Maurice Benayoun
Birth name	Maurice Benayoun
Born	March 29, 1957 (1957-03-29) (age 52)
Field	New Media Art
Website	http://www.benayoun.com/

Maurice Benayoun (aka MoBen) (b. March 29, 1957 in Mascara, Algeria) is a new-media artist based in Paris who has won numerous awards for his work.^[1] His work employs various media, including (and often combining) video, immersive virtual reality, the Web, wireless technology, performance, large-scale art installations and interactive exhibitions.

[edit] Biography

World Skin (1997), Maurice Benayoun's Virtual Reality Interactive Installation

Born in Mascara, Algeria in March 1957, he moved to France in 1958. In the 1980s Benayoun directed video installations and short films about contemporary artists, including Daniel Buren, Jean Tinguely, Sol LeWitt and Martial Raysse. In 1987 he co-founded Z-A, a computer graphics and Virtual Reality lab. Between 1990 and 1993, Benayoun collaborated with Belgian graphic novelist François Schuiten on Quarxs, a computer graphics world that explores variant worlds with alternate physical laws.^[2] In 1993, he received the Villa Medicis Hors Les Murs for his Art After Museum project, a virtual reality contemporary art collection.

After 1994 Benayoun was involved with more virtual-reality and interactive-art installations. One of these was described by Jean-Paul Fargier in Le Monde (1994) as "the first Metaphysical Video Game". One important work from this period includes The Tunnel under the Atlantic, finished in 1995. This was a tele-virtual project linking the Pompidou Center in Paris and the Museum of Contemporary Art in Montreal.^[3]

The Navigation Room (1997) and The Membrane (2001) were created for the Cité des Sciences de la Villette. The Navigation Room presented, through an innovative interface, highly personalized visits and content, ending with a web page dedicated to each visitor. The Membrane (2001) — the core of the exhibition Man Transformed — was a large surface breathing and feeling the presence of the visitors. The Panoramic Tables for the Planet of Visions pavilion for Hanover EXPO2000, directed by François Schuiten, was an innovative application of augmented reality. In 2006, together with the architect Christophe Girault, they created the new permanent exhibition inside the Arc de Triomphe, Paris, opening in February 2007.

Benayoun conceived and directed the exhibition Cosmopolis, Overwriting the City (2005), a giant art and science immersive installation presented for French Year in China.

In 2008 Maurice Benayoun submitted his blog, The Dump, as a doctorate thesis entitled: Artistic Intentions at Work, Hypothesis for Committing Art at the University of Paris 1, la Sorbonne. The Phd received the "mention très honorable" (the highest distinction in the French academic system).

He is co-founder and art director of the CiTu research center (Création Interactive Transdisciplinaire Universitaire) Universités Paris 1 and Paris 8 dedicated to research and creation (R&C) in the emerging forms of art.

[edit] Awards

The Tunnel under the Atlantic (1995), Maurice Benayoun's Virtual Reality Interactive Installation

Cosmopolis (2005), Maurice Benayoun's Giant Virtual Reality Interactive Installation

• SACD Awards, Interactive Arts, Paris, June 2009
• Qwartz, digital art, Paris, April 2009
• e-Toile d'Or, Net Art, Paris, Jan. 2005
• Best multimedia project, Grotte Chauvet, France 2001
• Winner, Architecture competition with Jean Nouvel, Subway Station Franklin Roosevelt, Paris 2000
• Golden Nica (first prize), interactive art category, Ars Electronica Festival, Linz, Austria, 1998
• Second prize, Images du Futur '96, category opens titles, Montreal 1996
• Second prize Pixel INA, Opens Titles Category, Imagina 1996, Monte Carlo, February 1996
• Finalist Best Achievement, International Monitor Awards, Opens/closes category, Los Angeles, oct. 1995.
• Honorary Mention, Ars Electronica Festival, Linz, Austria, April 1995
• JOSE ABEL Prize, Best European animation film, Cinanima, Animation Film Festival of Espinho, Portugal, Oct. 1994
• Silver Trophy, Espace Creation, F.A.U.S.T., Toulouse, Novembre 1994
• Distinction (2nd prize), Ars Electronica Festival, Linz, Austria, June 1994
• 3rd Prize, fiction category, Imagina ’94, Monte Carlo, February 1994
• Best Electronic Special Effects, International Monitor Awards, Los Angeles, 1993
• Best Video Paint Design, International Monitor Award, Los Angeles 1993
• Nomination, Best Computer Animation, International Monitor Awards, Los Angeles 93
• First Prize Pixel INA, Opens Title category Imagina ’93, Monte Carlo, February 1993
• 3rd Prize, FICTION category Imagina ’94, Monte Carlo, February 1993
• First Prize, Third Dimension Award, SCAM, Paris, November 1991
• Best Script Award, Paris Cité 1991, Paris, October 1991
• Honorary Mention, Ars Electronica Festival, Linz, Austria, September 1991
• 1st Prize, Artistic Animation category, Truevision competition, SIGGRAPH, Las Vegas, 1991
• Image fixe prize, Paris Cité, Paris, France, 1990
• 1st Prize Communication Image, Tech Image competition, Paris, 1990

[edit] Selected works

• Big Questions : Is God Flat? (1994)
• Is the Devil Curved? (1995)
• And what about me? (1996-7)
• World Skin, a photo safari in the Land of War (1997)-Golden Nica, Ars Electronica Festival 1998
• Crossing Talks, Communication Rafting (1999)
• Art Impact, collective Retinal Memory (2000)
• Labylogue (2000)
• So.So.So., Somebody, Somewhere, Some Time (2002)
• Cosmopolis, Overwritting the City (2005)
• Mechanics of Emotions (2005- )
• NeORIZON (2008)
• Still Moving (2008)

[edit] References

1. ^ Paul Catanese, Director's Third Dimension: Fundamentals of 3d Programming in Director 8.5, Sams Publishing, 2001, p314. ISBN 0672322285
2. ^ Stephen Wilson, Information Arts: Intersections of Art, Science, and Technology, MIT Press, 2002, p705. ISBN 0262731584
3. ^ Lars Qvortrupp, Virtual Space: Spatiality in Virtual Inhabited 3d Worlds, Springer, 2002, p222. ISBN 1852335165

[edit] Bibliography

• Sara and Tom Pendergast, Contemporary Artists St James Press, 2001, pp. 155–158, ISBN 1558624074
• Peter Weibel, Jeffrey Shaw, Future Cinema, MIT Press 2003, pp. 472,572-581, ISBN 0262692864
• Oliver Grau, Virtual Art, from Illusion to Immersion, MIT Press 2004, pp. 237–240, ISBN 0262572230,
• Frank Popper, From Technology to Virtual Art, MIT Press 2005, pp.201–205, ISBN 026216230X
• Derrick de Kerckhove, The Architecture of Intelligence, Birkhäuser 2005, pp. 40,48,51,73, ISBN 3764364513
• Gerfried Stocker and Christine Schöpf, Flesh Factor, Ars Electronica Festival 1997, Verlag Springer 1997, pp.312–315
• Fred Forest Art et Internet, Editions Cercle D'Art / Imaginaire Mode d'Emploi, pp. 61 – 63
• Christine Buci-Glucksmann, "L’art à l’époque virtuel", in Frontières esthétiques de l’art, Arts 8, Paris: L’Harmattan, 2004
• Dominique Moulon [1] Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, p. 123

[edit] External links

• Maurice Benayoun's official web site
• official Blog/creation The Dump
• CITU official web site