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King Kong is a 1976 American motion picture produced by Dino De Laurentiis and directed by John Guillermin. It is a remake of the 1933 classic King Kong, about how a giant ape is captured and imported to New York City for exhibition. The remake's screenplay was written by Lorenzo Semple Jr., based on the original movie story written by Merian C. Cooper and Edgar Wallace, which had been adapted into the 1933 screenplay by James Ashmore Creelman and Ruth Rose. It starred Jeff Bridges, Charles Grodin, and Jessica Lange, in her first movie role, playing a part similar to the one made famous in the original by Fay Wray.
[edit] Plot summaryThe remake differs from the original in several major story details. It is set in modern times, and instead of a film production crew, King Kong's world is invaded by a petroleum corporation’s exploratory team. Fred Wilson (Grodin), an executive of the Petrox Oil Company, forms the expedition based on infrared imagery which reveals a previously undiscovered Indian Ocean island hidden by a permanent cloud bank; Wilson believes the island has a huge depository of oil, and has promised his bosses he will come back with “the big one.” Jack Prescott (Bridges), a primate paleontologist, sneaks onto the expedition’s enormous vessel en route and attempts to warn the team against completing its mission, citing an ominous final message about "the roar of the greatest beast" from previous doomed explorers. Wilson orders Prescott locked up, claiming that he is really a spy from a rival corporation. However, while being led below deck, Prescott spots a small life raft in the ocean and convinces members of the crew to search the raft. On board is the beautiful Dwan (Lange) who states her name is really Dawn but spelled to make it more notable. Prescott’s medical experience enables him to perform a cursory exam of Dwan, who, after awakening, tells Prescott that she is a wannabe actress who was aboard a director's yacht which suddenly exploded, apparently killing everybody except for her. During the ship’s ongoing voyage, Prescott and Dwan become attracted to each other. Once arriving at the island, the team soon discovers a primitive tribe of natives who live within the confines of a gigantic wall, built to protect them from a mysterious god known as Kong. The team quickly finds that while there is a large deposit of oil, it is of such low quality that is unusable. The natives kidnap Dwan, drug her, and attempt to use her as a sacrifice to Kong, tying her to an altar outside of their walled village and chanting ominously the word “Kong” over and over again. The captive Dwan begins to scream in horror as something gigantic slowly approaches, crashing loudly through the jungle trees until it reveals itself as a monumental ape standing triumphantly over her, who then grabs her and departs back into the jungle. Although an awesome and terrifying sight, the soft hearted Kong quickly becomes tamed by Dwan, whose rambling sweet talk calms and fascinates the monstrous beast. In the meantime, Prescott and First Mate Carnahan (Ed Lauter) lead a rescue mission to save Dwan. Kong takes Dwan back to a waterfall. He washes her, and then uses a great gust of his warm breath for a blow-dry. Prescott, Carnahan, and their party have the misfortune of catching up to Kong while crossing a log bridge spanning an abyss, and Kong rolls the huge log, sending Carnahan and the rest of the sailors falling to their deaths. Prescott and Boan are the only ones to survive. Kong then takes Dwan to his lair. Just as he slowly begins to undress his "bride", a giant snake appears and attacks the pair. Prescott finds Dwan, and as a battle of the beasts ensues, they escape. Kong rips the jaw of the snake open, causing blood and flesh to expose. Kong then chases the pair back to the native village, only to fall into a hole and be smothered with chloroform. Without any of the promised new oil, Wilson decides to transport Kong to America as a promotional gimmick for his company. Brought back aboard an oil tanker, Kong is fed with wooden crates filled with fruit, and kept in the dark. When they finally reach New York, Kong is put on display in a beauty and the beast farce, bound in chains with a big crown on his head, and exhibited to the masses. Finally being mobbed by reporters, and exposed to dozens of bright camera flashes, the unhappy ape goes berserk, breaking his chains and terrorizing the city in an orgy of destruction. Wilson trips while running away and Kong steps on him, killing him instantly. The ape also destroys a subway train. Prescott and Dwan flee across the Queensboro Bridge across the water to Manhattan; since apes can't swim they think that they are safe. However, because of his great size Kong is large enough to simply walk across the Hudson River. They stop at an abandoned bar so that Jack can call the military and tell them where Kong is headed. Before he walks into the bar he gazes up at the World Trade Center and has a deja vu (he says he's "seen that view before"). While in the bar Jack decides before he calls the military he needs a drink. While talking to Dwan he realizes "where" he's seen the view before. He storms outside and takes a second look. He is shocked to see the World Trade Center looks almost identical to two large rocks in Kongs native habitat. He then immediately calls the military and tells them to let Kong climb to the top of the Trade Center. Kong locates Dwan and she allows him to take her; he then begins to make his way to the World Trade Center, with Jack and the military in hot pursuit. In the climax, Kong climbs the South Tower of the World Trade Center.[1] After being attacked by men with flame throwers while standing on the roof, Kong flees by leaping across to the North Tower. Later, he is attacked by helicopters while Dwan is trying to stop them. The fatally injured Kong falls from the roof to the World Trade Center plaza, where he dies from his injuries. Dwan cries and is bombarded by a sea of photographers for the New York Daily News. She desperately wants to be hugged by Jack (this is because she is heartbroken that Kong is dead, and that she has been through so much excitement). The crowd is so big though that Dwan can't even get close to Jack. She stands still and is photographed relentlessly by reporters while Kong lay dead in a pool of blood and broken concrete. She cries until the credits roll. [edit] Cast
