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Enûma Eliš
Atra-Hasis
Marduk & Sarpanit
Nabu, Nintu
Agasaya, Bel
Qingu

The Enûma Eliš is the Babylonian creation myth (named after its opening words). It was recovered by Henry Layard in 1849 (in fragmentary form) in the ruined Library of Ashurbanipal at Nineveh (Mosul, Iraq), and published by George Smith in 1876.[1]

The Enûma Eliš has about a thousand lines and is recorded in Old Babylonian on seven clay tablets, each holding between 115 and 170 lines of text. Most of Tablet V has never been recovered, but aside from this lacuna the text is almost complete. A duplicate copy of Tablet V has been found in Sultantepe, ancient Huzirina, located near the modern town of Şanlıurfa in Turkey.

This epic is one of the most important sources for understanding the Babylonian worldview, centered on the supremacy of Marduk and the creation of humankind for the service of the gods. Its primary original purpose, however, is not an exposition of theology or theogony, but the elevation of Marduk, the chief god of Babylon, above other Mesopotamian gods.

The Enûma Eliš exists in various copies from Babylonia and Assyria. The version from Ashurbanipal's library dates to the 7th century BC. The story itself probably dates to the 18th century BC, the time when the god Marduk seems to have achieved a prominent status.

Contents

[edit] Summary

The title, meaning "when on high" is the incipit. The first tablet begins:

e-nu-ma e-liš la na-bu-ú šá-ma-mu
šap-liš am-ma-tum šu-ma la zak-rat
ZU.AB-ma reš-tu-ú za-ru-šu-un
mu-um-mu ti-amat mu-al-li-da-at gim-ri-šú-un
A.MEŠ-šú-nu iš-te-niš i-ḫi-qu-ú-šú-un
gi-pa-ra la ki-is-su-ru su-sa-a la she-'u-ú
e-nu-ma dingir dingir la šu-pu-u ma-na-ma
When the sky above was not named,
And the earth beneath did not yet bear a name,
And the primeval Apsû, who begat them,
And chaos, Tiamat, the mother of them both,
Their waters were mingled together,
And no field was formed, no marsh was to be seen;
When of the gods none had been called into being.

The epic names two primeval gods: Apsû (or Abzu) and Tiamat. Several other gods are created (Ea and his brothers) who reside in Tiamat's vast body. They make so much noise that the babel or noise annoys Tiamat and Apsû greatly. Apsû wishes to kill the young gods, but Tiamat disagrees. The vizier, Mummu, agrees with Apsû's plan to destroy them. Tiamat, in order to stop this from occurring, warns Ea (Nudimmud), the most powerful of the gods. Ea uses magic to put Apsû into a coma, then kills him, and shuts Mummu out. Ea then becomes the chief god, and along with his consort Damkina, has a son, Marduk, greater still than himself. Marduk is given wind to play with and he uses the wind to make dust storms and tornadoes. This disrupts Tiamat's great body and causes the gods still residing inside her to be unable to sleep.

They persuade Tiamat to take revenge for the death of her husband, Apsû. Her power grows, and some of the gods join her. She creates 11 monsters to help her win the battle and elevates Kingu, her new husband, to "supreme dominion." A lengthy description of the other gods' inability to deal with the threat follows. Ultimately, Marduk is selected as their champion against Tiamat, and becomes very powerful. He defeats and kills Tiamat, and forms the earth from her corpse. The subsequent hundred lines or so constitute the lost section of Tablet V.

The gods who sided with Tiamat are initially forced to labor in the service of the other gods. They are freed from their servitude when Marduk decides to slay Kingu and create humankind from his blood. Babylon is established as the residence of the chief gods—the chief gods who made much babel or noise. Finally, the gods confer kingship on Marduk, hailing him with fifty names. Most noteworthy is Marduk's symbolic elevation over Enlil, who was seen by earlier Mesopotamian civilizations as the king of the gods.

