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A floating timeline (also known as a sliding timescale) is a device used in fiction, particularly in comics and animation, to explain why characters age little or not at all over years and decades, though real-world markers like notable people and technology reflected in the fictional work do change with the times.
[edit] DefinitionA floating timeline is a subtle form of retroactive continuity. This is seen most clearly in the case of comic book characters who debuted as teens in the 1940s or the 1960s but who are still relatively young in current comics. Events from the characters' pasts are alluded to, but they are changed from having taken place years ago to having taken place more recently. Any dates given within the comic are relative to the publishing date of the comic (i.e. "10 years ago" means "10 years before you read this"). This device enables publishing companies to continue to use their characters for as long as they wish without changing them significantly. If used completely, the floating timeline allows all the volumes of a series to be viewed in any order while still maintaining a solid perception of the plot. A floating timeline is usually abstracted from that of actual historical events, but may contain subtle references to the real world timelines. The use of a floating timeline in comics often requires somewhat drastic revisions of a character's history. For instance, in 1960s comics by Marvel Comics, the character the Thing states he fought in World War II.[1] However, in comics in the 2000s, the Thing states that the idea of him fighting in World War II is ridiculous, as he would be much older than he is. Another example is the DC Comics character Wonder Woman. Wonder Woman was a heroine in 1940s comics; however, recent DC publications imply that she began as a hero in the mid-to-late 1980s. The fact that there was a Wonder Woman in the 1940s is later explained by the retcon that Diana is the second Wonder Woman, having inherited the mantle from her mother, Queen Hippolyta. In the DC multiverse, alternate explanations have been introduced for such enigmas; in the 1960s, it was shown that the stories from various eras took place in different parallel universes, with the Wonder Woman of the 1940s, for example, being not Hyppolyta but an alternate reality Diana; later, in a series of stories entitled Crisis on Infinite Earths, they were consolidated in a single universe from which a new timeline started over again. Such a timeline often creates confusion due to major historical events such as World War II or the Vietnam War, which many characters, such as Captain America or various members of the Justice Society of America, need to be based on. It seems that only storylines (apart from those based on real-world events such as 9/11, World War II, etc.), character designs, and dialogue abstracted from current affairs are truly canon, though as many of these fade into the distant past, it remains to be seen whether characters will be tied to these origins still or retconned for a more recent war. For example, shortly after 1986's Man of Steel miniseries, Superman's adopted father, Jonathan Kent, was revealed to have fought in World War II in the mini-series The World of Smallville. Later, in the aftermath of 1993's Death of Superman he is said to have fought in the Korean War. Batman's origin often shows his parents murdered in 1930s or '40s fashions, while the adult Bruce Wayne clearly lives in the present (this is shown in fashion and technology). Another famous example is Archie Comics, in which all the characters have remained the same age since its inception in the 1940s, but have been adapted regularly to show current trends and fads. Archie Andrews and his friends have been high school teenagers since they were first introduced in 1941. Another interesting effect has been seen in the Fantastic Four comics when run by artist John Byrne back in the 1980s. In these stories, characters appeared celebrating Christmas in the December issue and then, four issues later, they appeared in full Spring, although the events had happened just a few weeks ago in the storyline. This may be called "seasons shift" in periodical publications such as comic books. The Phantom is known to be "The Man Who Cannot Die" and "The Ghost Who Walks" since it's a well kept secret that the persona of the Phantom is inherited from father to son. The Phantom still uses a floating timeline which makes it possible for the 21st Phantom to be married to Diana, have slowly aging children and keep his best friend Guran the same age. [edit] Syndicated comic stripsThis effect is also seen in most syndicated comic strips and, in some cases, is even mentioned by characters. For example, in a certain FoxTrot strip, Andy remarks to Jason "You can stay 10 your whole life. I won't mind." Likewise, in