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The Heidelberg Tun (German: Großes Fass) is an extremely large wine vat contained within the cellars of Heidelberg Castle. There have been four such barrels in the history of Heidelberg; the present one has a capacity of approximately 220,000 litres (58,100 U.S. gallons) and was made in 1751. One hundred and thirty oak trees were reputedly used in its construction. It has only rarely been used as a wine barrel, and in fact presently enjoys more use as a tourist attraction, and also as a dance floor since one was constructed on top of the tun.
[edit] HistoryHeidelberg Castle has a history of enormous barrels; today's barrel (Fass) is the fourth in the history of the Neckar town.
When the French army captured the castle, the soldiers believed the empty wine barrel to be full of wine; their hatchet marks left on the barrel were later visible to tourists.[1] [edit] The barrel in literatureThe Tun is referenced in Jules Verne's novel Five Weeks in a Balloon, Washington Irving's The Specter Bridegroom, Mary Hazelton Wade's Bertha and Mark Twain's A Tramp Abroad. It can also be found in Herman Melville's Moby-Dick as well as in Lyrisches Intermezzo by Heinrich Heine, later used in the song cycle Dichterliebe by Robert Schumann for the final song "Die alten, bösen Lieder (The old evil songs)". Anton Praetorius, the first Calvinistic pastor of the parochy of the wine-producing community of Dittelsheim, visited nearby Heidelberg, the centre of Calvin's theology in Germany. Impressed by the immensity of the Johann-Casimir-Fass, he wrote a poem in 1595 praising the barrel as an apparent proof of the superiority of Calvinism, entitled Vas Heidelbergense (Poem on the Great Wine Barrel in the Castle of Heidelberg).
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