[edit] Relationship with the Hebrew Bible

The ancient Mesopotamians and Hebrews both believed that the earth was a flat circular disc surrounded by a saltwater sea. Since the Mesopotamian myth is considered to be older than the Hebrew Bible, the former is assumed to be the original story[citation needed], which - based on the similarities between the two - was used as base material by the ancient Hebrews to formulate their own version.[citation needed] The habitable earth was a single giant continent inside this sea, and floated on a second sea, the freshwater apsu, which supplied the water in springs, wells and rivers and was connected with the saltwater sea. The sky was a solid disk above the earth, curved to touch the earth at its rim, with the dwelling of the gods above the sky or on top of the solid sky, and sometimes the gods were denizens of the heights between the earth and the sky. So far as can be deduced from clues in the in the creation story in the Hebrew Bible and in the New Testament's Matthew 4:8, the ancient Hebrew geography was identical with that of the Babylonians: a flat circular earth floating above a freshwater sea, surrounded by a saltwater sea, with a solid sky-dome (raqia, the "firmament") above. It is the creation of this world which Enûma Eliš and Genesis 1 describe.[2][3]

The Hebrew of Genesis 1:1-3 can be taken as describing the state of chaos immediately prior to God's creation:[4]

In the beginning of God's creating the skies and the earth, when the earth had been shapeless and formless, and darkness was upon the face of the deep, and God's spirit was hovering on the face of the water, God said, 'Let there be light!'[5]

In both Enûma Eliš and Genesis, creation is an act of divine speech; the Enûma Eliš describes pre-creation as a time "when above, the sky or heights had not been named, and below the earth had not been called by name", while in Genesis each act of divine creation is introduced with the formula: "And God said, let there be...". The sequence of creation is similar: light, firmament, dry land, luminaries, and man. This sequence is naturally to be expected of any creation account. In both Enûma Eliš and Genesis the primordial world is formless and empty (the tohu wa bohu of Genesis 1:2), the only existing thing the watery abyss which exists prior to creation (the god of Tiamat in the Enûma Eliš, tehom, the "deep", a linguistic cognate of tiamat[citation needed], in Genesis 1:2). In both, the firmament, conceived as a solid inverted bowl, is created in the midst of the primeval waters to separate the sky or heights from the earth (Genesis 1:6–7, Enûma Eliš 4:137–40). Day and night precede the creation of the luminous bodies (Gen. 1:5, 8, 13, and 14ff.; Enûma Eliš 1:38), whose function is to yield light and regulate time (Gen. 1:14; Enuma Elish 5:12–13). In Enuma Elish, the gods consult before creating man (6:4), while Genesis has: "Let us make man in our own image..." (Genesis 1:26) – and in both, the creation of man is followed by divine rest. "Thus, it appears that the so-called priestly source of the documentary hypothesis account echoes this earlier Mesopotamian story of creation."[citation needed]

[edit] Notes

  1. ^ G. Smith, "The Chaldean Account of Genesis" (London, 1876).
  2. ^ Seeley The Geographical Meaning of "Ëarth" and "Seas" in Genesis 1:10, Westminster Theological Journal 59 (1997), p.246
  3. ^ Paul H. Seely, The Firmament and the Water Above, Westminster Theological Journal 53 (1991)
  4. ^ Harry Orlinsky, Notes on the New JPS Translation of the Torah: Genesis 1:1-3 (1969), at voiceofiyov.blogspot.com
  5. ^ Friedman, Richard Elliot. The Bible with Sources Revealed, Harper, 2003. See also the New JPS Bible, 1999, in which Harry Orlinsky replaces Friedman's "spirit" with what he argues is the more contextually accurate "wind".

[edit] Editions and translations

  • Seven Tablets of Creation, Luzac's Semitic Text and Translation Series, No 12 & 13, ISBN 978-0404113445 (1973).
  • L. W. King, Enuma Elish: The Seven Tablets of Creation, London (1902); 1999 reprint ISBN 978-1585090433; 2002 reprint ISBN 1402159056.
  • Anton Deimel, Enuma eliš (1936).
  • W. C. Lambert, S. B. Parker, Enuma Eliš. The Babylonian Epic of Creation, Oxford (1966).
  • D. D. Luckenbill, The Ashur Version of the Seven Tablets of Creation, The American Journal of Semitic Languages and Literatures, Vol. 38, No. 1 (Oct., 1921), pp. 12-35 .

[edit] See also

[edit] References

  • F. N. H. Al-Rawi, J. A. Black, A New Manuscript of Enūma Eliš, Tablet VI, Journal of Cuneiform Studies (1994).
  • H. L. J. Vanstiphout, Enūma eliš: Tablet V Lines 15-22, Journal of Cuneiform Studies (1981).
  • B. Landsberger, J. V. Kinnier Wilson, The Fifth Tablet of Enuma Eliš, Journal of Near Eastern Studies (1961).
  • Arvid S. Kapelrud, The Mythological Features in Genesis Chapter I and the Author's Intentions, Vetus Testamentum (1974) (jstor link).
  • Alexander Heidel, "Babylonian Genesis" (1951) (google books link)

[edit] External links




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