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Henri Rousseau's The Repast of the Lion (circa 1907), an example of naïve art

Naïve art is a classification of art that is often characterized by a childlike simplicity in its subject matter and technique. While many naïve artists appear, from their works, to have little or no formal art training, this is often not true.

Contents

[edit] Characteristics

The term naïve art is often seen as in contrast to the academy, a formal, highly schooled manner of art creation, most often painting. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide.

The characteristics of naïve art are an awkward relationship to the formal qualities of painting. Difficulties with drawing and perspective that result in a charmingly awkward and often refreshing vision, strong use of pattern, unrefined color, and simplicity rather than subtlety are all supposed markers of naïve art. It has, however, become such a popular and recognizable style that many examples could be called pseudo-naïve.

Whereas naïve art ideally describes the work of an artist who did not receive formal education in an art school or academy, for example Henri Rousseau or Alfred Wallis, 'pseudo naïve' or 'faux naïve' art describes the work of an artist working in a more imitative or self-conscious mode and whose work can be seen as more imitative than original.

"Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, subsaharan African or Pacific Island art. This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art.

[edit] Criticism

Many art critics view the term "naïve art" as a condescending reference to academically untrained painters - alternatively "vernacular art" can be used. The expression "primitive art" is even more inflammatory[citation needed] to many people[who?], especially when used towards the art of other cultures[citation needed]. The words "naïve" and "primitive" are regarded as politically incorrect and are therefore avoided by many. (Fine, p. 24)

[edit] Naïve artists

[edit] 18th century

Example of Edward Hicks's work
Example of Niko Pirosmani's work: Childless Millionaire and a Poor Woman Blessed with Children.

[edit] 19th century

[edit] 20th century

[edit] Museums/Galleries

Anonymous painter from Pernambuco, Brazil: Landscape

Brazil

  • Museu Internacional de Arte Naïf do Brasil[3]
  • Gallery Jacques Ardies[4]

Canada

Croatia

France

Germany

Israel

Portugal

Russia

Serbia

Spain

  • Museo de Artes y Costumbres Populares y Museo Internacional de Arte Naïf, Jaén

USA


[edit] See also

[edit] References

  1. ^ Mariner's Museum and Peluso, Anthony J., Jr., The Bard Brothers -- Painting America under Steam and Sail, Abrams, New York 1997 ISBN 0-8109-1240-6
  2. ^ [1]
  3. ^ [2]
  4. ^ [3]
  5. ^ [4]
  • Bihalji-Merin, Oto (1959). Modern Primitives: Masters of Naive Painting. trans. Norbert Guterman. New York: Harry N. Abrams. 
  • Fine, Gary Alan (2004). Everyday genius: self-taught art and the culture of authenticity. Chicago, IL: University Of Chicago Press. ISBN 978-0226249506. 



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