Old school hip hop:
Old school hip hop describes the earliest commercially recorded hip hop music (1979–1984),[1] and often by extension the music in the period preceding it (see Roots of hip hop). The image, styles and sounds of the old school—exemplified by figures like Afrika Bambaataa, The Treacherous Three, and Grandmaster Flash and the Furious Five—were sent into decline with the advent of new school acts Run-D.M.C. and LL Cool J, with these latter acts now themselves often considered old school as we become further away in time from their initial impact.
[edit] History
Hip hop music began in the early 1970s in New York City with the advent of breakbeat DJing. Kool DJ Herc, Grandmaster Flash, Afrika Bambaataa and other DJs extended the breaks (short percussion interludes) of funk records. This use of extended percussion breaks led to the development of mixing and scratching techniques. As hip hop's popularity grew, performers began speaking while the music played, and became known as MCs or emcees. Melle Mel, a rapper in the group Grandmaster Flash & The Furious Five was the first to call himself "MC". Performers often emceed for hours at a time, with some improvisation and a simple four-count beat and basic chorus. MCs grew more varied in their vocal and rhythmic approach, incorporating brief rhymes, often with a theme. These early raps had precursors and parallels in other aspects of African American culture, such as the dozens and signifying. During this early stage were prominent rap groups such as Funky Four Plus One, who appeared on Saturday Night Live in 1981. (see Roots of hip hop music).
[edit] First steps towards commercialization
The first steps towards the commercialization of hip hop came with the release of what are usually called the first two commercially issued hip hop recordings: "King Tim III (Personality Jock)" by the Fatback Band, and "Rapper's Delight" by The Sugarhill Gang. While "King Tim III" is considered technically the earliest recorded hip hop song, it was the Sugarhill Gang that won hip hop its first mainstream popularity. Though neither the Fatback Band nor the Sugarhill Gang had significant roots in the DJ culture, "Rapper's Delight" became a Top 40 hit on the U.S. Billboard pop singles chart. After the releases of follow ups by acts such as Kurtis Blow ("The Breaks"), The Sequence ("Funk You Up"), and Grandmaster Flash & the Furious Five ("Freedom"), hip hop was pegged as a successful, yet temporary, trend in music.
[edit] Musical characteristics and themes
Old school hip hop would often reference disco and funk tracks. A live band was often used, as in the case of The Sugarhill Gang. The use of extended percussion breaks led to the development of mixing and scratching techniques. Scratching was invented by Grand Wizard Theodore in 1977, and was found on DJ records such as Grandmaster Flash's "Adventures on the Wheels of Steel". In contrast with the later rhymes of new school hip hop, old school rap was relatively simple in its rhythms and cadences.
[edit] "The Message"
Old school rap was often focused on good times, parties and friendship. An exception was "The Message", a rap song written by Melle Mel for his hip hop group, Grandmaster Flash and The Furious Five. The popularity of "The Message" led the "message rap" to gain a place in the hip hop canon.
[edit] Diversification
During the 1980s, hip hop began to diversify and develop. Some rappers even became mainstream pop performers, including Kurtis Blow, whose appearance in a Sprite commercial made him the first hip hop musician to be considered mainstream enough to represent a major product, but also the first to be accused by the hip hop audience of selling out. The simple tales and party rhymes of 1970s emcees were replaced by aggressive, self-assertive raps over hard, minimalist beats.
[edit] See also
[edit] References
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