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Huma Mulji (born 1970) is an artist based in Lahore.

Mulji was born in Karachi. Her sculpture and photography discuss identity through the metaphor of travel and the freedom it affords for self-exploration.^[1]

Huma Mulji's work has moved more and more towards looking at the absurdities of a post-colonial society in transition, taking on board the visual and cultural overlaps of language, image and taste, that create the most fantastic collisions. She describes the time we live in as moving at a remarkable speed and in regard to Pakistan Mulji refers to the experience of 'living 200 years in the past and 30 years in the future all at once'. She is interested in looking at this phenomenon with humor, to recognize the irony of it, formally and conceptually. Rather than dwell on and follow existing theoretical issues of living and working in a post-colonial nation, and applying those stagnant studies to a lived existence she examines the pace of cultural change through her art work. Mulji's sculptural works respond to the possibilities of making things in Pakistan, and embrace low-tech methods of “making”, together with materials and forms that come from another time, and that are “imported”, “newly discovered” or “re-appropriated”. For example the work Arabian Delight is a low-tech taxidermy camel, stuffed in a suitcase. It plays with ideas of travel, transition, and of mental and physical movement, combined with an old world symbol of the camel, forced into the suitcase, looking formally uncomfortable, but nonetheless happy. This particular work also examines the relationship between Pakistan and the Gulf States and the manipulation of the Governments of Pakistan, the “Arabisation” of the country, for years, towards all but wiping out a “south Asian” identity, to replace it with a “Muslim” identity. For Mulji, this in itself, is forced, unnatural, and disagreeable. However, she also approaches this problem from the angle of someone living within it: therefore looking at it with humor, and recognizing the absurd results of the situation, in daily life, and through interactions with each other, and the world. The photographic series Sirf Tum (only you) from 2004 and from 2008, similarly address such absurd collisions. Sirf Tum deals with issues related to intimacy in public spaces. Surveying the frame through the lens, the camera zooms in, becoming the voyeur, awkwardly, confidently, watching and disapproving at once. The protagonists are second hand dolls bought from piles of toys sold around Lunda Bazaar in Lahore, incidentally brought into Pakistan with salvation army clothing from another world, leftover from some child’s summer holiday. Already on the Periphery of society, the naked couple is placed in locales that challenge and are challenged by their scale, creating a hyper-real space, a hyper-real narrative, a “plastic” story, convincing and disturbing at the same time. In the 2008 series, the two seemingly interactive narratives engage with each other visually, but don’t really converse. Which of the narratives is real? This also brings into question contemporary media images, and the phenomenon of “photoshop”, where the fine line between truth and untruth becomes a matter of belief.

She teaches at Beaconhouse National University in Pakistan.^[2]

Contents 1 Upcoming Exhibitions 2 Selected Exhibitions 3 References 4 External links

[edit] Upcoming Exhibitions

February 2009 "Housing Scheme" , Zahoor-ul-Akhlaq Gallery, NCA, Lahore May 2009 High Rise : Elementa Gallery Dubai, UAE June 2009 "The Empire Strikes Back", The Saatchi Gallery, London, UK August 2009 "Hanging Fire: Contemporary Art From Pakistan" , Asia Society, NY, USA

[edit] Selected Exhibitions

2008

Arabian Delight, Rohtas Gallery, Lahore

2007

Outside the Cube, National Art Gallery, Islamabad

Contemporary Art from Pakistan, Thomas Erben Gallery, New York

2006

256 Shades, V.M. Art Gallery, Karachi

2005

Something Purple: Media Art from Pakistan, Hongkong/ScopeLondon, London

Beyond Borders, Art from Pakistan, NGMA, Mumbai

2003

Open Studios, UpRiver Workshop, Lijiang, China

2002

The Brewster Project, Brewster, New York

2001

Open Studios, Gasworks , London

2000

Pakistan: Another Vision, Brunei Gallery, SOAS, London

[edit] References

1. ^ Gasworks.org.uk
2. ^ BNU.edu.pk

[edit] External links

• Huma Mulji’s official site
• Huma Mulji on ArtFacts.net
• Further information and images from the Saatchi Gallery