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This article is about the plot device. For the block cipher, see MacGuffin (cipher). A MacGuffin (sometimes McGuffin) is "a plot element that catches the viewers' attention or drives the plot of a work of fiction."[1] Sometimes, the specific nature of the MacGuffin is not important to the plot such that anything that serves as a motivation serves its purpose. The MacGuffin can sometimes be ambiguous, completely undefined, generic or left open to interpretation. The MacGuffin is common in films, especially thrillers. Commonly, though not always, the MacGuffin is the central focus of the film in the first act, and later declines in importance as the struggles and motivations of characters play out. Sometimes the MacGuffin is all but forgotten by the end of the film.
[edit] HistoryThe director and producer Alfred Hitchcock popularized both the term "MacGuffin" and the technique. According to the Oxford English Dictionary, Hitchcock explained the term in a 1939 lecture at Columbia University: "[We] have a name in the studio, and we call it the 'MacGuffin.' It is the mechanical element that usually crops up in any story. In crook stories it is almost always the necklace and in spy stories it is most always the papers." Interviewed in 1966 by François Truffaut, Alfred Hitchcock illustrated the term "MacGuffin" with this story:[2]
Hitchcock related this anecdote in a television interview for Richard Schickel's documentary The Men Who Made the Movies. Hitchcock's verbal delivery made it clear that the second man has thought up the MacGuffin explanation as a roundabout method of telling the first man to mind his own business. According to author Ken Mogg, screenwriter Angus MacPhail, a friend of Hitchcock's, may have originally coined the term.[3] [edit] Post-Hitchcock use of the term
On the commentary soundtrack to the 2004 DVD release of Star Wars, writer and director George Lucas describes R2-D2 as "the main driving force of the movie ... what you say in the movie business is the MacGuffin ... the object of everybody's search".[4] In TV interviews, Hitchcock defined a MacGuffin as the object around which the plot revolves, but, as to what that object specifically is, he declared, "the audience don't care."[5] Lucas, on the other hand, believes that the MacGuffin should be powerful and that "the audience should care about it almost as much as the dueling heroes and villains on-screen."[6] Harrison Ford used the word “MacGuffin” on the Late Show with David Letterman to refer to the plot devices in the Indiana Jones movies, specifically citing the Sankara Stones from the second film and the Holy Grail from the third film.[7]. Film reviewer Roger Ebert mentions the use of MacGuffins in the wide range of movies he reviews, from Children of Men to Transformers.[8][9] In Mel Brooks' film High Anxiety, which parodies many Hitchcock movies, a minor plot point is advanced by a mysterious phone call from a "Mr. MacGuffin". The term was introduced to UK TV viewers through its prolific use in the TV game show 3-2-1 in which each object was used in a comedy sketch and then associated with a cryptic clue to be solved by the contestants to lead them to a prize of holiday, car, or dustbin. [edit] Examples[edit] Films
[edit] Other MediaMacGuffins in Television include the Rambaldi device in Alias[24] and the Krieger Waves in the Star Trek: The Next Generation episode "A Matter of Perspective".[25][26][27] Macguffins found in Literature include the TV set in Wu Ming's novel 54[28][29] and the container in William Gibson's Spook Country.[30] [edit] See also[edit] References
[edit] Further reading
[edit] External links
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