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For the 1956 documentary film, see The Dark Wave.
Dark wave, also written as darkwave, is a music genre that began in the late 1970s, coinciding with the popularity of New Wave and post-punk. Building on those basic principles,[1] dark wave added dark, introspective lyrics and an undertone of sorrow for some bands. In the 1980s, a subculture developed alongside dark wave music, whose members were called "wavers"[2][3] or "dark wavers".[4][5] The British post-punk groups that inspired Gothic rock provided initial impetus for the movement. As a result, dark wave is linked to the Goth subculture.[6][7]
[edit] History [edit] 1980sThe term was coined in Europe in the 1980s to describe a dark and melancholy variant of New Wave and post-punk music, such as Gothic rock and dark Synthpop, and was first applied to musicians such as Bauhaus,[8] Joy Division,[9][10][11] The Cure,[10][12] and Siouxsie & the Banshees,[10] The Chameleons,[10] New Order,[13] Cocteau Twins, Anne Clark, Killing Joke, Chris and Cosey, Fad Gadget, Soft Cell, Gary Numan and Depeche Mode.[12] The movement spread internationally, spawning such developments as French coldwave. Coldwave described groups such as KaS Product,[14] Martin Dupont, Asylum Party, Norma Loy, Clair Obscur, Opera Multi Steel, The Breath of Life, and Trisomie 21. Subsequently, different dark wave genres merged and influenced each other, e.g. electronic New Wave music (also called Electro Wave in Germany) with Gothic rock, or used elements of ambient and post-industrial music. Attrition,[15] In The Nursery and Pink Industry (UK), Clan of Xymox (Netherlands), mittageisen (Switzerland),[16] Die Form (France), and Psyche (Canada) played this music in the 1980s. German dark wave groups of the 1980s were associated with the Neue Deutsche Welle, and included Asmodi Bizarr, II. Invasion, Unlimited Systems, Mask For, Moloko †, Maerchenbraut,[17] and Xmal Deutschland. In Italy bands like Litfiba and Diaframma was reaching also some commercial success.  [edit] 1990sAfter the new wave and post-punk movements faded in the mid-1980s, dark wave was renewed as an underground movement by German bands such as Deine Lakaien,[17][18] Love Is Colder Than Death, early Love Like Blood,[19] and Diary of Dreams,[20] as well as Project Pitchfork,[17] and Wolfsheim.[21] The Italians The Frozen Autumn, Ataraxia, and Nadezhda,[22] the South African band The Awakening and the French Corpus Delicti, also practiced the style. All of these bands followed a path based on the New Wave and post-punk movements of the 1980s. At the same time, a number of German artists, including Das Ich,[17][20] Relatives Menschsein and Lacrimosa, developed a more theatrical style, interspersed with German poetic and metaphorical lyrics, called Neue Deutsche Todeskunst (New German Death Art). Other bands, such as Silke Bischoff, In My Rosary and Engelsstaub mingled dark synthpop or Goth rock with elements of the Neofolk or Neoclassical genres.[20] After 1993, in the United States, the term dark wave (as the one-word variant darkwave) became associated with the Projekt Records label, because it was the name of their printed catalog, and was used to market German artists like Project Pitchfork in the U.S. Projekt features bands such as Lycia, Black Tape for a Blue Girl, and Love Spirals Downwards, all characterized by ethereal female vocals.[23] This style took cues from 1980s bands, like Cocteau Twins. This music is often referred to as Ethereal Darkwave.[24] The label has also had a long association with Attrition, who appeared on the label's earliest compilations. Another American label in this vein was Tess Records, which featured This Ascension and Faith and the Muse.[25] Clan of Xymox, who had returned to their 1980s sound, following almost a decade as the more synthpop Xymox, also signed to Tess in 1997. Joshua Gunn, a professor of communication studies at Louisiana University, described American darkwave as
 [edit] Wave-atypical influencesA number of other U.S. bands mixed elements of dark wave and ethereal wave with later developments in electronic music. Love Spirals Downwards, Collide, and Switchblade Symphony incorporated elements of trip hop, while The Crüxshadows combined a range of contemporary electronic dance music elements with their synth-based alternative rock style. [edit] BibliographyMercer, Mick. Hex Files: The Goth Bible. New York: The Overlook Press, 1997. [edit] References
[edit] External links
[edit] See also
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