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Dark Star is a 1974 American sci-fi tongue-in-cheek comedy motion picture directed by John Carpenter and co-written with Dan O'Bannon.
[edit] PlotIn the middle of the 22nd century, mankind has reached a point in its technological advances to enable colonization of the far reaches of the universe. Armed with intelligent "Exponential Thermostellar Bombs", the scout ship Dark Star and its crew have been in space alone for twenty years on a mission to destroy "unstable planets" which might threaten future colonization. Meanwhile, the ship's crew, consisting of Lt. Doolittle (who dreams of surfing back in Malibu), Sgt. Pinback, Boiler and Talby (who has become reclusive and spends all his time in the ship's dome). Their Commander, Powell, has died and exists only via cryogenic supports. The crew perform their jobs in a state of abject boredom as the tedium of their task has driven the crew up the wall. Sgt. Pinback claims to be liquid fuel specialist Bill Froog, who accidentially takes Pinback's place on the mission after failing to rescue Pinback from committing suicide by wading into a fuel tank before the mission. However, this may be evidence of Pinback's space madness and desire to go home as he makes these claims after one year of being on the ship and demands to be sent home. Pinback adopts a ship's mascot in the form of a mischievous alien "beachball with claws" that refuses to stay put in the food locker and forces Pinback to chase it all over the ship. The computer is malfunctioning, with parts of the ship burnt out and others simply blown up. After damage suffered in an asteroid storm, Thermostellar Bomb #20 threatens to detonate while still in the ship's bomb bay. The other crew members attempt to talk the bomb out of blowing up. Doolittle revives Commander Powell who advises them to teach the bomb the rudiments of phenomenology, resulting in a memorable philosophical conversation between Doolittle and the bomb. Bomb #20 retreats to the bomb bay for contemplation, and disaster seems to have been averted. Pinback addresses the bomb over the intercom to finally disarm it. The bomb misinterprets Doolittle's phenomenology and believes itself to be God and explodes killing Pinback and Boiler instantly. Commander Powell is fired off into space encased in a large block of ice, Talby drifts off into the Phoenix Asteroids to die and circle the universe, and Doolittle surfs down to the unstable planet on a piece of debris to burn up in the atmosphere. [edit] Production[edit] ScreenplayDirector John Carpenter and Dan O'Bannon wrote the screenplay. Six years later, the basic "Beachball with Claws" subplot of the film was reworked from comedy to horror, and became the basis for the O'Bannon-scripted science fiction horror classic, Alien.[1] [edit] FilmingWorking on a 60,000 budget,[2] Carpenter and O'Bannon had to make production design from scratch. In the "elevator" sequence the bottom of the elevator is actually rolling on the floor. The device used to roll the elevator base was actually a Moviola camera dolly normally used on the small sound stage in the old USC Cinema building (itself once a horse stable). The steering end of the dolly can be seen as part of the "elevator" underside. Talby's starsuit backpack is made from Styrofoam packing material - probably from a TV set - and his spacesuit chestplate is made from a muffin tray. The double rows of large buttons on the bridge consoles are ice cube trays illuminated from beneath. Sergeant Pinback's video diary is an 8-track tape and the machine he uses to read it and record it is a microfiche reader.[3] O'Bannon also starred in the film in the role of Sgt. Pinback. [edit] Special effectsThe special effects in the movie were done by Dan O'Bannon, ship design by Ron Cobb, model work by O'Bannon and Greg Jein, and animation was by Bob Greenberg, all of which are considered impressive for a student work.[citation needed] The bombs are made from an HO scale piggyback trailer kit and parts of 1/25th scale model car kits; "Matra", the name of the car, can be seen on some parts in some shots. The space suits are made to resemble the space suit of the Mattel action figure "Major Matt Mason", which was used in slightly modified form as a miniature for effects shots. Cobb drew the original design for the "Dark Star" ship on a napkin while they were eating at the International House of Pancakes.[3] [edit] DistributionAlthough destined for eventual theatrical release in 1974, this was only possible as a consequence of a successful series of showings at a number of film festivals in 1973. Originally the film was a 45 minute student short filmed on 16mm film. The movie was seen by producer Jack H. Harris, who gained the theatrical distribution rights to the film, and arranged for it to be transferred to 35mm, and paid for the addition of 38 minutes which brought the movie up to feature film length.[citation needed] Because Harris annoyed director John Carpenter during filming, Carpenter got revenge by having a computer screen flash "FUCK YOU HARRIS" during the film.[3] [edit] Reception[edit] Critical responseRotten Tomatoes gives the film an 80% fresh rating, with the following consensus: "A loopy 2001 satire, Dark Star may not be the most consistent sci-fi comedy, but its portrayal of human eccentricity is a welcome addition to the genre."[4] Roger Ebert gave the film three stars, writing: "Dark Star is one of the damnedest science fiction movies I've ever seen, a berserk combination of space opera, intelligent bombs, and beach balls from other worlds."[5] [edit] LegacyDark Star was ranked #95 on Rotten Tomatoes' Journey Through Sci-Fi.[6] [edit] AnalysisCarpenter has described Dark Star as "Waiting for Godot in space."[7] The ending of the film, where – after the ship is destroyed – Talby drifts off with the Phoenix asteroids, and Doolittle becomes a falling star in the atmosphere of a planet, is derived from the 1949 short story "Kaleidoscope" by Ray Bradbury, from the collection The Illustrated Man.[8] [edit] SoundtrackThe theme song played during the opening and closing credits is "Benson, Arizona". The music was written by John Carpenter, and the lyrics by Bill Taylor.[9] [edit] Further reading
[edit] References
[edit] External links
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