John Workman
Workman in front of a "Li'l Abner" page in his studio
Born	John Elbert Workman Jr.[1] June 20, 1950 (1950-06-20) (age 59)[1] Beckley, West Virginia[1]
Nationality	American
Area(s)	Letterer, Writer, Artist, Designer
Pseudonym(s)	E. L. Bert
Notable works	Thor Doom Patrol Heavy Metal Wild Things
Awards	CBG Fan Award, 2005 Harvey Award for Lettering 2009

John Workman (b. June 20, 1950, Beckley, West Virginia) is an editor, a writer, an artist, a designer, a colorist, and a letterer in the comic book industry. He is known for his frequent partnerships with writer/artist Walter Simonson, and also for lettering the entire run of Grant Morrison/Rachel Pollack's Doom Patrol (DC Comics).

[edit] Biography

[edit] Early life and career

John Workman spent the first eight years of his life in Glen Rogers, West Virginia, and in Darlington, Maryland. Inspired by the George Reeves Superman TV series, he began writing short stories and drawing pictures. Workman grew up in Aberdeen, Washington, and studied art and journalism at Grays Harbor College and Clark College, getting an Associate in Arts degree in 1970.

Working in and around the Aberdeen area from 1967 to 1975, Workman created local and regional advertising, always attempting to do the ad work in comics form whenever he was allowed to do so. He also did some comics fanzine work, writing and drawing for several different publications, including fanzines overseen by Rick Spanier (Assorted Superlatives) and by Mark Wheatley. In 1968, he met gag cartoonist Carl Stamwitz who had worked for Marvel Comics in their humor magazines. He was further encouraged when he met and had numerous conversations with the legendary writer/artist/letterer Basil Wolverton in 1969.

He got his start in comics publishing on a national level in 1972 by writing and drawing two four-page comics features, "Sindy" and "The Fallen Angels," that appeared for three years in two California-based men's magazines published by Archie Comics alumnus Ed Goldstein. Using different pseudonyms (one being E. L. Bert), Workman also wrote short prose stories that appeared in the magazines alongside stories by Harlan Ellison and Robert Bloch. Two years later, in the pages of Mike Friedrich's Star*Reach, he wrote, penciled, inked, and lettered stories for the seminal fantasy/science fiction comics anthology. In fact, Workman's work on Star*Reach attracted attention from DC Comics, and they offered him a production job in 1975.)^[1]

Workman was art director of Heavy Metal magazine from 1977 to 1984. His comics art, writing, lettering, coloring, and design work are evident throughout issues from that period.

[edit] Lettering

Interior page from The Mighty Thor #346 (1984), showing Workman’s distinctive lettering. Art by Walter Simonson.

From 1977-1983, Workman lettered comics occasionally (mostly for DC); he has been working steadily as a freelance letterer since 1983. Some of the regular titles he has lettered include First Comics' Grimjack from 1984 to 1987, Marvel's Fantastic Four from 1985 to 1989, Cosmic Odyssey in 1988–1989, Fantastic Force from 1994–1996, The Incredible Hulk from 1997–1999, and Spider-Girl from 2000–2002.

For DC Comics, Workman lettered Doom Patrol from 1987–1995, the Legion of Super-Heroes from 1991–1993, Michael Moorcock's Multiverse in 1997–1998, and Aquaman in 1999–2000.

Workman handled lettering chores for Topps Comics' X-Files titles in the late 1990s, and Image Comics' Savage Dragon from 2003–2005.

[edit] Walt Simonson

Workman has worked on many of Walt Simonson’s projects, including Thor (Marvel, 1983–1987), Balder the Brave (Marvel, 1985), Jurassic Park (Topps, 1993), Star Slammers (Bravura/Malibu, 1994), and Orion (DC, 2000–2002).

[edit] Tommy Lee Edwards

Recently Workman has lettered much of the Marvel, DC, and Wildstorm work of Tommy Lee Edwards, including Gemini Blood (1996–1997), The Question (2005), Bullet Points (2007), and Marvel 1985 (2008) for which he won the 2009 Harvey Award for lettering.

[edit] Writing, artwork, and design

In addition to the thousands of comics pages that he has lettered, Workman has also written and/or drawn for DC Comics, Marvel Comics, Archie Comics, National Lampoon, Playboy, Hamilton Publishing, and others. He wrote an introduction and the final chapter in Bhob Stewart's "Against the Grain: Mad Artist Wallace Wood" and contributed a short autobiographical piece in comics form to the TwoMorrows book "Streetwise." Working in an art style similar to that of artist Mike Sekowsky, he pencilled and inked three of the dust jackets for the hardcover DC Comics Justice League Archives series.

He wrote and drew the 41-page "Adventures of Roma" which ran in consecutive issues of Dark Horse Presents in 1997. His early science-fiction and girlie-humor strips "Sindy" and "The Fallen Angels" were collected in a five-issue run by Forbidden Fruit, an imprint of Apple Comics. Wild Things, a two-issue series published by Metro Comics, was made up mostly of material created by Workman for such diverse publications as Star*Reach and Heavy Metal.

For the Fantagraphics imprint Eros Comix, Workman wrote and designed Betty Being Bad (1990), a 48-page booklet about pin-up model Betty Page. He also wrote and designed two hardcovers for Heavy Metal Books, Heavy Metal: 25 Years of Classic Covers and Innocent Images. A self-published booklet,"The Comic Book Crisis," which examined the business side of comic books was incorporated (with additional new material) into issue 199 of The Comics Journal, featuring commentary by Mike Friedrich, Steve Geppi, Kurt Busiek, Gary Groth, and others.

[edit] Lettering style

Workman is noted for his distinct lettering style, tight craftsmanship, and the fact that he still does traditional lettering on art boards instead of using the computer and digital fonts. Because he does most of his lettering by hand, his collaboration is sought by those artists who wish to have a more cohesive and integrated look to the final artwork. (A joke in the comic book community goes that "Comic books are the only place where having 'Workmanlike' craftsmanship is a plus.")^{[citation needed]}

One of Workman's lettering trademarks is to often erase or omit panel borders when they touch the top, side, or bottom of a word balloon or caption, thus opening up the balloon/caption to the gutter. In this regard, Workmans's lettering style is similar to that of the late Bill Oakley's. Workman's lettering style was highly influenced by the lettering of Jean "Moebius" Giraud from the time when Moebius appeared regularly in the pages of Heavy Metal.^{[citation needed]}

[edit] Personal life

John Workman is married to the former Cathy Foster, whom he met at a bookstore when she was looking for issues of Lois Lane drawn by Kurt Schaffenberger,^[2] and the two have a daughter named Katie. Katie Workman has inherited her father's abilities with words and pictures.^{[citation needed]}

His brother Bill worked beside him on-staff at Heavy Metal. Both of them were in the 2000 Jon Cryer film "Went to Coney Island on a Mission From God...Be Back By Five."

[edit] Notes

Wikimedia Commons has media related to: John Workman

[edit] References

• Field, Todd. Interview with John Workman, Comicon.com: Alan Moore.
• Rosenberg, Aaron. "Happy Birthday, John Workman, the King of Letterers," ComixMix (June 20, 2008).
• John Workman at the Comic Book Database
• John E. Workman at the Comic Book Database