[edit] ResponseDespite lacking the critical reception of the 1933 original and the more faithful 2005 version, King Kong was commercially successful, earning Paramount Pictures back over triple its budget. The film ended up at #5 on Variety's chart of the top domestic (U.S.) moneymakers of 1977.[2] (The film was released in December 1976 and therefore earned the majority of its money during the early part of 1977.) The film made approximately $80 million worldwide on a $24 million budget.[3] While the film received mostly mixed responses from critics at the time of its initial release, especially from fans of the original King Kong, it did obtain positive reviews from several prominent critics. Pauline Kael in The New Yorker, Richard Schickel in Time,[4] Charles Champlin in the Los Angeles Times, Roger Ebert in the Chicago Sun-Times, and 'Murf' in Variety,[5] among others, responded favorably to the film's pathos and (often campy) sense of humor. Kael, in particular, truly loved the film, noting "I don't think I've ever before seen a movie that was a comic-strip great romance in the way this one is — it's a joke that can make you cry."[6] The performances by Bridges and Grodin were generally well regarded, and even the film's detractors found Richard H. Kline's Academy Award-nominated cinematography and John Barry's musical score noteworthy.[citation needed] Currently, critical response to King Kong continues to be mixed. Of the 24 reviewers on Rotten Tomatoes regarding the title, 54% reflect negative reactions. According to Entertainment Tonight's Leonard Maltin, the film "...has great potential; yet it dispels all the mythic, larger-than-life qualities of the original with idiotic characters and campy approach." [7] The movie's success and notoriety helped launch the career of Jessica Lange, although she reportedly received some negative publicity regarding her debut performance that, according to film reviewer Marshall Fine, "almost destroyed her career". [8] Although Lange won the Golden Globe for Best Acting Debut in a Motion Picture - Female for Kong, she did not appear in another film for three years and spent that time training intensively in acting.[9] Other notable actors in the cast, some in early roles, include Rene Auberjonois (Benson, Star Trek: Deep Space Nine, Boston Legal), Corbin Bernsen (L.A. Law), Jack O'Halloran (Superman, Superman II, Dragnet) and Joe Piscopo. The film received an Academy Award for Best Special Effects, an award it shared with Logan's Run (1976). King Kong found new and sustained life on television. NBC bought the rights to air the movie and it was a rating success. NBC paid De Laurentiis $19.5 million for the rights to two showings over five years; the highest amount any network had ever paid for a film at that time. This led De Laurentiis Entertainment Group (with Canadian distribution by Paramount) to make a sequel called King Kong Lives (1986), starring Linda Hamilton. Unlike the 1976 remake, the sequel was a commercial failure. [edit] DVD ReleaseMomentum Pictures released this film on DVD in 2001 on the Region 2 label with a photo gallery and a theatrical trailer. This has now been deleted according to the online retailer site Zavvi. Optimum Releasing has confirmed a new re-release of this film on Region 2 with deleted scenes and the theatrical trailer from the previous issue. There are only 2 deleted scenes on the DVD. This is the extended scene of the brawl between Kong and the Snake. The other scene is the demise of Wilson at the New York unveiling of Kong. [edit] Extended television versionWhen King Kong made its network TV debut on NBC in 1978, a number of scenes deleted from the theatrical version were reinstated to make the film longer. Most fans of the remake agree that the extended version of the film works much better than the original truncated release. This version also features several changes to the John Barry score, including entirely alternate cues in places that no music existed in the theatrical version, as well as several different edits of cues. This may actually indicate that the version was an early workprint of the film, before it went through its final editing stages. While this is the first of the Kong films to have an extended cut, the second one is the 2005 remake of King Kong. The deleted/extended scenes are not yet released on DVD but 5, 9 and 10 have been included as extras in the deleted scene section on the current Region 2 DVD release. The newly added sequences included:
[edit] SoundtrackThe film score, composed and conducted by John Barry, was released on CD by both Mask and FSM in 2005. It is noticeably incomplete, however, missing at least two major cues from the film, notably the log rolling sequence, several extensions of cues already present on the soundtrack, and small restatements of the main theme. Otherwise, the track listing is as follows on both CDs:
[edit] Filming
[edit] Notes
[edit] References
[edit] External links
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