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2006 winner of the Neo-burlesque Miss Exotic World Pageant, Julie Atlas Muz.

Neo-Burlesque (or "New Burlesque") is the revival and updating of the traditional burlesque performance. Though based on the traditional Burlesque art, the new form encompasses a wider range of performance styles; Neo-burlesque acts can be anything from classic striptease to modern dance to theatrical mini-dramas to comedic mayhem. As with the earlier burlesque, neo-burlesque is more focused on the "tease" in "striptease" than the "strip". Audiences for neo-burlesque shows tend to be mixed; men, women, straight, gay, and everything in between.

Contents

[edit] Burlesque history

Burlesque as a sensation was brought to America from Britain in the late 1860s by Lydia Thompson and her British Blondes, a troupe who spoofed traditional theatrical productions and featured ladies performing men's roles, in costumes considered revealing for the time period. Since that time it has assimilated vaudeville, minstrel shows, striptease, comedy and cabaret to evolve into the follies of the twenties and thirties to the girlie shows of the 40s and 50s, which eventually gave way to the modern strip club. The adult-oriented 20th Century Burlesque-Striptease, in its various forms, is a unique traditional American Folk Art with the classical burlesque form remaining chiefly a British and European theatrical tradition.

[edit] New Burlesque

A new generation nostalgic for the spectacle and perceived glamour of the old times determined to bring burlesque back. This revival was pioneered independently in the mid 1990s by Billie Madley "Cinema" and Ami Goodheart's "Dutch Weismanns' Follies" revue in New York and Michelle Carr's "The Velvet Hammer Burlesque" troupe in Los Angeles. In addition, and throughout the country, many individual performers were incorporating aspects of burlesque in their acts. These productions, inspired by the likes of Sally Rand, Tempest Storm, Gypsy Rose Lee, Dixie Evans and Lili St. Cyr have themselves gone on to inspire a new generation of performers.

Today New Burlesque has taken many forms, but all have the common trait of honoring one or more of burlesque's previous incarnations, with acts including striptease, expensive costumes, bawdy humor, cabaret and more. There are modern burlesque performers and shows all over the world, and annual conventions such as Tease-O-Rama, New York Burlesque Festival, The Great Boston Burlesque Exposition, and the Miss Exotic World Pageant.

Today's Burlesque revival has found homes throughout the United States and the world, with the largest communities located on the East and West Coasts of the U.S. On the East Coast, New York City boasts the largest community (where select nightlife venues have been inspired by the trend—several notable troops and venues include The Slipper Room, Le Scandal Cabaret, Pinchbottom Burlesque, Starshine Burlesque, Wasabassco burlesque, and, during the summer, Coney Island's Burlesque at the Beach); in Greensboro, NC, burlesque revival performances by Foxy Moxy and her "Cabaret Risque" troupe have been incorporated into the Greensboro Fringe Theater Festival; in the Pacific Northwest, the Burlesque scene is centered in Seattle—home of Miss Indigo Blue, Miss Trixie Lane—The Queen of Shame, Miss Kitty Baby, Ravenna Black, Paula the Swedish Housewife, Vienna Le Rouge, The Atomic Bombshells, Burning Hearts, The Von Foxies, Glitzkrieg Burlesque, and Sinner Saint Burlesque, to name a few; Portland, Oregon has also become a burgeoning burlesque scene thanks in part to troupes such as The Rose City Sirens, Sugar Q Burlesque and weekly revues at venues such as The Hawthorne Theatre; in California, the largest communities reside in the San Francisco Bay Area, home of the largest monthly burlesque and variety show (the Hubba Hubba Revue), and Los Angeles, home of the world famous Burlesque bar The Bordello featuring star performers such as Crystal Swarovski, Polly Peabody, Honey Holiday, Scarlett Letter, and Nancy SinUltra. The Paris Burlesque Festival 2009 features a variety of acts including special guest Mistress of Ceremonies , Burlesque Songtress and Comedienne Kitten on the Keys from San Francisco. There are also thriving Burlesque scenes in Canada, the UK, France (Rendez-Vous Van Paris) and Japan. SPAG Burlesque was voted best Detroit based burlesque show by Real Detroit Magazine in 2009.

[edit] Striptease

New Burlesque tends to put the emphasis on style and tend to be sexy rather than sexual, often involving humor. Unlike modern strippers, who dance in strip clubs to make a living, burlesque performers often perform for fun and spend more money on costumes, rehearsal, and props than they are compensated. Performers will often strip down to pasties and g-strings.

[edit] Neo-Burlesque organizations

[edit] References

  • Sohn, Amy. Teasy Does It, New York Magazine, 2004.
  • Baldwin, Michelle. Burlesque and the New Bump-n-Grind
  • Malach, James. What Is Burlesque?
  • Clodfelter, Tim. This ain't your granddad's burlesque Winston-Salem Journal- Jan 31, 2008

[edit] See also

[edit] Books

  • Blaize, Immodesty: "Tease". Ebury Press 2009, ISBN: 978-0091930011. Book Homepage
  • Porkpie, Jonny: "The Corpse Wore Pasties". Hard Case Crime, 2009, ISBN: 978-0843961232. Book Homepage
  • Royal, Chaz: Burlesque Poster Design. Korero 2009, ISBN: 978-09553398-2-0. Book Homepage
  • Willson, Jacki: "The Happy Stripper: Pleasures and Politics of the New Burlesque". I. B. Tauris; illustrated edition edition (January 8, 2008), ISBN: 978-1845113186. Book Homepage
  • Baldwin, Michelle. Burlesque and the New Bump-n-Grind

[edit] External links




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