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This article is about the passive voice in English. For grammatical voices generally, including the passive voice in other languages, see Voice (grammar).
In English, as in many other languages, the passive voice is a grammatical voice in which the subject receives the action of a transitive verb. Passive voice emphasizes the process rather than who is performing the action. Passive (or passive verb[1]) refers more generally to verbs using this construction and the passages in which they are used. In English, a passive verb is periphrastic; that is, it does not have a one-word form, but consists of an auxiliary verb plus the past participle of the transitive verb. The auxiliary verb usually is a form of the verb to be, but other auxiliary verbs, such as get, are sometimes used. The passive voice can be used in any number of tenses. The process of changing an active verb into a passive one is called passivization. Passivization is a valence-decreasing process, and it is sometimes referred to as a detranzitivizing process, because it changes transitive verbs intro intransitives.[2] In the following passage from the Declaration of Independence, the passive verbs are bolded, while the active verb hold and the copulative verb are are italicized:
One can still introduce the actor of a passive verb using a by phrase as was done in the example above. When such a phrase is missing, the construction is called an agentless passive. Agentless passives are sometimes preferred in official writing because they are less confrontational, for instance when announcing someone's firing. Agentless passives are also used in scientific writing, where they are intended to provide an objective description in terms of processes rather than people. Using an agentless passive, a scientist may write:
without saying who actually did it, which is (or should be) irrelevant as far as the scientific process goes. This approach to scientific writing is not universally accepted, and some US organization, like the The Council of Biology Editors, have called for a more direct, active voice approach. Another entrenched use is the double passive construction used in American court reporting.[1] The active voice is the dominant voice in English at large, and many commentators, notably George Orwell in his essay "Politics and the English Language" and Strunk & White in The Elements of Style, have urged that the use of the passive voice should be minimized. However, there is general agreement that the passive is useful when the receiver of the action is more important than the doer.[3]
[edit] Usage and style[edit] Advice against the passive voiceMany critics and usage guides discourage the use of the passive voice.[3] This advice is not found in older guides, but emerged in the first half of the twentieth century.[4] Among the first writers to criticize the passive voice was Arthur Quiller-Couch, who wrote in 1916:
Two years later, William Strunk, Jr. cautioned against overuse of the passive voice in The Elements of Style, in a passage retained in later editions co-authored by E.B. White:
In his 1946 essay, "Politics and the English Language," George Orwell stated as one of his principal rules of composition, "Never use the passive where you can use the active." Many contemporary usage guides continue to advise against the passive voice, as in this 1993 example from The Columbia Guide to Standard American English:
[edit] Uses of the passive voiceIn spite of the widespread criticism, the passive voice does have important uses and is employed by all skilled writers of English.[8] Orwell's "Politics and the English Language" is itself an example; over 20% of its constructions are passive, an unusually high percentage.[3] Sentences using the passive voice are not necessarily lacking in vigor or directness:
According to Merriam–Webster's Dictionary of English Usage, the passive voice should be used when the receiver of the action is more important than the doer, or when the doer is unknown, unimportant, or perhaps too obvious to be worth mentioning, as in these examples:
The passive voice can also be used to make other changes to a sentence's emphasis, including emphasizing a modifying adverb or even the performer of the action: "The breakthrough was achieved by Burlingame and Evans, two researchers in the university’s genetic engineering lab."[10] The passive voice is sometimes used to conceal the performer of an action or the identity of a person responsible for a mistake: "We had hoped to report on this problem but the data was inadvertently deleted from our files."[10] It is this use of the passive voice, to evade responsibility, that has been the subject of greatest criticism.[3][10] The passive voice is often used in scientific writing because of the tone of detachment and impersonality that it helps establish.[3][10] However, some scientific journals prefer writers to use the active voice.[11] [edit] Passive constructions
In general, the passive voice is used to place focus on the grammatical patient, rather than the agent. This often occurs when the patient is the topic of the sentence. However, the passive voice can also be used when the focus is on the agent. [edit] Canonical passivesPassive constructions have a range of meanings and uses. The canonical use is to map a clause with a direct object to a corresponding clause where the direct object has become the subject. For example:
Here threw is a transitive verb with John as its subject and the ball as its direct object. If we recast the verb in the passive voice (was thrown), then the ball becomes the subject (it is "promoted" to the subject position) and John disappears:
The original "demoted" subject can typically be re-inserted using the preposition by.
