Minneapolis sound Information & Minneapolis sound Links at HealthHaven.com

Minneapolis sound
Stylistic origins	Pop, Rock music, Funk, new wave, synth-pop, R&B
Cultural origins	Minnesota, US.
Typical instruments	Drum machine (or drums), guitars, keyboards, synthesizers
Mainstream popularity	1980's.
Derivative forms	Dance-pop
Other topics
	Prince

The Minneapolis sound is a hybrid mixture of funk, rock, pop, R&B and New Wave that was pioneered by Prince in the late 1970s. Its popularity was given a boost throughout the 1980s, thanks to his musical adherents, including The Time, Jimmy Jam and Terry Lewis, Morris Day, Vanity 6, Apollonia 6, Ta Mara & the Seen, Sheila E., Jesse Johnson, BrownMark, Mazarati, and The Family. Prince's third album Dirty Mind from 1980 also earns credit. Some artists who came from Minnesota were influenced by his work and some came from other parts of the U.S. or world, such as Scottish star Sheena Easton, Flint, Michigan's Ready for the World, Augusta, Georgia's Le Klass and Los Angeles, California's Cherrelle. The music is also known as a form of funk-rock.

[edit] Identifying characteristics

While the "Minneapolis sound" was a form of funk, it had some distinguishing characteristics:

Synthesizers generally replaced horns, and were used more as accent than as fill or background.
The rhythm was often faster and less syncopated than traditional funk, and owed much to New Wave pop music.
Guitars, while usually (but not always) played "clean" for rhythm parts, were frequently much louder and more aggressively processed during solos than in most traditional funk.
The "bottom" of the sound was less bass-heavy than traditional funk; drums and keyboards filled more of the "bottom".
The drums were more highly processed than in traditional funk.