| advertise add site services publishers database health videos | ![]() | about toolbar stats live show health store more stuff JOIN/LOGIN |
x-ray films, xray films, x ray films, medical x-ray films alphamedical.com | Florida Film & Film Festivals funandsun.com | ADHESIVE PCR FILM by ABgene - sealing, adhesive, plate, pcr, clear,... abgene.com | Xtender Film Developer Film Processor For Dental Film lionsdentalsupply.com |
Glory is a 1989 American drama war film based on the 54th Massachusetts Volunteer Infantry as told from the point of view of its commanding officer, Robert Gould Shaw during the American Civil War. The 54th was one of the first formal units of the U.S. Army to be made up entirely of African-American men (apart from the officers).
[edit] Plot
Captain Robert Gould Shaw (Matthew Broderick) leads his company of the 2nd Massachusetts Infantry Regiment in an attack on Confederates posted along the Hagerstown Pike at the Battle of Antietam, on September 17, 1862. The regiment's Lieutenant Colonel (Dwight Wilder) is killed immediately in front of him, and the attack is beaten back with heavy losses. Shaw is wounded slightly in the neck, falls between two dead soldiers, and passes out. He is awakened by a black gravedigger named John Rawlins (Morgan Freeman). When he is getting medical care for his wounded neck, he hears that president Lincoln is going to free the slaves. Later, while on leave in Boston, Shaw (whose father was a wealthy and socially prominent abolitionist) is offered command of the first all black regiment authorized to be raised as a result of the Emancipation Proclamation, the 54th Massachusetts. After some hesitation, he agrees, and asks his childhood friend, Cabot Forbes (Cary Elwes), to be his second in command. Their first volunteer is another one of Shaw's friends, an educated, free black man named Thomas Searles (Andre Braugher). They soon have hundreds of men joining the regiment, including John Rawlins the gravedigger, a proud escaped slave named Trip (Denzel Washington), and a shy, stuttering, free black man named Jupiter Sharts (Jihmi Kennedy). While traveling to the camp, Sharts asks Thomas to teach him how to read. Once at camp, Thomas, Rawlins, Trip, and Sharts all share one tent along with a mute drummer boy. Immediately, Thomas's and Trip's relationship gets off to a bad start as they disagree over sleeping space in the tent. Trip ridicules Thomas's educated and refined manner and, subsequently, Thomas mistakenly patronizes Trip, setting off a pattern of animosity between the two. Shaw soon learns of a Confederate proclamation that any black caught bearing arms against the Confederacy will immediately be returned to a state of slavery, and that any black captured wearing a Federal uniform will summarily be hanged. Furthermore, any white officer seen commanding black troops will be charged with citing servile insurrection and will be put to death. Shaw calls a company formation that evening and informs the men, including Maj. Forbes, that all applications for discharge will be honored. However, at the formation the next morning, Shaw discovers that none of the men have left and all want the opportunity to fight for their fellow slaves' freedom. Shaw replies "Glory, hallelujah." to Forbes at this moment. Shaw then appoints a tough sergeant from Ireland, Mulcahy (John Finn), to properly train the men for the battles ahead. Shaw also becomes much more strict. He begins by reprimanding Forbes for talking to Thomas casually when he, as an officer, should be addressing him as an enlisted soldier. Another example of Shaw's strictness comes when the 54th's issue of rifles arrives, and Forbes is assigned to train the men in marksmanship. However, instead of training the men in the correct manner, Forbes allows the men to shoot at bottles for target practice. Shaw arrives on the scene and makes Sharts, who is the best marksman among the enlisted men, practice loading and firing his weapon while being exhorted to do it quickly. Seeing that Forbes' lax methods aren't preparing the men for actual combat, Shaw makes Sharts load and fire while Shaw stands directly behind him firing a revolver toward the sky. Agitated by this imposed stress, Sharts is unable to perform his task adequately, which means he would be useless in battle. Shaw then matter-of-factly orders Forbes to train the men properly. Though disgusted, Forbes carries out Shaw's order to properly train the men in military drill. Meanwhile, Thomas finds life in camp difficult as he is the weakest and slowest of the men, and is constantly harassed by Trip for being educated like a white man. During a bayonet drill, Thomas is forcefully reprimanded by Mulcahy for being tentative with his weapon. He baits Thomas into coming at him with the bayonet, and Mulcahy disarms him and smashes his face with the rifle butt to show Thomas that he must be willing to kill if necessary. Thomas then tries to speak with Shaw, but Shaw reprimands him for not using proper channels to speak with his commanding officer. Thomas at this point comes to realize his and Shaw's proper places as soldier and officer. Trip himself has difficulty adjusting to camp life, always at odds with the other soldiers, especially Thomas. One night he leaves camp to get some shoes, as his old shoes are worn out and the quartermaster has refused to issue proper supplies to the black regiment. Trip is caught and presumed a deserter by the officers. Shaw has him flogged in front of the entire regiment, proceeding even after seeing that his back is severely scarred from floggings as a slave. Shaw, after learning the truth from Rawlins (that Trip was going out to find some shoes), finally forces the quartermaster to give the men new socks and shoes. Soon, the men are assembled to receive long-awaited pay. However, upon learning that they will receive a $10 monthly wage rather than the $13 paid to white soldiers, the men, at Trip's provocation, tear up their wage sheets. In a show of solidarity with his soldiers, Shaw follows suit. However, spirits rise as the men receive uniforms. Jupiter is especially happy, long having desired a "blue suit". Before leaving Massachusetts, the regiment, dressed in new uniforms, file in review through the streets of Boston, passing Frederick Douglass and Governor Andrew in the