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James E. Burkholder, D.D.S. -- Dr. James Burkholder burkholderimplantsdds.com |
James Roy Horner (born August 14, 1953) is an award winning American composer, orchestrator and conductor of orchestral and film music. He is noted for the integration of choral and electronic elements in many of his film scores, and for frequent use of Celtic musical elements. In a career that spans over three decades, Horner has composed several of Hollywood's most famous film scores. He is probably best known for his critically acclaimed works on the 1997 film Titanic, which remains today the best selling film soundtrack of all time. Other popular works include Braveheart, Apollo 13, The Mask of Zorro, and The Legend of Zorro. Horner is a two time Academy Award winner, and has received a total of 11 nominations. He has won numerous other awards, including the Golden Globe Award and the Grammy Award.
[edit] Early lifeHorner was born in Los Angeles, California, the son of Austrian immigrants Joan (née Fraenkel) and Harry Horner, who was a production designer, set designer and occasional film director.[1] Horner started playing piano at the age of five. His early years were spent in London, where he attended the Royal College of Music and studied under György Ligeti. He received his bachelor's degree in music from the University of Southern California, and eventually earned a master's and started working on his doctorate at the University of California, Los Angeles where he studied with Paul Chihara, among others. After several scoring assignments with the American Film Institute in the 1970s, he finished his teaching of music theory at UCLA and turned to film scoring. In his youth, Horner was acquainted with Carrie Goldsmith, daughter of the famous composer and peer Jerry Goldsmith.[2] [edit] Film and television scoringHorner's first major film score was for the 1979 film The Lady in Red. Just like his counterpart Jerry Fielding, Horner's scores blend the musical essences of Jerry Goldsmith and John Williams. Also, like his other counterpart Les Baxter, he began his film scoring career by working for B movie director and producer Roger Corman, with his first composer credit for Corman's big-budget Battle Beyond the Stars. It was thought Horner contributed in scoring the 1982 horror film The Beast Within and some of the elements from his piece were used by composer Les Baxter, this was later proven false.[3] His works steadily gained notice in Hollywood, which led him to take on larger projects. Horner made a breakthrough in 1982, when he had the chance to score for Star Trek II: The Wrath of Khan, establishing himself as a mainstream composer. Horner continued composing music for high-profile releases in the 1980s, including 48 Hrs. (1982), Krull (1983), Star Trek III: The Search for Spock (1984), Commando (1985), Cocoon (1985), Aliens (1986, earning his first Academy Award nomination), Willow (1988), Glory and Field of Dreams (both 1989). Horner's scores also began to see a secondary life with their usage in film trailers for other movies. Excerpts from his score for Aliens rank second in the most commonly-used soundtrack cues for film trailers.[4] Also, an unused fragment from Aliens was featured in a scene from Die Hard. Several films whose scores were composed by Michael Kamen have had Horner music for the trailers; most notably, the music from Willow is substituted for the theme Kamen wrote for the 1993 remake of The Three Musketeers.[original research?] Throughout the 1980s and early 1990s, Horner also displayed a talent for writing orchestral scores for children's films (particularly those produced by Amblin Entertainment), with credits for An American Tail (1986), The Land Before Time (1988), An American Tail: Fievel Goes West (1991), We're Back! A Dinosaur's Story (1993), and Casper and Balto (both 1995). In 1990 Horner composed the music for Universal's 75th Anniversary logo, which premiered with Back to the Future Part III and lasted in various forms until 1997. 1995 saw Horner produce no fewer than six scores, including his commercially successful and critically-acclaimed works for Braveheart and Apollo 13, both of which earned him Academy Award nominations. Horner's greatest financial and critical success would come in 1997, with the incredibly successful score to the blockbuster motion picture,Titanic, which was greatly influenced by the music of Clannad.[5] The album became the best-selling primarily orchestral soundtrack in history, selling over 27 million copies, worldwide.[6] At the 70th Academy Awards, Horner won Oscars for Best Original Dramatic Score and Best Original Song for "My Heart Will Go On" (which he co-wrote with Will Jennings), In addition, Horner and Jennings won three Grammy Awards and two Golden Globe Awards for the soundtrack and My Heart Will Go On.[7][8][9] Titanic also marked the first time in ten years that Horner worked with director James Cameron. Following the highly stressful scoring sessions for Aliens, Horner declared that he would never work with Cameron again. Since Titanic, Horner has continued to score for major productions (including The Perfect Storm, A Beautiful Mind, The Mask of Zorro, The Legend of Zorro and Bicentennial Man. Aside from the major projects, Horner periodically tackles smaller projects as well (such as Iris, Radio and Bobby Jones: A Stroke of Genius). He frequently scores collaborates with Ron Howard, a partnership that began with Cocoon in 1985. Coincidentally, Horner's end title music from Glory can be heard in the trailer for Howard's Backdraft. Horner composed the current theme music for the CBS Evening News. The theme was introduced as part of the debut of Katie Couric as anchor on September 5, 2006. It has since been adopted by most other CBS News programs as well. Horner's latest project is the score James Cameron's new film Avatar, the third collaboration with the Canadian director. [edit] Critical debateHorner has been accused of transposing hooks, orchestral motifs, or larger passages from other scores of his own or of other composers.[10][11][12] These contentions are points of fierce debates between proponents of Horner and his detractors.[13] [edit] List of film scores[edit] Television scores
[edit] Short films
[edit] Concert works
[edit] Miscellaneous works
[edit] Awards and NominationsHorner has received 11 Academy Award nominations, 9 times for Best Original Music Score, and twice for Best Original Song. Out of these nominations, Horner has won two Oscars, for Best Original Score and Best Original Song for Titanic. Horner has also received five Golden Globe nominations, all in the category of Best Original Score, winning one, for Titanic, as well as seven Grammy Award nominations, winning for Glory (Best Score), An American Tail, and Titanic, the latter two being in the category of Best Song.
[edit] References
[edit] External links
Categories: 1953 births | American composers | Jewish composers and songwriters | American film score composers | Best Song Academy Award winning songwriters | Best Original Music Score Academy Award winners | Grammy Award winners | Living people | People from Los Angeles, California | University of California, Los Angeles alumni | University of Southern California alumni | |||||||||||||||||||||||||
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