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For other uses, see Destiny (disambiguation). Destiny refers to a predetermined course of events.[1] It may be conceived as a predetermined future, whether in general or of an individual. It is a concept based on the belief that there is a fixed natural order to the cosmos.
[edit] Different concepts of destiny and fateDestiny may be envisaged as fore-ordained by the Divine (for example, the Protestant concept of predestination) or unfolding through the exertions of human will (for example, in the American concept of Manifest Destiny). A sense of destiny in its oldest human sense remains still in the soldier's fatalistic image of the "bullet that has your name on it" or the moment when your number "comes up," or the flowering of a romance that was "meant to be." In Greek mythology, the human sense that there must be a hidden purpose in the random choices of the lottery governs the selection of Theseus to be among the youths to be sacrificed to the Minotaur. Destiny may be seen either as a fixed sequence of events that is inevitable and unchangeable, or that individuals choose their own destiny by choosing different paths throughout their life. [edit] Destiny in literature and popular cultureMany Greek legends and tales teach the futility of trying to outmaneuver an inexorable fate that has been correctly predicted. This form of irony is important in Greek tragedy, as it is in Oedipus Rex and in the Duque de Rivas' play that Verdi transformed into La Forza del Destino ("The Force of Destiny") or Thornton Wilder's The Bridge of San Luis Rey, or in Macbeth's uncannily-derived knowledge of his own destiny, which in spite of all his actions does not preclude a horrible fate. This aspect is succinctly told by W. Somerset Maugham from an Arab tale:
Other notable examples include Thomas Hardy's Tess of the d'Urbervilles, in which Tess is destined to the miserable death that she is confronted with at the end of the novel; Samuel Beckett's Endgame"; the popular short story "The Monkey's Paw" by W.W. Jacobs; and the M. Night Shyamalan film Signs. Destiny is a recurring theme in the literature of Hermann Hesse (1877-1962), including Siddharta (1922) and his magnum opus, Das Glasperlenspiel, also published as The Glass Bead Game (1943). The common theme of these works involves a protagonist who cannot escape a destiny if their fate has been sealed, however hard they try. Destiny is also an important plot point in the hit TV shows Lost, Heroes and Supernatural, as well a common theme in the Roswell TV series. [edit] Divination of destinySome believe that one's destiny may be ascertained by divination or proclaimed as the prophecy of a prophet or sibyl. In the belief systems of many cultures, one's destiny can only be learned about through a shaman, babalawo, saint or seer. In the Shang dynasty in China, turtle bones were thrown ages before the I Ching was codified. Arrows have been tossed to read destiny, from Thrace to pagan Mecca. In Yoruba traditional religion, the Ifá oracle is consulted via a string of sixteen cowries or kola nuts whose pattern when thrown on to a wooden tray represents the 256 possible combinations whose named "chapters" are recited and verses interpreted for the client by the babalawo. The Ifa Divination system was added in 2005 to the UNESCO list of Masterpieces of the Oral and Intangible Heritage of Humanity. On the level of folklore, there have been multifarious methods for European maidens to detect in advance the husband for whom they were fated. [edit] Destiny versus fateAlthough the words are used interchangeably in many cases, fate and destiny can be distinguished. Modern usage defines fate as a power or agency that predetermines and orders the course of events. Fate defines events as ordered or "inevitable". Fate is used in regard to the finality of events as they have worked themselves out; and that same sense of finality, projected into the future to become the inevitability of events as they will work themselves out, is Destiny. In classical and European mythology, there are three goddesses dispensing fate, The "Fates" known as Moirae in Greek mythology, as Parcae in Roman mythology, and Norns in Norse mythology; they determine the events of the world through the mystic spinning of threads that represent individual human destinies. One word derivative of "fate" is "fatality", another "fatalism". Fate implies no choice, and ends fatally, with a death. Fate is an outcome determined by an outside agency acting upon a person or entity; but with destiny the entity is participating in achieving an outcome that is directly related to itself. Participation happens willfully. Used in the past tense, "destiny" and "fate" are both more interchangeable, both imply "one's lot" or fortunes, and include the sum of events leading up to a currently achieved outcome (e.g. "it was her destiny to be leader" and "it was her fate to be leader"). Fate can involve things which are bound within and subject to larger networks. A set of mathematical functions arranged in a grid and interacting in defined ways is Fatelike. Likewise the individual statues in a larger work of counterpoint art are aesthetically Fated within the work. In each case Fate is external to every individual component, but integral to the network. Every component acts as Fate for every other component. The entire world can be seen as existing within such a network, a kind of mythical spiderweb controlled by unseen forces. Fortune and Destiny (Gad and Meni) appear as gods in Isaiah 65:11.[3] [edit] Destiny and "Fortune"In Hellenistic civilization, the chaotic and unforeseeable turns of chance gave increasing prominence to a previously less notable goddess, Tyche, who embodied the good fortune of a city and all whose lives depended on its security and prosperity, two good qualities of life that appeared to be out of human reach. The Roman image of Fortuna, with the wheel she blindly turned was retained by Christian writers, revived strongly in the Renaissance and survives in some forms today.[4] [edit] Destiny and KismetMain article Predestination in Islam The word kismet derives from the Arabic word qismah, and entered the English language via the Turkish word kısmet, meaning either "the will of Allah" or "portion, lot or fate". In English, the word is synonymous with fate or destiny. The word is also part of mainstream Hindi and is spelled किस्मत and when written in English in the Indian sub-continent is spelled kismat. [edit] Destiny and PhilosophyIn daily language destiny and fate are synonymous, but with regards to 20th century philosophy the words gained inherently different meanings. For Arthur Schopenhauer destiny was just a manifestation of the Will to Live. Will to Live is for him the main aspect of the living. The animal cannot be aware of the Will, but men can at least see life through its perspective, though it is the primary and basic desire. But this fact is a pure irrationality and then, for Schopenhauer, human desire is equally futile, illogical, directionless, and, by extension, so is all human action. Therefore, the Will to Live can be at the same time living fate and choice of overrunning the fate same, by means of the Art, of the Morality and of the Ascesis. For Nietzsche destiny keeps the form of Amor fati (Love of Fate) through the important element of Nietzsche's philosophy named "will to power" (der Wille zur Macht), basis of human behavior, influenced by the Will to Live of Schopenhauer . But this concept may have even other senses, although he, in various places, saw the Will to power as an strong element for adaptation or survival in a better way. [5] In its later forms Nietzsche's concept of the will to power applies to all living things, suggesting that adaptation and the struggle to survive is a secondary drive in the evolution of animals, less important than the desire to expand one’s power. Nietzsche eventually took this concept further still, and transformed the idea of matter as centers of force into matter as centers of will to power as mankind’s destiny to face with amor fati. The expression Amor fati is used repeatedly by Nietzsche as acceptation-choice of the fate, but in such way it becomes even an other thing, precisely a “choise” destiny . We find that in § 276 of The Gay Science, where he wrote:
Quote from "Why I Am So Clever" in Ecce Homo, section 10[6]:
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