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The Wilhelmus (Luxembourgish: De Wilhelmus) is the royal anthem of Luxembourg.
[edit] HistoryThe origin of the anthem of the Grand Ducal House dates back a very long time. Experts point to a common origin with the Dutch ‘Wilhelmus’, the national anthem of the Netherlands. There is a clue leading directly from the ‘Wijse van Condé’ to the Dutch ‘Wilhelmus’, but this is not true in the case of the Luxembourg ‘Wilhelmus’, which is referred to as ‘het nieuwe’ or ‘het moderne Wilhelmus’ by Dutch musicologists. While composing the theme for his variations for keyboard (KV 25), Wolfgang Amadeus Mozart used the Luxembourg ‘Wilhelmus’ and not the Dutch melody ‘Willem van Nassau’. The theme of these variations was suggested to him by Princess Caroline of Nassau-Weilburg. Therefore, we have reasons to believe that for a very long time, a ‘Wilhelmus’ very different from the Dutch version was in use in the Nassau-Weilburg family. This ‘Wilhelmus’ is inspired by a trumpet call or a cavalry fanfare of which we have no written trace earlier than the 16th century. The melody is found in the ‘oude Geuzenlied’ printed in 1581. This melody was used by Philippe Manternach in 1883 for his march ‘Vive le Roi! Vive la Reine!’ composed on the occasion of the visit by William III and Queen Emma to Luxembourg. A few years later, Duke Adolphe was welcomed with the ‘Wilhelmus’ apostrophised as the national anthem along with the song ‘Ons Hémecht’ (Our Homeland). In 1915, to commemorate the centenary of the Congress of Vienna, the first Luxembourg text of the ‘Wilhelmus’ was published by Willy Goergen. This text was reworked in 1939 but did not become established. In 1919, on the occasion of the marriage of Grand Duchess Charlotte to Prince Félix, Nikolaus Welter found the inspiration to ‘create an anthem for the House of Luxembourg-Nassau-Bourbon’. At the Te Deum of 23 January 1920, it was performed for the first time by the cathedral choir. The melody was harmonized for a choir with four equal voices by Jean-Pierre Beicht, organist at Luxembourg Cathedral. Subsequently, Welter dropped the first verse, which was marked too strongly by events of the time, leaving us with the following text today: [edit] Lyrics
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