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A film society is a membership club where people can watch Private screenings of films which would otherwise not be shown in mainstream cinemas. In Spain they are known as Cineclubs, and in Germany they are known as Filmclubs. They usually have an educational aim, introducing new audiences to different audiovisual works through an organized and prepared program of screenings. Editorial work reinforces the work of these organisations, as they produce hand-programmes, brochures, schedules, information sheets, and even essays, supporting the significance of their exhibitions. Two common features that may characterize a film society screening are: They begin with an introduction of the film to the audience and end with the promotion of a debate / discussion about the film, where assistants, organizers and sometimes filmmakers, interchange their views. There are networks in many different countries, and these are organized into federations, councils, collectives, and local networks. Famous film societies include Amos Vogel's Cinema 16, Cinémathèque Française, and the Film Society of Lincoln Center in New York City.
[edit] InternationalThe film society movement originated in France in the time between the two world wars (see below). The international body for film societies is the International Federation of Film Societies. This international association was set up in 1947 in Cannes (France) among groups of film societies in countries throughout the world and this association is called Fédération Internationale des Ciné-Clubs (F.I.C.C.). [edit] AustraliaThe national body for film societies in Australia is the Australian Council of Film Societies (ACOFS) was established in 1950. Notable members of the Australian "film society movement" include Ian Klava, David Stratton, Michael Thornhill, Frank Moorhouse, Ken Quinnell and John Flaus. [edit] CanadaThe beginnings of Canadian film education may be traced to the relatively late arrival of the film society movement. While the earliest film societies were formed in Paris in 1924 and in London the following year, it wasn't until 1935 that Donald Buchanan assembled a sufficient number of film enthusiasts to launch the National Film Society of Canada. That organization, largely modelled on the British Film Institute, took as its mandate the establishment of a genuine film culture. Within a year, the society opened branches in Ottawa, Toronto, Montreal and Vancouver. After a wartime hiatus, the Canadian film society movement enjoyed what may now be seen as its golden age. The National Film Society, renamed the Canadian Film Institute in 1950, became a clearing house for a growing number of societies across Canada. It was soon a victim of its own success as the groups broke away in 1954 to form the Canadian Federation of Film Societies (CFSS). Spearheaded by Dorothy Burritt, CFFS member societies programmed ambitious retrospectives often accompanied by lengthy and erudite program notes.[1] [edit] ColombiaThere are a number of active local societies with one of the currently active ones being Pulpmovies. [edit] FranceThe term of film club appears for the first time with the creation of the "Film club" of Edmond Benoit-Lévy in April 1907. Located at the 5 Montmartre boulevard in Paris, it is to preserve and place at the disposal of its members all the cinematographic documents and productions existing. It is also equipped with a room of projection. The Italian film theoretician Ricciotto Canudo who lived in Paris since 1921 founded one of the first film societies. After the first world war the film director and film critic Louis Delluc founded one of the first film societies and the important film magazine Cinéa. In 1930 Jean Vigo founded the first film club in Nice : les Amis du Cinéma. In 1935 Henri Langlois and Georges Franju - in order to show and to preserve old films - founded the film society Cercle du cinéma which became the Cinémathèque française in 1936. After the second world war the movement of ciné-clubs boomed. In 1945 the film society of Annecy was founded from which originated the Annecy International Animated Film Festival. In 1948 André Bazin together with Jean-Charles Tacchella, Doniol-Valcroze, Astruc, Claude Mauriac, René Clément and Pierre Kast founded the avantgarde film society Objectif 49. Jean Cocteau became its president. This film society became the cradle of the Nouvelle Vague. Objectif 49 organized the Festival du Film Maudit which took place in Biarritz in 1949. François Truffaut has depicted vividly Bazin's engagement in the cinéclub-movement: "During the first days of our friendship - it was about 1947 - I had the chance of accompanying him at his film presentations and observing him who he projected two short films of Chaplin - first in a dominican monastery and two days later to the workers in a metal factory in their short break between their lunch and