The Workers in the Vineyard also appears in Early Medieval works. From the Renaissance the numbers shown widened slightly, and the various scenes of the Prodigal Son became the clear favorite, with the Good Samaritan also popular. Albrecht Dürer made a famous engraving of the Prodigal Son amongst the pigs (1496), a popular subject in the Northern Renaissance, and Rembrandt depicted the story several times, although at least one of his works, The Prodigal Son in the Tavern, a portrait of himself as the Son, revelling with his wife, is like many artists' depictions, a way of dignifying a genre tavern scene. His late Return of the Prodigal Son (Hermitage Museum, St Petersburg) is one of his most popular works. [edit] See also[edit] References
[edit] Notes
[edit] External links
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