Film grammar Information & Film grammar Links at HealthHaven.com
advertise
add site
services
publishers
database
health videos
Bookmark and Share

search wiki for    ?
web dir firms image gallery news pdf wiki shop video 
about
toolbar
stats
live show
health store
more stuff
JOIN/LOGIN
Featured Results:
Supplies, Kodak Ultra-Speed Dental Film s, Kodak Insight Dental Film s,...
Supplies, Kodak Ultra-Speed Dental Films, Kodak Insight Dental Films,...
newlinemedical.com
 X-ray Film Processor|China X-ray Film Processor|X-ray Film Processor
X-ray Film Processor|China X-ray Film Processor|X-ray Film Processor
industry-medical.com
 Xtender Film Developer Film Processor For Dental Film
Xtender Film Developer Film Processor For Dental Film
lionsdentalsupply.com
 x-ray film s, xray film s, x ray film s, medical x-ray film s
x-ray films, xray films, x ray films, medical x-ray films
alphamedical.com
 

In film, film grammar is defined as follows:

  1. A frame is a single still image. It is analogous to a letter.
  2. A shot is a single continuous recording made by a camera. It is analogous to a word.
  3. A scene is a series of related shots. It is analogous to a sentence. The study of transitions between scenes is described in film punctuation.
  4. A sequence is a series of scenes which together tell a major part of an entire story, such as that contained in a complete movie. It is analogous to a paragraph.

The term film grammar is best understood as a creative metaphor, since the elements of film grammar described above do not stand in any strict relation of analogy to the components of grammar as understood by philology or modern linguistics.

D. W. Griffith has been called the father of film grammar. Few scholars still hold that his "innovations" really began with him, but Griffith was a key figure in establishing the set of codes that have become the universal backbone of film language. He was particularly influential in popularizing "cross-cutting"—using film editing to alternate between different events occurring at the same time—in order to build suspense. That being said, he still used many elements from the "primitive" style of movie-making that predated classical Hollywood's continuity system, such as frontal staging, exaggerated gestures, minimal camera movement, and an absence of point of view shots. Some claim, too, that he "invented" the close-up shot.

Credit for Griffith's cinematic innovations must be shared with his cameraman of many years, Billy Bitzer. In addition, he himself credited the legendary silent star Lillian Gish, who appeared in several of his films, with creating a new style of acting for the cinema.

[edit] See also




Product Results (view all...)

search wiki for    ?
web dir firms image gallery news pdf wiki shop video 



↑ top of page ↑about thumbshots