reviewing stand. Upon their arrival in Beaufort, South Carolina, Shaw appoints Rawlins Sergeant Major, making him the highest ranking enlisted man in the regiment. Shaw soon learns that there is another all black regiment already on the scene (the 2nd Regiment South Carolina Volunteers); raised from the slaves of the vicinity, they are untrained and ill-disciplined, more rabble than soldiers. Under the command of a Kansas-Jayhawker, Colonel James Montgomery (Cliff De Young), they are employed in plundering and destroying civilian property in the region. After looting the town of Darien, Georgia, Colonel Montgomery, a higher-ranking officer, orders Shaw's regiment to provide assistance in burning the houses. Shaw initially resists giving the order but, to save himself from a court-martial (which would leave his men under Montgomery's command), he reluctantly capitulates. Likewise, his troops, although disgusted with their fellows' craven behavior, carry out the order, aware their commander has no choice in the matter. Shaw and his men soon become frustrated that they have been assigned to manual labor and not allowed to serve on the front line; the troops grow weary of the tedious work and chafe at the taunting of white soldiers bound for the battlefield. After Shaw approaches the area commander (General David Hunter) with a threat to expose the illegal activities undertaken by his command, his request that the regiment be transferred to the front is finally granted. In a battle on James Island, the troops turn back a Confederate cavalry and infantry attack. Thomas saves Trip from a Confederate soldier and suffers a bullet wound; however, he refuses to leave the regiment. Shaw hopes that news of the battle will do credit to the regiment (and prove that blacks can be brave and able soldiers), but a reporter tells him that the headlines in the north are too filled with reports of the recent battle of Gettysburg, to give the story any prominence. Shortly thereafter, Shaw volunteers the 54th Massachusetts to lead a frontal assault on Fort Wagner. On the night before the attack, the men sing at the camp fire to raise their spirits for the imminent battle. The next day, the 54th Massachusetts is honored by white soldiers and officers on the march toward Fort Wagner. Shaw sees the reporter, hands him letters to give his family (anticipating his death), and tells him to spread the word in the north about what is about to take place. At sunset, the regiment charges up the beach toward the fort under enemy cannon fire, and takes shelter in the sand dunes beneath the guns. After nightfall, Shaw leads the men in a charge upon the fort itself. With the enemy firing down on them at point blank range, Shaw guides his men through the abatis and across the moat. He begins to climb the parapet when he sees the man bearing the American flag shot down. Shaw stands up and attempts to rally the men forward but is quickly shot and killed. The men are frozen in shock until Trip, who had earlier refused to carry the colors of a nation that regarded him as a non-citizen, springs forward, lifts the flag, and rallies the men. He too is shot and killed, but his example spurs the remaining men, led by Forbes and Rawlins, to charge up the parapet and close with the rebels in hand-to-hand combat. Thomas is stabbed, but Jupiter carries him into the fort. As the only officers not killed or wounded, Forbes and Rawlins lead the men onward. The surge forward pauses upon reaching a second line of defense; the scene ends in the smoke from blast of Confederate cannon fire. The next scene opens the following morning with the Confederate flag being raised over the fort. Confederate burial parties gather the slain men of the 54th Massachusetts. Their corpses, including those of Shaw and Trip, are thrown into a mass grave (with their shoes removed). The movie fades to black and a series of texts state that the 54th lost half its men in the attack on Fort Wagner and that the "fort was never taken." But news of the regiment's courage spurred the creation of many more black regiments. By the end of the war, there were more than 180,000 African-American men in uniform, a fact which President Abraham Lincoln considered instrumental in securing victory. The final credits roll against the background of Saint-Gaudens's memorial to Shaw and his men that stands today on Boston Common. [edit] Cast
[edit] Historical accuracy
The Storming of Fort Wagner (an 1890 lithograph)
[edit] SoundtrackFeaturing the Boys Choir of Harlem, the underscore for the film was composed by James Horner. Critics have remarked upon hearing echoes of Carl Orff's Carmina Burana in the score, especially in regard to the cue "Charging Fort Wagner";[8][9] in fact, the score exhibits the influence of works by a number of composers, many of them British: Ralph Vaughan Williams's Fantasia on a Theme of Thomas Tallis in "The Whipping", William Walton's Belshazzar's Feast in "Preparation for Battle", and Benjamin Britten's War Requiem and, indeed, Orff's Carmina Burana in "Charging Fort Wagner". One of the main themes of the score ("Blow the horn / Play the fife") betrays the influence of Britten's Owen Wingrave, an opera that, not inconsequentially, engages the concept of pacifism. A track listing of the soundtrack CD follows:
[edit] Home mediaThe film was first released on VHS in 1990. It was later released on DVD in 2003 and Blu-ray in 2009. [edit] Academy AwardsMain article: 62nd Academy Awards The film was nominated in five categories, of which it won three:
[edit] References
[edit] Cited references
[edit] External links
Categories: American films | 1989 films | African Americans in the Civil War | American Civil War films | American war drama films | English-language films | Films based on military novels | Films directed by Edward Zwick | Films featuring a Best Supporting Actor Academy Award winning performance | Films set in Georgia (U.S. state) | Films set in Massachusetts | Films set in South Carolina | Films that won the Best Sound Mixing Academy Award | Films whose cinematographer won the Best Cinematography Academy Award | Massachusetts in the American Civil War | Race-related films | TriStar films | War films based on actual events | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| ↑ top of page ↑ | about thumbshots |