their return to their workbenches. At both occasions he managed to inspire his audience and to draw everybody into the discussion." [2] The first French film society which allowed exclusively women was founded in the seventies in Toulouse. Im 2005 the Musée Dapper in Paris founded the first film society which is entirely concentrated on the cinema of Africa, the Caribbean and the afroamerican diaspora - the occasion being the celebration of 50 years of African Cinema. [edit] GermanyThe first film clubs developed in Germany after 1945 on the suggestion British and French after the Second World War the such combination after domestic model initiated, in order to promote non-political strictly cultural exchange and democratic consciousness. To in 1950s, the bloom time of the film club movement, gave it a wave of reestablishments, also in the Soviet occupation zone and/or later German Democratic Republic. The film clubs became either independent associations or worked under a carrier, which itself education and culture had used up. From them important impulses for the German film landscape proceeded, for example the establishment of Film festivals as from Mannheim/Heidelberg. In the German Federal Republic the number of the film clubs decreased however so fast again that in 1971 the Federal association dissolved. For the 1970s stepped in many places local cinemas to the place of the film clubs. With the collapse of the German Democratic Republic, many East German film clubs lost the financial and organizational basis, succeeded also here unite the step to the local cinema. There are two national bodies for film societies in Germany who are members of the International Federation of Film Societies. These are the Bundesverband Jugend und Film e.V. and the Bundesverband kommunale Filmarbeit. [edit] IndiaSatyajit Ray founded the first indian film society, the Calcutta Film Society in 1947. The Hyderabad Film Club, Hyderabad, Andhra Pradesh, India and ICA Foundation, Chennai which conducts an Annual International Film Festival viz., Chennai International Film Festival (CIFF) - www.chennaifilmfest.org , an annual event since 2003. The [Cochin Film Society]][1], in Kerala, which is actively functioning since 1984 at Cochin. Apart from regular film screenings, film festivals, workshops, the Cochin Film Society is publishing a monthly titled Sequences, 100th issue of the same came out in December 2007.(filmcochin.blogspot.com) Metro Film Society in Kochi, Kerala is functioning since 2007 September. Within a short span of its launching, it has organized the Metro International Film Festival of Kochi in April 2008. "Enlighten", the biggest film society of India, took the film society movement into the multiplexes revitalizing the film society movement once again in India. [edit] PolandThe national body for film societies in Poland is Polish Federation of Film Societies [2] (Polska Federacja Dyskusyjnych Klubów Filmowych - PF DKF). Its honorary chairman is Andrzej Wajda. [edit] PortugalThe national body for film societies in Portugal is Portuguese Federation of Film Societies. Film societies in Portugal include the University of Evora Film Society [edit] SpainThere are two Federations of film societies in Spain. These represent film societies in Catalonia and Galicia. They are the Catalan Federation of Film Societies [3] (Federació Catalana de Cine Clubs) and the Federation of Film Societies of Galicia (Federacion de Cineclubes de Galicia). [edit] United KingdomThe national body for film societies in the United Kingdom is British Federation of Film Societies (BFFS). Film societies in the United Kingdom include the Warwick Student Cinema at University of Warwick and the St. John's College Film Society at St. John's College, Cambridge, University of Cambridge. In 2006, FILMCLUB was launched by BAFTA award winning filmmaker Beeban Kidron and educationalist Lindsay Mackie to open up the world of film to primary and secondary school children in the UK. [edit] United States of America"From 1946 until 1954, 'Art in Cinema' presented programs of independent film to large audiences at the San Francisco Museum of Art and at the University of California, Berkeley."[3] Inspired by film projections which Maya Deren had organized, Amos Vogel and his wife founded Cinema 16 in 1947. Other film societies in the United States of America include the Film Society of Lincoln Center based in New York City, the Tallahassee Film Society , the North Country Film Society, which represents upstate New York, the Rehoboth Beach Film Society in Delaware, The Case Western Reserve Film Society in Ohio, the Desert Film Society based in Palm Springs, CA [www.desertfilmsociety.com] and the Austin Film Society (AFS). The Tallahassee Film Society is a member of the International Federation of Film Societies. [edit] References
[edit] Bibliography
[edit] External links |
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