[edit] Promotion of other objectsOne non-canonical use of English's passive is to promote an object other than a direct object. It is usually possible in English to promote indirect objects as well. For example:
In the active form, gave is the verb; John is its subject, Mary its indirect object, and a book its direct object. In the passive forms, the indirect object has been promoted and the direct object has been left in place. (In "A book was given to Mary", the direct object is promoted and the indirect object left in place. In this respect, English resembles dechticaetiative languages.) It is also possible, in some cases, to promote the object of a preposition:
In the passive form here, the preposition is "stranded"; that is, it is not followed by an object. (See Preposition stranding.) [edit] Promotion of content clausesIt is possible to promote a content clause that serves as a direct object. In this case, however, it typically does not change its position in the sentence, and an expletive it takes the normal subject position:
[edit] Stative passivesThe passives described above are all eventive (or dynamic) passives. Stative (or static, or resultative) passives also exist in English; rather than describing an action, they describe the result of an action. English does not usually distinguish between the two. For example:
This sentence has two different meanings, roughly the following:
The former meaning represents the canonical, eventive passive; the latter, the stative passive. (The terms eventive and stative/resultative refer to the tendencies of these forms to describe events and resultant states, respectively. The terms can be misleading, however, as the canonical passive of a stative verb is not a stative passive, even though it describes a state.) Some verbs do not form stative passives. In some cases, this is because distinct adjectives exist for this purpose, such as with the verb open:
[edit] Adjectival passivesAdjectival passives are not true passives; they occur when a participial adjective (an adjective derived from a participle) is used predicatively (see Adjective). For example:
Here, relieved is an ordinary adjective, though it derives from the past participle of relieve,[12] and that past participle may be used in canonical passives:
In some cases, the line between an adjectival passive and a stative passive may be unclear. [edit] Passives without active counterpartsIn a few cases, passive constructions retain all the sense of the passive voice, but do not have immediate active counterparts. For example:
(The asterisk here denotes an ungrammatical construction.) Similarly:
In both of these examples, the active counterpart was once possible, but has fallen out of use. [edit] Double passivesIt is possible for a verb in the passive voice—especially an object-raising verb—to take an infinitive complement that is also in the passive voice:
Commonly, either or both verbs may be moved into the active voice:
In some cases, a similar construction may occur with a verb that is not object-raising in the active voice:
(The question mark here denotes a questionably-grammatical construction.) In this example, the object of the infinitive has been promoted to the subject of the main verb, and both the infinitive and the main verb have been moved to the passive voice. The American Heritage Book of English Usage declares this unacceptable,[13] but it is nonetheless attested in a variety of contexts.[14] [edit] Other passive constructions[edit] Past participle aloneAlthough the passive voice, when used in the predicate verb of a complete sentence, requires the past participle to be accompanied by a form of be or another auxiliary verb, the past participle alone usually carries passive force; the auxiliary verb can therefore be omitted in certain circumstances:
[edit] Ergative verbsMain article: Ergative verb An ergative verb is a verb that may be either transitive or intransitive, and whose subject when it is intransitive plays the same semantic role as its direct object when it is transitive. For example, fly is an ergative verb, such that the following sentences are roughly synonymous:
One major difference is that the intransitive construction does not permit an agent to be mentioned, and indeed can imply that no agent is present, that the subject is performing the action on itself. For this reason, the intransitive construction of an ergative verb is often said to be in a middle voice, between active and passive, or in a mediopassive voice, between active and passive but closer to passive. [edit] Reflexive verbsA reflexive verb is a transitive verb one of whose object is a reflexive pronoun (myself, yourself, etc.) referring back to its subject. In some languages, reflexive verbs are a special class of verbs with special semantics and syntax, but in English, they typically represent ordinary uses of transitive verbs. For example, with the verb see:
Nonetheless, sometimes English reflexive verbs have a passive sense, expressing an agentless action. Consider the verb solve, as in the following sentences:
One could not say that the problem truly solved anything; rather, what is meant is that the problem was solved without anyone's solving it. Similarly, certain transitive verbs can take a subject referring to a person and an object referring to the same person or to one of his body parts, again with a passive sense.[16] Consider the verb break:
The two sentences are almost synonymous, but the explicit passive construction is less idiomatic. [edit] Gerunds and nominalizationGerunds and nominalized verbs (nouns derived from verbs and referring to the actions or states expressed by them), unlike finite verbs, do not require explicit subjects. This allows an object to be expressed while omitting a subject. For example:
The same applies to infinitive constructions:
[edit] Misuse of termThe term "passive voice" is sometimes misused to refer to sentence constructions that do not clearly identify the agent of the action described.[17] An example is the following passage from The New Yorker, which refers to Bernard Madoff and in which the misidentified "passive" verbs have been bolded:
In actuality, would end and began are intransitive verbs in the active voice.[19] However, the way in which the speaker uses them subtly diverts responsibility. While the passive voice is often criticized for its allowance of this practice, this example demonstrates how active constructions can also achieve this result. Strunk & White, in The Elements of Style, apply the term to several constructions that are technically active. Geoffrey Pullum writes:
[edit] Notes
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