one early Calvin and Hobbes strip, Calvin's unwillingness to live in the moment is criticized by his father, who says: "Yeah, I know. You think you're going to be six years old all your life." Indeed, throughout the strip, Calvin remained six years old, with the character Susie Derkins being the only character in Calvin and Hobbes to have a (shown) birthday. A different kind of floating timeline occurs in Peanuts. Newly born characters grow to a particular age and then stop aging. [edit] WebcomicsContinuity-based webcomics often exhibit floating timelines as well; the webcomic 1/0 often mentioned the fact that an hour from the characters' perspective could translate into months to the author and readers, while Megatokyo, since the end of its first year, has had just over one day of in-comic progress per real-world year. Thus, for instance, preview posters for Metal Gear Solid 2 and Metal Gear Solid 4 have been seen within mere months of one another [2]. The comic Least I Could Do had a floating timeline until the July 9, 2007 strip, in which the cast opened a "letter" from the writer and artist which stated that from that moment on, they would age normally rather than remain a perpetual age 24 or so. [edit] TelevisionUpstairs, Downstairs The Simpsons New technologies, inventions, and trends appear also, but the age and basic appearance of the characters never changes. In an episode, Bart is in love with a girl and wonders why she rejects him, asking Lisa: "Is it the fact that I've worn the same clothes day in, day out, for the last four years?", making reference to that he has always used the same T-shirt. However, there is little continuity in The Simpsons, as major developments or changes in one episode are usually ignored in the next. On the other hand, there are instances of the clear passage of time, such as the aging of Apu Nahasapeemapetilon's octuplets. One fake explanation was made in "Behind the Laughter", which was a parody of the VH1 show Behind the Music with Lisa Simpson stating that she was slipped pills to stunt her growth; the stories are similar to Archie Comics or commedia dell'arte, in which stock characters with identifiable personalities repeatedly appear without much reference to what has gone before. The floating timeline has occasionally created problems, particularly in "That 90s Show", which heavily retconned series history in an effort to parody the alternative rock boom. Exceptions to this lack of continuity are character deaths, with series regulars Maude Flanders, and Bleeding Gums Murphy having died in the show and remained off the show, except for occasional flashback scenes or Halloween alternate universe shows. Other characters such as Lionel Hutz and Troy McClure have been permanently retired from the show (in honor of Phil Hartman's death, who voiced the characters). Many other characters have also died, but most are unnamed or appear in few episodes. Family Guy
[edit] FilmJames Bond is one of the best examples of a floating timeline in film. Bond, according to the film series, remains in his early-30's through mid-40's consistently since 1962, visually decreasing in age every time the actor, visibly aged between films, changes. Even some of the supporting characters of the series, such as Felix Leiter and Miss Moneypenny exhibit the same ageless quality, in addition to a frequent change in actors. For Casino Royale, Bond underwent a reboot, discarding the Cold War history of the character for a modern day post-September 11th setting and ushering in the latest portrayal of Bond in the film series' history, showing Bond achieving his Double-O license to kill status. [edit] NovelsIn fiction, Rex Stout deliberately created a floating timeline for Nero Wolfe and other principal characters in the corpus, while the stories take place contemporaneously with their writing and depict a changing landscape and society. Nero Wolfe's age is 56. "Those stories have ignored time for thirty-nine years," Stout told his authorized biographer John McAleer. "Any reader who can't or won't do the same should skip them. I didn't age the characters because I didn't want to. That would have made it cumbersome and would seem to have centered attention on the characters rather than the stories." [4] This phenomenon is even more evident in children's series. In the Sugar Creek Gang books, the series took place between 1940 and 1970, and yet the characters age only two or three years. However, the older books were continually being modernized to fit into the continuity of the series. Similarly, the Bobbsey Twins endure multiple school years and multiple summer vacations, never aging beyond twelve and six; and Nancy Drew in her original series solved fifty-six mysteries, all apparently in the summer of her nineteenth year. [edit] See also[edit] References
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